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Tag Archive: Frank Capra


It’s a little difficult to get your head around.  Eight years ago when I suggested going to your video rental store to watch the ultimate Fourth of July movie–Jaws–we still had several video rental stores in every town.  It’s very different now with streaming services (have you finished Season 3 of Stranger Things yet on Netflix?) and any Blu-ray you want available overnight for purchase from retailers like Amazon.  To be fair, you can still rent movies, the plastic disc kind, at local Redbox machines, and Family Video still has a good footprint across the nation and a broad video selection (pretty much Blu-rays prevail, so sorry to people still with only VHS and plain ol’ DVDs).  Back in 2011 when I listed some recommended viewing material for Independence Day here at borg, I mentioned some films including my pick for today.

Every audience, every moviegoer, is after something different.  If you’re looking for action try on Captain America: The First Avenger, or even binge the entire Captain America series of films.  The first Independence Day movie from 1996 has your dose of sci-fi, and it’s an easy choice to go to especially if you’re too young to have watched it before.  Even Independence Day–the day, not the movie–means different things to different people.  I would recommend to anyone films like Dave, The American President, The Post, Mr. Smith Goes to Washington, All the President’s Men, Sergeant York, Far and Away, The Last of the Mohicans, Lincoln, Glory, and Dances with Wolves–each covers some aspect of what America stands for.  Actually Frank Capra has more in the category, too, including Meet John Doe and State of the Union.  

Four of my favorites are playing on Turner Classic Movies/TCM today.  At 8:30 a.m. Central is John Ford′s She Wore a Yellow Ribbon, followed at 10:30 a.m. Central by Ford’s Fort Apache These are some of the famed director’s finest works, and high points for both Henry Fonda, John Wayne, and Maureen O’Hara, plus the stories tell other tales of the American experience (and both rate high on my all-time best Westerns list here).  A recent anthology film fits the bill for today well–that’s the Coen Brothers’ The Ballad of Buster Scruggs, which we reviewed here at borg last year.  It tells several stories of the pain, struggle, and sacrifice of peoples from throughout the world coming together to build a nation.  But what’s that sure-fire Fourth of July movie that should appeal to everyone?

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Review by C.J. Bunce

In that niche area of dystopian dog movies (that’s the adaptation of Harlan Ellison’s A Boy and his Dog and… ?), Wes Anderson’s Isle of Dogs not only soars to the top of the list, it’s a great film in all sorts of categories: it’s new, yet a classic children’s story, it’s a timely political allegory, and it’s a solid movie about dogs.  We knew Anderson had a grasp on animals in his surprisingly good Fantastic Mr. Fox, but audiences will soon learn he also understands dogs and dog behavior.  The trailers don’t really prepare moviegoers for what lies ahead.  Sure, it’s about an island of exiled dogs so of course audiences are in for a bleak ride, complete with at least one dead canine, lots of dogs in peril as well as many mutilated and diseased.  Yet Isle of Dogs is surprisingly grand in scope, thought-provoking, and even heartwarming.  And epic–don’t be surprised if you start thinking about the closest Martin Scorsese or Stanley Kubrick movie while you’re glued to the screen.  Despite some witty dialogue in places from Anderson’s smart script, this is less comedy and more drama than his past efforts.

The dystopian world is better realized, bigger in scope, and yet more personal than typical futurist visions, beyond that dismal hopeless doom of Mad Max, The Postman, Escape From New York, Twelve Monkeys, Snowpiercer, Looper, Logan’s Run, and District 9.  Isle of Dogs is probably closer to WALL-E and Planet of the Apes in feel.  Isle of Dogs is gloomy and dark and bleak, but it offers a ray of hope for the future from a 12-year-old Japanese boy named Atari Kobayashi (Koyu Rankin) and a freckle-faced, high school exchange student named Tracy from Ohio (Greta Gerwig), both out to defy an autocratic government’s ban on dogs.  That’s thanks in major part to the vivid, eye-popping world of future Japan filmed by celebrated Aardman Animations stop-motion cinematographer Tristan Oliver (A Close Shave, The Wrong Trousers, Chicken Run), and the encompassing sounds from this year’s Oscar-winning composer for The Shape of Water, Alexandre Desplat (Harry Potter series, Valerian and the City of a Thousand Planets, The Golden Compass).  As to the stop-motion, audiences can marvel at how far Hollywood has come since the Ray Harryhausen era.  The film follows Anderson’s design choices first seen in his Fantastic Mr. Fox and only continues to add to the unbelievable magical movements carried forward by Aardman’s achievements.  And instead of a typical Romantic, programmatic score, Desplat’s best choices can be found in his use of loud, almost frightening Japanese taiko drums, Fumio Hayasaka’s haunting theme from Seven Samurai, the more celebratory bits from Prokofiev’s Lieutenant Kije, and a simple recurring dog whistle.

Anderson offers up admirable tributes to Japanese culture and film, everywhere from costume design to modern TV reporting stylings, to Hayao Miyazaki themes and Akira Kurosawa landscapes, to traditional imagery like beautiful ukiyo-e on walls and cherry blossoms floating by at the right time.  Isle of Dogs finds a firm footing on the children’s classics shelf of your film library, alongside Roald Dahl’s Mr. Fox but also his Willy Wonka.  It also has much in common in tone with Ian Fleming’s Chitty Chitty Bang Bang, and Jim Henson’s The Dark Crystal.  The political allegory is thick and layered, a mix of the nuanced and the obvious, a mirror reflection of society that you’d have found years ago in a Frank Capra movie.  Science is mocked, scorned, and worse.  Experts are traitorous and immigrants are exiled.  It’s also graphic in parts at a baser level, showing an animated meal from a dumpster with creepy crawlies that may make your stomach turn, plus an open chest surgery, bloody, torn body parts, and dogs with missing eyes and open wounds.

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Review by C.J. Bunce

No matter what you think of Stan Lee before watching the new documentary about the life of the creator of the Marvel pantheon of superheroes… you’ll come away thinking how interesting a guy he really is.  Sure, Stan Lee is the smiling, funny, cheery outspoken genius who we get to see in cameos in recent Marvel Studios movies and maybe get a glimpse of in passing at conventions, but Film Buff/POW! Entertainment’s new film With Great Power… The Stan Lee Story shows a personal side of the guy fans know as Stan the Man, a side that hasn’t been captured before in films about the history of comics.

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