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Tag Archive: Fallen


Review by C.J. Bunce

The best way to watch Get Out is to know nothing about the film’s conflict.  It’s enough to know that it follows an African-American man named Chris (played by Daniel Kaluuya) whose Anglo girlfriend of five months named Rosie (played by Allison Williams) takes him home to a secluded, forested town to experience the time-honored ritual of “meeting the parents.”  Chris’s best pal back home, Rodney (played by LilRel Howery), who works for the TSA and is watching his dog and his apartment, warns him not to go just like any friend who is looking out for his buddy.  What follows is your typical, awkward first meeting of the parents, which corresponds with an annual town party where Chris gets to meet all the locals.

But is this really a typical encounter?

One by one, elements of the town don’t seem quite right.  Is Chris just being paranoid?  As with Midnight Special, we’ll hold back on the rest of the details, even the true genre, although you can expect something of the dark drama or horror-thriller realm from the title and posters alone.  This one is excellently creepy.

Peele dances with issues of race and culture peppered throughout the story in a very real, imaginative, and thought-provoking way.  Fans of the more unusual horror films of 1970s will love this film–you might think you’re seeing bits and pieces of movies evoking anything from The Stepford Wives to Skeleton Key to Wicker Man to The Watcher in the Woods to Coma and Fallen.  Or you might see it as all-out horror, but without all the typical genre gore and violence.  Ultimately director Peele will give you only what you need to know, when you need to know it.  Best of all, Peele has that skill that so many filmmakers mess up:  He knows how to end a story with a satisfying conclusion.

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Review by C.J. Bunce

Twelve Days is Steven Barnes’ latest sci-fi novel, an urban thriller delving into the evolution of the human brain.  Olympia Dorsey is a single mother of two, working for an Atlanta news outlet.  Her son Hannibal is autistic, and Olympia has been called into his school where they suggest sending her son to a better center for his care.  The center, a spiritual headquarters shrouded in Indian mysticism and nestled in the mountains, sounds too good to be true.  So she brings along her ex-boyfriend neighbor in their first visit to meet a Doctor Strange-esque mystic and martial arts expert who uses her influence and charisma to convince them she has the place for Hannibal’s care, evening promising a complete turnaround for the child in ten days.  Barnes’ crafts a slowly-building story where Olympia, desperate to improve the life of her autistic child, allows herself to be reeled in.

Olympia’s boyfriend Terry is ex-military, and had been plotting a jewel heist with his old military pals, but after his confrontation with the mystic he is somehow changed.  Can he make a clean break from his own criminal enterprise?   What is the motivation of this cult?  Influence?  Money?  Power?  Revenge?  Is the threatened apocalypse in only twelve days real or only a distraction?  And can Olympia get out before it’s too late?

Not like even the typical cult, the mystical mountain facility evokes the frightening Jefferson Institute of Robin Cook’s Coma, only here the victim’s organs aren’t harvested for money.  Here the victims are used as brainwashed agents to use their brainwaves to kill people far away, when submerged in a chamber not unlike that of Philip K. Dick’s Minority Report.  It’s when the science fiction begins that Twelve Days kicks in.  Borrowing from the ideas of Joseph Ruben’s 1984 film Dreamscape, Twelve Days presents the most unusual of assassination tools to eliminate all the members of an anonymously leaked “Death List”–a dead pool list that includes both the world’s most wanted criminals, but also its leaders.  Each is being systematically eliminated, and even more are projected to die within twelve days.

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