Review by C.J. Bunce

In Argo, the stakes could not be greater.  It is 1979 and the American embassy in Iran is stormed by a vast street mob seeking to hold hostage 52 people in exchange for the return of the Shah of Iran, granted asylum in the United States and dying from cancer.  For 444 days we waited and hoped for their release, and each day Walter Cronkite ended his news broadcast with the number of days they’d been held.  It was the ultimate nightmare and the sporadic glimpses of the hostages being led away with white blindfolds made us all imagine what kind of terror they must each be going through, as Christmas 1979 and  Christmas 1980 came and went, as back home we all went ahead with our lives every day.  But Argo is not about the 52 hostages.

At the time the embassy was attacked, six Americans working in the embassy managed to escape and hide out in the home of the Canadian ambassador and his wife.  Argo is the story of a completely illogical, unlikely, nearly impossible–even crazy–plan involving a mock sci-fi movie concocted to rescue them, and two friends back in the States who came together in 1980 to create a plan and convince President Carter to give the go-ahead to proceed with the mission.

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