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Tag Archive: First Man


Review by C.J. Bunce

When the legend becomes fact, print the legend.

— From The Man Who Shot Liberty Valance

It isn’t enough to tell us what a man did.  You’ve got to tell us who he was.

— From Citizen Kane

The battle between these two ideas becomes the screenwriter’s dilemma, particularly for a historical drama recounting actual documented events.  First, there are stories of famous people and events that touch so many that the details become less important than the mythology.  Whether peppered with embellishment and puffery, it’s what the multitudes think of as the hero.  Next, there is the desire to use the archival record to fill in all the details you know, to get as much of the story as technically accurate as possible.  For these movies, the detail often distorts the impact of the story or event, minimizing what makes the actions of a man or woman or event so historic or triumphant.  And that’s the struggle evident in First Man: The Annotated Screenplay, a new book that includes the consolidated draft script of the new film chronicling astronaut Neil Armstrong’s life leading up to the Apollo 11 moon landing in July 1969.

The beauty of the book is the full disclosure of the thoughts of two people, the screenwriter Josh Singer (The Post, The Fifth Estate, Fringe), and James R. Hansen, the historian and author of the only biography of Neil Armstrong authorized by Armstrong, First Man: the Life of Neil Armstrong.  Fans of NASA, of the history of spaceflight, science and technology will appreciate so many scenes that include verbatim text from the actual events.  For researchers and enthusiasts alike, Singer and Hansen include numerous reference citations showing the source of these scenes.  Yet even the bulk of these were edited for time and the needs of telling Singer’s story.  As revealed by both Singer and Hansen, the embellishments filling in the story between these sequences are many, so many that no scene seems to exclude artistic license by Singer–license that Singer freely acknowledges and defends as sincerely as someone defending a finely researched graduate thesis.  The scenes may be well-researched, educated, and heavily vetted speculation, but they aren’t reality.

Is it relevant, and does the final script reflect something of the aura missing from the space race and Moonshot that neither the director (born in 1985) nor the screen writer (born in 1972) were yet alive to witness?  Does the difference come down to the creative visions behind these movies, and established space race classics: bestselling author Tom Wolfe’s The Right Stuff that became the box office and critical hit The Right Stuff (directed by Philip Kaufman, who wrote Raiders of the Lost Ark), and the first-hand account by Jim Lovell in his book Lost Moon: The Perilous Voyage of Apollo 13, that became the box office and critical hit Apollo 13 (directed by popular filmmaker Ron Howard)?

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The phrase “famous firsts” usually conjures images of inventors and inventions.  It also conjures early explorers, those who crossed an ocean to find a new home to settle in, those who climbed the tallest peaks, those who made it the farthest to the North and the farthest to the South.  And of course it all conjures famous scientific feats, famous explorations upward.  A real-life famous first explorer is the subject of one of today’s trailers, two are science fiction visions of firsts of the future, and we added one other trailer just to bookend the set–the latest post-apocalyptic sci-fi movie.

It’s probably the right time for a big-budget movie to showcase Neil Armstrong’s first moonshot with Buzz Aldrin and Michael Collins.  Then again, it’s a bit early, as the Apollo 11 50th anniversary doesn’t arrive until next summer.  Beginning with Clint Eastwood at the helm, a movie adaptation of Professor James R. Hansen’s 2005 biography of Armstrong, First Man: The Life of Neil A. Armstrong, was passed around with development issues for several years.  The result, First Man, is finally arriving in theaters in October (we previewed the first trailer back in June here at borg.com).  One of Hollywood’s current go-to guys, Ryan Gosling was cast as Armstrong, with Claire Foy as his wife Janet.  A more interesting supporting slate may get some attention, hopefully filling out the story as a worthy follow-on to The Right Stuff and Apollo 13, although the trailer looks like a family drama focused on Neil and Janet.  Ciarán Hinds plays NASA director Robert Gilruth, Kyle Chandler (Early Edition, Super 8) plays astronaut Deke Slayton, Jason Clarke (Terminator: Genisys, Winchester), plays astronaut Ed White, Ethan Embry (That Thing You Do, Hawaii Five-O) plays astronaut Pete Conrad, Xena: Warrior Princess’s William Gregory Lee plays astronaut Gordo Cooper, and in the big seats Corey Stoll (Marvel’s Ant-Man) and Lukas Haas (The Revenant, Solarbabies) play the other guys in the capsule, Buzz Aldrin and Michael Collins.

