Tag Archive: Erica Durance


We’re three episodes into the CW’s Crisis on Infinite Earths crossover event, sixth of the now annual efforts to get interest from the audience of Arrow, The Flash, Legends of Tomorrow, Supergirl, Batwoman, or Black Lightning in more than just one of their several adaptions of DC Comics.  The Crisis crossover has so far aired during Supergirl, Batwoman, and The Flash, and is now streaming on the CW app, continuing January 14 with episodes on Arrow and Legends of Tomorrow.  If you’re able to not be critical of all its flaws, you may be able to sit back and have fun with all the cameos and guest stars.  But the clunky writing and even clunkier dialogue may also leave you thinking about what could be–what could be done with the DC characters if only someone would put forth some extra effort.  Nobody expects TV series to produce the results you get with a movie budget, yet so far CW’s series have been more faithful to the spirit of the comic book source material than DC at the theaters (this year’s movie Shazam! as the welcome exception).  With all the money going into so many related series, why not cut a few of the series and combine efforts to focus more on compelling combined team scripts?  The actors are great, a cut above the material they’re working from, and it’s difficult to watch the crossover event and not wish executive producer Marc Guggenheim & Co. would give the actors something more.

Sure, it’s tough to cram so many characters into so few minutes.  But you also don’t want your fans making excuses for you.  We like fan service, a term host Kevin Smith uses a few times in his after show to describe this crossover, but how about that extra push to boost the quality?  That said, there is something for every taste in the Crisis crossover, and if you’re willing to sit back and let it all come at you, you’re going to find some great efforts to pull at your nostalgia strings.  Everyone involved, especially as they discuss their efforts in the after show, seem to love the material.  The overall big wins include John Wesley Shipp, who still holds the title for all-time best superhero adaptation, returning again for some scenes as the Flash from his 1990-91 series, Brandon Routh playing both his regular series character The Atom and donning the cape again he wore as the big-screen Superman in Superman Returns, and Matt Ryan, who couldn’t be more dead-on from the comics in his performance, reprising his role as John Constantine (more Justice League Dark, please!).

In part, the CW is stuck because of deals and studios, which (sort of) explains no Wonder Woman, Green Lantern, Aquaman, (yet two Supermans?) or big-screen Batman actor–although voice actor Kevin Conroy has a legion of fans who are probably more than happy to see him take a turn as a Kingdom Come-inspired Bruce Wayne.  Having a voice actor who doesn’t look like any comic version of Batman is just something you have to go with here–maybe close your eyes and imagine him in the animated Batman series.

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Review by C.J. Bunce

For all the hype, CW Network’s latest series adapting DC Comics had an uneventful start this week.  After Arrow, The Flash, DC’s Legends of Tomorrow, Supergirl, Black Lightning, and several crossovers, Batwoman is the next crimefighter to throw her dagger-lined gloves into the ring.  The pilot is a straightforward introduction following the Greg Berlanti model of the other CW Network shows:  A voiceover by the caped hero/heroine, backstory training in a far off strange land, and a tidy origin tied up in a bow with a closely-connected villain, to be the focus of conflict over the course of the first season.  And like the other series, excepting the later introduction of Superman in Supergirl and crossovers, there’s no expectation that one of the biggest characters of the DC line-up will ever show.  In this case, that means Batman, but the set-up for the first episode of Batwoman pretty much requires an appearance at some point in the show’s future.

Batwoman is Kate Kane, played by Ruby Rose, who has had cameo appearances in the other CW series, starred opposite Jason Statham in last year’s summer action flick The Meg, and she got to show her skills as a badass character in John Wick: Chapter 2, the last Resident Evil, and appeared opposite Vin Diesel in xXx: The Return of Xander Cage.  She brings an edgy quality that matches the comic book superheroine, complete with tattoos that would distract from any other character but works for Kate Kane.  Batwoman changes the course for the CW Arrowverse, with real-world issues of lesbians in the military, gender identity, and bias, so hopefully the series ultimately finds the right balance to match that edginess.  The first episode very much reflects that less-than-edgy quality of Arrow.  But it’s only the beginning, and the other series in this genre took some time to get going, too.  Sorry–Rose doesn’t don that cool red supersuit in the first episode.

