Tag Archive: Gene Colan


We’ve had a great response here at borg to our complete checklist of the variant covers for the 80th anniversary of Batman and benchmark 1000th issue of his long-standing comic book series, Detective Comics Check it out here if you missed it.  The cover art, especially when merged with the variety of historical and modern title art and legends, makes for one attractive looking book, whichever copy you go for.  At least one of the ten main covers will provide a dose of nostalgia and excitement for any Batman fan.  But for $9.99 is it worth the price?  Can you tell the book by its 84 covers?

Incorporating eleven short stories and three pin-ups with a variety of stories, themes, and eras, this anthology is tilted in favor of the modern dark knight detective over the versions of the character from his first decades in print (Batman TV fans have several Batman ’66 comic book series to turn to for the lighter fare).  Is the issue epic?  That’s in the eye of the beholder.  Groundbreaking?  Probably not.  But it’s a fun read, and using mixed pairs of writers and artists–a few classic pairs and a few nice change-ups from then and now–it’s a great exercise in searching out what works and what works really well for DC Comics’ editorial department.  Love a particular story or visual style?  Surprise–you the reader now have new creators to keep an eye on in future series.

Becky Cloonan’s Batman from Detective Comics #1000.

You might find your next favorite creators in “Batman’s Longest Case,” with writer Scott Snyder and artists Greg Capullo and Jonathan Glapion, the kind of story you think of when you see Batman as master detective.  Writer Kevin Smith pulled out the stops for his team-up with Jim Lee and Scott Williams in “Manufacture for Use,” including one of those great splash pages Lee/Williams fans can’t get enough of.  Artist Becky Cloonan delivered the biggest visual win with a flawless Batman: Year One-inspired Frank Miller style in one panel and a cool Bernie Wrightson caped crusader in another, matched nicely with Jordie Bellaire‘s colors in the story “The Batman’s Design.”  Tight writing and story make for an exceptional contribution from writer Brian Michael Bendis and artist Alex Maleev called “I Know,” probably the best writing of the book.  I’ll admit I was hoping for a Jim Aparo, Gene Colan, or Marv Wolfman homage (they defined the look of the Batman of my youth), but it wasn’t to be this time.  But based on this issue, who would I like to see in an ongoing monthly?  Brian Michael Bendis and Becky Cloonan.  And my favorite part of the book?  That goes to Mikel Janin‘s take on Batman with Joker and the Riddler in his one-page pin-up, which stopped me in my tracks, and should have been a variant cover option.  More, please!

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Review by C.J. Bunce

If you only could choose one book to represent the potential–maybe even the highest form–of the comic book medium, a new book hitting the stands today may be on your short list.  IDW Publishing is releasing a stunning anthology of the history of the Holocaust as seen in comic books of the past, presented with an introduction and afterword by Stan Lee, the creator who broke more stereotypes in his stories than anyone in comic books’ first century.  In We Spoke Out: Comic Books and the Holocaust, artist Neal Adams, who changed the way comic book stories were told in the early 1970s with his Green Lantern/Green Arrow and Batman series, Holocaust scholar Rafael Medoff, and comics historian Craig Yoe have compiled what is arguably the most noble use of comic books–educating kids in the 1950s, 1960s, and 1970s on a subject of history virtually ignored in mainstream circles.  Along with Congressman John Lewis’s March series about the civil rights movement, We Spoke Out: Comic Books and the Holocaust should be in every library and taught in every history class.

My high school history teacher was astonished to learn none of us knew the details of Watergate–we were only infants at the time–and I recall the realization he saw of what he and his peers were not teaching. This weekend my eighteen-year-old nephew mentioned watching the footage of 9-11 in school this year for the first time.  In the 1980s only the last paragraph of the last chapter of our World History textbooks discussed the Holocaust, yet we at least spent a week talking about the subject.  But not until the 1990s was the Holocaust taught in most of American school systems.  Even today only 35 states require education in the subject in school curriculums.  Certainly the most important lessons in history can be taught with its study, and in that light We Spoke Out should serve as a wake-up call to everyone, citizens, educators, and leaders.  Oddly enough, for generations of American kids, the only place they learned about the murder of six million Jews, the stories of concentration camps, of the atrocities committed by Hitler and his Nazis, was in the comics pages.

   

The stories in the anthology present the atrocities of World War II without the overdone blood and gore of many 1950s “horror” comics.  In an April 1955 story from Impact Issue #1 we meet a Jewish man post-War still haunted by his memories in what would now be called PTSD.  In the pages of December 1951’s Frontline Combat, Issue #3 story the then-lauded Nazi general Rommel is dressed down, revealing the villainous truths of his leadership in the face of contemporary efforts to re-invent Rommel as a military hero.  Based on the real-life Nazi Ilse Koch, in a story from Beware! Terror Tales, Issue #4, we are reminded of the vilest of humans who made household goods from the tattooed skin of captured Jews–a real-life horror some may think is only the stuff of fiction from Silence of the Lambs.  Among these stories ripped from real life, Adams, Medoff, and Yoe fill in the blanks of time with historical context, including details of what the stories leave out.

