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Tag Archive: Fay Dalton


Review by C.J. Bunce

A smartly constructed assemblage of events and characters collided in a tightly written crime story in Edgar-winning writer Duane Swierczynski′s mini-series, Breakneck One of the most exciting of Hard Case Crime and Titan Comics′ line of books and comics based in a modern setting, Breakneck is a spy tale, terrorist story, and diehard action thriller about an unassuming Everyman who gets mixed up with a federal agent trying to foil a terrorist bombing in historic downtown Philadelphia.  The four-issue series from this past winter is getting released in a trade paperback this month, and is available for pre-order now here at Amazon (the UK edition is in bookstores now).  Fans of the crime genre and quick action graphic novel reads will find this story worth checking out.

If an incapacitated federal agent needed your help to save the world in the next 93 minutes, could you drop everything and do anything imaginable to help, even if that agent is someone you hated so much you were planning his death?  Swierczynski doesn’t give you any time to answer that question, as he sweeps the protagonist into a seedy motel, with guns pointing in every direction, guys being thrown from windows, and a woman tied up asking for help.  Before you have time to ask how all these characters keep crashing back together, another woman is tapped to join in the race to stop the end of the city from happening.

  

Artists Simone Guglielmini and Raffaele Semeraro, and colorists Lovern Kindzierski and Chris Chuckry nicely choreographed 109 pages of action with the streets of Philadelphia as a backdrop.  Breakneck began as a novel for Swierczynski, which then turned into a screenplay, and finally landed as a comic book story.  An excerpt of the novel is included as an appendix in the new graphic novel format compilation.

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The world first met Ian Fleming’s James Bond with the release of the novel Casino Royale in 1953.  That first Bond story would be adapted into a newspaper comic strip in the UK in 1958, followed by a film–a satirical comedy version–in 1967 starring David Niven, followed by a dramatic film version in 2006 starring Daniel Craig.  But it’s the print comic version, the newspaper adaptation, that received a new retooling of sorts this year.  Dynamite Comics tapped writer Van Jensen (Flash, The Six Million Dollar Man: Fall of Man), artist Dennis Calero (Masks, Kolchak), colorist Chris O’Halloran (Lockjaw, Black Panther), letterer Simon Bowland (Red Sonja, Judge Dredd), and vintage cover artist Fay Dalton (Worlds of Tomorrow) to deliver a 2018 update to Casino Royale for a new generation of readers.  The result is a rich and elegant new look at Fleming’s first Bond adventure.

From the look of Bond’s classic 1933 Bentley to the French casino where much of the story happens, the tone, mood, and style is fresh while also nostalgic.  Jensen balances the extensive dialogue from the original novel to avoid a graphic novel that is merely talking heads.  He is most successful at having Bond explain the rules of Baccarat to the reader via a conversation at dinner with M’s assigned companion for him, Vesper Lynd.  Calero’s Bond has the steely eyes of Michael Fassbender.  At the card table we meet some doppelgangers in this reader’s eyes: Grace Kelly as the American film star, Barbara Bel Geddes as the rich American, Philip Seymour Hoffman as the DuPont heir, Emma Thompson as Mrs. DuPont, Julian Glover as the Belgian, Nigel Green as Lord Danvers, Pete Postlethwaite or Titos Vandis as the Greek.  And in Le Chiffre we see a bit of Aleister Crowley (Fleming’s inspiration for the character) mixed with Orson Welles (who played him in the 1967 film), and a little JFK meets Brad Pitt for American CIA agent Felix Leiter.

O’Halloran’s minimalist use of color and Calero’s lack of background detail helps keep the reader engaged, and Calero’s work is particularly interesting visualizing Bond’s thoughts in a way that evokes a Bill Sienkiewicz style.  The characters are not reminiscent of actors who have portrayed them previously, leaving readers to experience this version of Casino Royale without any preconceptions, although this version may make fans of the original films wonder how Sean Connery would have played Bond in this tale.  The various lettering styles required of the text give more significance to Bowland’s part in telling the story, and O’Halloran’s colors definitely evoke a 1950s world.

Here are some pages from Dynamite’s Casino Royale:

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triggerman_1_cover_a    peepland_1_cover_c

Some of our favorite books we’ve reviewed at borg.com are the pulp noir novels from Titan Books’ Hard Case Crime imprint.  We’ve read the obscure-but-excellent, previously unpublished or out-of-print works from the likes of Stephen King, Gore Vidal, Ed McBain, Michael Crichton, and more, all from one publishing house.  Next month Hard Case Crime is turning to the comic book medium to offer new, serialized stories that could have come straight from early 20th century magazines.  And we have previews below for borg.com readers.

First up is Triggerman, Issue #1, available in comic book stores this week.  It’s a Prohibition era story from producer/screenwriter/director giant Walter Hill (Deadwood, Red Heat, Aliens film series, Last Man Standing, Geronimo, Rustler’s Rhapsody, Crossroads, 48 Hrs, Brewster’s Millions, The Getaway, The Long Riders), French writer Matz, and the artist known as Jef, who supplies some evocative, classic pulp style imagery.  It’s billed as a Lawless meets Bonnie & Clyde story.  Fans of Road to Perdition will love this series.

triggerman_1_cover_b    peepland_1_cover_d

Peepland, Issue #1, begins a semi-autobiographical, neo-noir tale from novelists Christa Faust (Money Shot, Nightmare on Elm Street) & Gary Phillips (The Underbelly, The Rinse).  Peepland is billed as Taxi Driver meets Goodfellas, with gorgeous art from Andrea Camerini (Il Troio).  Fans of Howard Chaykin’s Satellite Sam should check out this new series.

Here are preview pages and cover art, courtesy of Hard Case Crime:
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