Another big first will no doubt be humanity’s first trip to Mars–if we get that far–and a new Hulu series will take on chronicling what that project may be like in the series called simply First It stars Sean Penn.

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Emmy nominee and Golden Globe winner in 2017 and a Golden Globe nominee again this year for best actress in a television series, all for The Crown, Claire Foy is quickly becoming an actor to keep an eye out for.  Her career continues on an upward trajectory this Fall when she stars in two big screen movie releases.  Both of these films saw their first trailers arrive this weekend.  One is a historical biopic and the other a crime story, both adaptations of bestselling books.

Coming first is director Damien Chazelle’s First Man from Universal Pictures, a film about astronaut Neil Armstrong starring Ryan Gosling (Blade Runner 2049, The Nice Guys), with Foy co-starring as Armstrong’s wife Janet, based on a book by James R. Hansen.  The film also stars Corey Stoll (Ant-Man) as Buzz Aldrin, Lukas Haas (Witness, The Revenant) as Mike Collins, Jason Clarke (Terminator Genisys, Winchester) as Ed White, Ethan Embry (That Thing You Do!, Batman Beyond) as Pete Conrad, Kyle Chandler (Super 8, Argo) as Deke Slayton, and Ciaran Hinds (The Sum of All Fears, Munich, Harry Potter and the Deathly Hallows, Part 2) in an undisclosed role.

Next will be director Fede Alvarez’s The Girl in the Spider’s Web from Sony Pictures.  This is a sequel to the film adaptations of Stieg Larsson’s novel The Girl With the Dragon Tattoo.  Foy takes on the role of Millennium series star Lisbeth Salander, formerly played in the Swedish film by Noomi Rapace and later the American production by Rooney Mara.  This is the first story in the dark and violent series not written by Larsson–David Lagercrantz was tapped to pen the novel this film is based upon.  The film co-stars Sylvia Hoeks (Blade Runner 2049).

Here is Claire Foy in new trailers for First Man and The Girl in the Spider’s Web:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2018.  Are you going to see them all?  Heck no.  These are the genre films we think borg.com readers will want to know about to make their own checklists for the coming year.  We pulled 55 of the hundreds of films that have been finalized or are in varying stages of final production for next year’s movie calendar.

What looks that it may top the list of most fanboys and fangirls?  How about Ready Player One in March?  Solo: A Star Wars Story and Avengers: Infinity War in May?  Sequels to Deadpool and The Incredibles in June?  X-Men: Dark Phoenix in November?  But don’t over look other films that look promising, like Winchester in February, Tomb Raider in March, and The Predator and The Equalizer sequels in August.

So grab your calendar and start making your plans for next year–here is the list of the movies you’ll want to see in 2018:

The Commuter – January 12 — Liam Neeson’s next action thriller finds him on a train with an offer he can’t refuse.  Co-starring Vera Farmiga and Patrick Wilson.

Proud Mary – January 12 — A hitwoman played by Teraji P. Henson (Hidden Figures, Empire) has her life go sideways when a mob hit goes bad.  With Neal McDonough and Danny Glover.

Ophelia – January 22 — Daisy Ridley stars as Ophelia in a twist on Shakepseare’s Hamlet told from her perspective.  Co-starring Naomi Watts and Tom Felton.

Please Stand By – January 26 — Dakota Fanning, Toni Collette, and Alice Eve star in a story about a young woman with autism who sets her sights on winning a Star Trek writing competition.

Winchester – February 2 — Inspired by true events, the story of the heir to the Winchester firearms fortune finds herself haunted by the deaths of all killed by the weapons, leaving her to try to avoid them in an incredible mansion.  Starring Helen Mirren and Jason Clarke.

Cloverfield 3 (yet to be titled) –  February 2 — A crew of astronauts fight for survival on a space station.  Starring Elizabeth Debicki, Daniel Brühl, and David Oyelowo.

Peter Rabbit – February 9 — Fox Studios brings a great cast of voice talent to their adaptation of the classic Beatrix Potter story.  With Daisy Ridley, Margot Robbie, Elizabeth Debicki, Rose Byrne, and Domhnall Gleeson.

Monster Family – February 9 — A family is turned into monsters in this animated romp.  Starring the voices of Jason Isaacs, Emily Watson, Nick Frost, and Catherine Tate.

Black Panther – February 16 — Ryan Coogler directs Marvel Comics’ king cat superhero Black Panther in his own standalone movie.  Starring Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, with a reunion of The Hobbit’s Martin Freeman and Andy Serkis.

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