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Tag Archive: Frances O’Connor


The Missing Starz

Review by C.J. Bunce

It’s difficult to pinpoint the fine line between a run-of-the-mill, contemporary real-life drama and a good thriller.  If it’s dry and boring, we give it the label of “drama” and are happy to skip over it.  But if it has a mystery or action component and something special, then we sometimes take a closer look.  Case in point: The Starz British-produced mini-series The Missing, which was just renewed for a second season.  The “something special” is a handful of actors we’ve seen in great genre film and TV.

If you can get past the dreary sounding plot–a real-life drama about the kidnapping of a British boy vacationing with his parents in France–you’re in for a compelling suspense-thriller on par with the best police procedurals, like the BBC’s Zen or the original Law and Order.

Hobbits dwarves Nesbitt and Stott in The Missing

Another British mini-series, Broadchurch, repackaged for U.S. audiences as Gracepoint, had much in common with The Missing, at least on paper.  Broadchurch starred Doctor Who’s David Tennant and Arthur Darvill, and Attack the Block and Marchlands’ Jodie Whitaker and also followed a crime about a little boy in a small community.  The Missing features two actors who starred as dwarves in Peter Jackson’s The Hobbit series, James Nesbitt, who played Bofur, and Ken Stott, who played Balin.  Mr. Selfridge and Timeline’s versatile actress Frances O’Connor plays the mother of the missing son, wife to Nesbitt’s determined and grim father.  A similar crime and genre actors are where the similarities end.  Where Broadchurch settled in as a passable melodrama, The Missing becomes a rich, engrossing, addictive tour of a place no one would want to go in real life.

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Mr Selfridge promo

PBS’s Masterpiece Classic is now playing a period television drama mini-series about Harry Gordon Selfridge and his London department store Selfridge & Co.  It was produced by ITV Studios for ITV and PBS and is much longer than your typical British mini-series, where you’re often lucky to see three episodes (such as the brilliant but too short series Zen).  You’ll see plenty of comparisons to Downton Abbey from reviewers but they are all wrong.  Where Downton is steeped in the dramatic of a restricted age, Mr. Selfridge is a rollercoaster of movement and progress.  Led by Jeremy Piven here totally in his element as a forward-thinking business man with ideas to spare and never enough money to accomplish everything he wants to do, this BBC mini-series is a chronicle of progress in a place everyone knows well–the department store.  Ever wonder why the perfume counter is at the front of Macy’s and JC Penney’s?  Why make-up is sold with perfume but gloves with hats and belts?  Things that now seem trivial once had real meaning because of social mores of a bygone era.

Mr Selfridge Jeremy Piven

Jeremy Piven gets to play a character we love to see him play.  He’s flourishing in a world that seems like the Macy’s of Miracle on 34th Street to modern audiences but his department store goes back decades farther into the past.  Lucky for viewers and Piven, Selfridge was an American, so no need to trip over feigned British accents. Piven gets to be a showman with arms wide open to every customer and every prospective vendor, partner, investor, and even an ambitious show girl.

Piven never disappoints, and shines in the varied roles he takes.  Early in his career that meant a variety of smarmy types, but he’s grown on us, and his trying-too-hard characters often end up endearing instead of loathed.  Piven snuck up on us bit by bit in small roles in Lucas and a pile of John Cusack films: Bob Roberts, Elvis Stories, Floundering, One Crazy Summer, Say Anything…, The Grifters, Grosse Pointe Blank, Serendipity, and Runaway Jury.  But it wasn’t until Judgment Night, where Piven’s smarmy and cocky Ray Cochran tries to use his negotiation skill to save (unsuccessfully) a group of friends who take a wrong turn, that viewers really took note of this actor.  Then the Drake University-trained actor starred in PCU, and got to do his own Animal House film with a twist on Tim Matheson’s Eric Stratton–a classic cult favorite today.

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