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Review by C.J. Bunce

The most rewarding and epic read of all the new Black Panther movie tie-ins is Marvel’s Black Panther: The Illustrated History of a King–The Complete Comics Chronology from Insight Editions, an enormous over-sized look at the history of the superhero in Marvel Comics.  Author Dennis Culver recounts the character from its origin up to the new film, including descriptions of the superhero’s classic story arcs, with full-sized reproductions of cover art, full-page copies of key pages, and even some larger-than-life panels and splash page art.

Culver’s history of the character doesn’t miss a beat or classic creator reference.  Created by Stan Lee himself as the first black superhero, drawn by Jack Kirby and Joe Sinnott and first appearing in the pages of Fantastic Four.  He became an adversary of the team and would return facing off against Captain America in Tales of Suspense and then the Captain America monthly.  What may surprise those only familiar with the film is that with only some minor tweaks to the character, the origin story is as reflected in the new film:  T’Challa is king of Wakanda, who must face an arch-enemy named Klaw who has stolen some of the rare substance called vibranium.  Roy Thomas, John Buscema, and Vince Colletta would take over creative duties as Black Panther joined the pages of The Avengers, with other creators working on the books including Herb Trimpe, Frank Giacoia, Bob Brown, and Ron Wilson.  Don McGregor would write Black Panther into the pages of Jungle Action with a huge roster of artists including Rich Buckler, Gil Kane, Billy Graham, Klaus Janson, P. Craig Russell, and Bob McLeod.  This would also be the introduction of the villain Erik Killmonger in the lauded “Panther’s Rage” story arc.  The movie got this right as well, with Killmonger taking over and throwing Black Panther to his near-death over Warrior Falls.  Some call this story arc the first of the mature, graphic novel stories that would later usher in books like Watchmen and The Dark Knight Returns.

Jack Kirby would write and illustrate Black Panther in his own solo title finally in January 1977.  A decade later Ed Hannigan would bring back the hero (after Kirby’s title wound down) in the pages of The Defenders, with Black Panther facing Namor the Sub-Mariner (who would clash with each other  over the next two decades).  T’Challa had appearances in Marvel Team-Up, two limited series, and Marvel Comics Presents–including a run with Gene Colan and Denys Cowan art–in the 1980s and early 1990s.  As the millenium closed, Christopher Priest would write a new update to the character, inserting more humor into the stories, followed by stories from creator Reginald Hudlin and art by John Romita, Jr.–with a return of Klaus Janson, all under the Marvel Knights banner.  This series would bring in characters Everett Ross and T’Challa’s sister Shuri, who would appear in the film, and love interest Storm from the X-Men.  From there the character was subsumed into myriad Marvel crossovers with the rest of the publisher’s pantheon of heroes, including Civil War, Secret Invasion, and more recent series.

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Ten years after Return of the Jedi, Topps trading cards editor and writer Gary Gerani was tasked once again to meet fan demand for more Star Wars trading cards.  Many years before he would create photo cards for a new trilogy of prequels, he would team up with Lucasfilm’s Steve Sansweet to showcase Star Wars as interpreted by some of the best artists that contributed to the films or would re-imagine the “Star Wars Galaxy” in their own styles.

The three resulting trading card series have been released in the 2016 addition to Abrams ComicArts successful hardbound series featured here previously at borg.comStar Wars Galaxy: The Original Topps Trading Card Series includes the works of more than 170 artists in more than 200 card reproductions, plus commentary by Gerani and an afterword by notable poster artist Drew Struzan.  Unlike the prior volumes in the series, only the obverse image from the cards, which featured the artwork, is included.

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You’ll find an incredible array of imagery by a surprising combination of artists, including rare images you will have seen only if you collected the original cards.  So you’ll find the work of Jack Kirby, Steve Ditko, Ralph McQuarrie, Moebius, Drew Struzan, Dave Dorman, Al Williamson, Howard Chaykin, Mike Grell, John Eaves, Mike Zeck, George Perez, Jim Starlin, Dave Stevens, Walter Simonson, Gene Colan, Rich Buckler, Bill Sienkiewicz, Mark Schultz, P. Craig Russell, Dave Gibbons, Sergio Aragones, Boris Vallejo, Charles Vess, and Gil Kane.

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The volume includes the entire run of portraits created for Star Wars Galaxy specifically for the Topps cards by Joseph Smith–the original art was later bought by George Lucas for his personal collection.

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