The only question is whether Ruby Rose, who seems to fit perfectly into the superheroine role and this take on the comic book story, can match the charisma and acting of series antagonist Rachel Skarsten, who plays Alice, an Alice in Wonderland-inspired villain who isn’t really who you think she is.  It feels early to let loose an identity bombshell, but Batwoman’s writers jump right in, revealing what you’d think would be big secrets (we won’t disclose them here).  Skarsten has had her share of fantastic badass roles, too.  She was Dinah Lance in the original Birds of Prey, Tamsin the Valkyrie in Lost Girl, and she was the young Queen Elizabeth on Reign.  Skarsten’s Alice has some similarities of the Arkham Asylum variety as that millennial-favorite character Harley Quinn, but Skarsten’s level of acting is more subtle and polished than we’ve ever seen Harley portrayed.

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Review by C.J. Bunce

Primarily in-universe looks at the first three seasons of ABC/CW’s series Supergirl and the first four seasons of CW’s The Flash, two new books offer up a complete look at the superheroes, their encounters, and the extensive and diverse world of supporting characters in the shows.  The last of the series to round out CW’s Arrowverse–the live-action world of DC Comics characters outside the movies–Supergirl, the series, revolves around the famous daughter of Krypton created by the performance of Supergirl aka Kara Danvers actor Melissa Benoist.  The character’s personality comes to the surface in Supergirl: The Secret Files of Kara Danvers, a diary style guide to the TV series, which includes a three-season episode guide.  It’s a companion to both Arrow: Oliver Queen’s Dossier (previously reviewed here at borg) and S.T.A.R. Labs: Cisco Ramon’s Journal, and another new book in the series, The Flash: The Secret Files of Barry Allen, another diary style book documenting the latest incarnation of the superhero aka Barry Allen, as portrayed by Grant Gustin.

The first takeaway of these books is the breadth of stories that have been adapted from the comic books into these series.  The guest actors fill in the world from the comic books, and for older viewers, they conjure a bit of nostalgia, several from past superhero incarnations, from the movie version’s Helen Slater to Smallville’s Erica Durance and Sam Witwer, Lois and Clark’s Teri Hatcher and Dean Cain, Heroes’ Bruce Boxleitner and Adrian Pasdar, Hercules’ Kevin Sorbo, and the original Wonder Woman, Lynda Carter.  The wealth of villains alone in The Flash series makes The Flash: The Secret Files of Barry Allen a must-have for CW Arrowverse fans.

Both books feature dossiers of the good guys and the bad guys you need to know about, whether based in National City for Kara Danvers or Central City for Barry Allen.

Here are previews of each book, published by Amulet Books, an imprint of Abrams:

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Eliza Dushku Tru Calling

Between 2003 and 2005, Fox aired one of the best supernatural thrillers to date. Fans of Eliza Dushku, missing her superb performance as vampire slayer Faith on Buffy the Vampire Slayer, could get their fix with Tru Calling.  After years of sitting on the shelf Tru Calling is finally being re-broadcast Wednesday nights on the Chiller cable network.

Eliza Dushku’s first starring vehicle of her post-Buffy days, Tru Calling had an excellent sci-fi premise, Medium meets Groundhog Day.  Medical student Tru (Dushku) gets a part-time job in the morgue and discovers that the recently deceased can ask for her help, causing her to relive their final days, in the hopes of saving their lives or solving their murders.

Tru Calling is one of those forgotten series that made our borg.com10 TV series that didn’t make it (but should have)” list back in 2011.   Lots better than Dushku’s role on Dollhouse, Tru Calling also was the first time we noticed many current genre favorites.  Tru’s co-worker mentor in the morgue was played by The Hangover‘s Zach GalifianakisMatt Bomer (White Collar, Chuck, Space Station 76) played Tru’s boyfriend.  But several more actors were barely known then, and featured in guest spots on the show.

Tru Calling

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