Tag Archive: Fantastic Mr. Fox


Review by C.J. Bunce

In The Oliver Stone Experience, writer Matt Zoller Seitz provided fans of Oliver Stone with an incredibly immersive deep-dive into the thought process of the acclaimed and sometimes controversial director.  Spending five years with Stone debating and analyzing the auteur’s films and influences was the stuff for the ultimate fan of his films, bordering on containing too much information–mostly insightful, but sometimes trivial and the stuff of information overload.  But can you really have too much information when you’re talking about your favorite creator?  Probably not, and it’s with the same gusto that Seitz digs into Wes Anderson–the man, the mind, the films.  Seitz admittedly is a fan of Anderson and it shows as he chronicles the writer/director’s life and career in his massive work of essays and photographs, The Wes Anderson Collection, a coffee table hardcover and collectible for every Anderson fan.

In a series of interviews about his films Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom, with two supplemental books available covering The Grand Budapest Hotel and Isle of Dogs (more on those below), Anderson becomes more accessible, and his films more understandable–even for those who aren’t fans of his work.  With original illustrations and production images, Seitz also makes a statement with the design of the book, incorporating the film frames, the quirky nostalgia, and the memory box-like set-ups seen in Anderson films, to highlight and explore the journey the filmmaker has taken with each new film.  The distinct tracking shots and color palettes that define Anderson’s films are featured in shots from the films and in behind the camera images of props, sets, and actors that come together to form these distinct stories.

Readers will find some overload of data here, but it’s also fun to watch a fan who has done his research interviewing a filmmaker.  Equally fun are Anderson’s reactions to complex questions the writer-director never himself pondered about his own work.  Yes, expect plenty of “Hmmm” responses, but much more content of the thought-provoking variety.  Every fan should have a book like this to go to for his/her favorite creator–the closest I’ve seen like this is surprisingly James Cameron’s interviews of directors in his Story of Science Fiction (reviewed here), and the James Bond books Bond on Bond (reviewed here), and The Many Lives of Bond (reviewed here), and the above-mentioned book on Oliver Stone.

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Wilds End David Petersen cover

Review by C.J. Bunce

Wild’s End, a new comic book series from BOOM! Studios, is quite strange and enchanting—it reads like a Masterpiece Theater version of Winnie the Pooh.  Complete with talking animals, it’s also very British and old worldy.  At the same time this is no ordinary town at its core, more like the town of Haven of the Syfy Channel TV series based on the Steven King story “The Colorado Kid.”  And its inhabitants are as idiosyncratic as those troubled people of Haven.

But Wild’s End is more than that.  Think Alice’s Wonderland of odd fellows versus an attack like you’d find in H.G. Wells’ War of the Worlds, as a downed ship is about to wreak havoc on a peaceful Hobbiton-like community.

Mr. Clive Slipaway, a stout two-legged, walking-talking Great Dane, is new to the town of Lower Crowchurch.  He’s clearly trying to find a quiet place to retire after years of military service or some kind of similar tough life experiences.  He’s a bit like John Wayne’s Quirt Evans from Angel and the Badman—a tough customer who wants to mind his own business until circumstances require him to take action to protect the lives of local innocents.

Wilds End issue 1

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