Every new glimpse, new scene, new image from the Disney+ incredible, monumental hit series The Mandalorian provides another dream come true for any fan of the original 1977 Star Wars. Take a look at this week’s trailer for the second season below, and see if you don’t think this is one of the best trailers from the entire franchise. Now with 100% more Banthas, 200% more Gamorreans …and throw in a cyclopsian Abyssin straight out of the cantina at Mos Eisley.
Plenty of genre television is out there right now for viewers at home to consume. But discovering that one that is so exceptional is truly an exciting thing. So you might stumble through Tales from the Loop or Locke & Key or Briarpatch and give up before you even get to the halfway point, but then you land on The Mandalorian and know what great genre television has the potential to be.
It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. This year we selected 26 characters that rose to the top. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits. So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina. At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker. This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.
Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.
These are the Best Kick-Ass Genre Heroines of 2019:
Aughra (The Dark Crystal: Age of Resistance). If there was a greater woman character in the history of fantasy film, we don’t know who that would be. We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year. Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season. She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)
Black Widow (Avengers: Endgame). After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos. And yet she still didn’t get the fanfare that Tony Stark did. We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)
Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw). As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all. If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock? (Universal)
Agent M (Men in Black: International). Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth. As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization. Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)
Cyclone Mei (The Legend of the Condor Heroes). Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind. Even blind she used internal techniques to defeat anyone she perceived as a threat. Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings. (iQIYI)
Sarah Connor (Terminator: Dark Fate). We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives. One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century. As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again. (Paramount/20th Century Fox)
Special Agent Dinah Madani (Marvel’s The Punisher). For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw. Who knew she’d need to get through his psychiatrist first. She was always tough and good at her job, but proved herself in the final two episodes of the series. (Netflix)
Leia Organa (Star Wars: Rise of Skywalker). Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies. We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order. (Disney/Lucasfilm)
Captain Marvel (Captain Marvel/Avengers: Endgame). Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge. An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order. Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was. (Disney/Marvel)
Cara Dune (The Mandalorian). A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series. (Disney/Lucasfilm)
Sue Lynn Blackbird (Stumptown). Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more. She’s a businesswoman who always negotiates from the power position. Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance. She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)
Emperor Philippa Georgiou (Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.
Christine Gavin (Wu Assassins). Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin. Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day. Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions. (Netflix)
Grace (Terminator: Dark Fate). Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator. A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)
Huang Rong (The Legend of the Condor Heroes). Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter. Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her. Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef. (iQIYI)
Maudra Fara (The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living Crown. Fara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female. Who wouldn’t follow her into harm’s way? Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice. (Henson/Netflix)
Grace (Ready Or Not). Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death. A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint. Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun! (Mythology/Vinson)
Vedek Kira Nerys (Deep Space Nine: What We Left Behind). In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places. It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.
Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier). Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season. But what a season! This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it. In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)
Zan Hui (Wu Assassins). Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads. But she was also ambitious, and at her first opportunity she didn’t hesitate to act. Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact. (Netflix)
Two (6 Underground). Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative. Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics. Take down a government led by a murderous villain and replace him with someone better? Count her in. (Netflix)
Gunnhild (Vikings). An entire series could be written around Ragga Ragnars’ strong and proud warrior. As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield. Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger. As Queen of Kattigat she proves she’s the right person at the right time in history. (History)
Dex Parios (Stumptown). Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own. Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made. Somehow she is able to look after her brother. She makes Jessica Jones look like a lightweight, always her own worst enemy. But if she keeps fighting back in this city, she may just make it after all. (ABC)
Amelia Wren (The Aeronauts). Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet. And Felicity Jones’s Amelia Wren was based on a real person. Does it get more badass than that? That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)
Bell Mallory (The Man in the High Castle). In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast. Undercover op? Whatever it takes. A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)
Deet (The Dark Crystal: Age of Resistance). The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike. Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance. And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them. An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra. Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine. (Netflix)
And that’s this year’s list. Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borg Hall of Fame inductees for 2019.
Want to see previous years’ kickass genre heroines? Here are 2018, 2017, 2016, and 2015.
C.J. Bunce
Editor
borg
Review by C.J. Bunce
Jawas, Ugnaughts, and Bounty Hunters… oh, my.
With three episodes in and a new episode dropping today on the new Disney+ streaming service, it’s time to dig into the latest entry in the Star Wars universe. Great music, callbacks to prior Star Wars elements, and the best alien creations of any sci-fi or fantasy that have come along in years provide fans a lot to talk about. With a complete story arc, and what is essentially a new, full-fledged Star Wars movie in the A Star Wars Story vein, The Mandalorian might be the greatest innovation in the Star Wars saga since the original movie that started it off back in 1977.
If there are faults in The Mandalorian, it is in its faithfulness to George Lucas’s world building. Sometimes that includes clunky, simple dialogue. Sometimes that includes characters with names that lack creativity (such as a mercenary named Greef, since a General Grievous wasn’t enough). Sometimes that includes lack of rich character development and layered storytelling. That said, there is so little fan service in the major creative franchises, so that when–at last–someone is listening to fandom, and the people pulling the strings grew up with the original trilogy like they did (I’m talking about you, Dave Filoni and Jon Favreau), and they artfully deliver in such a satisfying way, well, the perceived faults just don’t seem to matter. The Mandalorian is the dream of every kid who lived through Star Wars in multiple viewings in the theater in 1977. Every kid who played with a Jawa in a plastic Kenner Sandcrawler. Every kid who had action figures of Boba Fett, IG-88, and Bossk, battling each other, and mashed up his/her Ugnaught action figure from The Empire Strikes Back with a patrol dewback toy from the first movie. And every kid who still thinks Boba Fett can’t be surpassed as the word “cool” is defined, despite lots of variants on the character in the prequels and animated shows. All that plus so, so many Easter eggs to find.
But The Mandalorian probably couldn’t have happened before now. It relies on the effectiveness of Roger Christian’s lived-in distressed look of buildings and objects replicated so well in Gareth Edwards’ Rogue One in 2016. It relies on the confidence that the Western is not dead, as tried on for size in Ron Howard’s Solo in 2018. And it even skips over The Empire Strikes Back to find what may be a simple Western story framework as seen in Lucas’s original Star Wars, itself an interpretation of Akira Kurosawa and Jin Yong’s legendary heroic adventures. In good writer style, it has all those beats needed so that the first three episodes could have been released with only little tweaks in theaters, and shown on the big screen, as a standalone. Say, The Mandalorian: A Star Wars Story, as a major motion picture. You need a good story and good writing, regardless of genre, to grab viewers. This first tale may not be complex, but compare it to the first three episodes of any other sci-fi or fantasy series or any movie, and it’s The Mandalorian that rises above the rest.
Is that Bossk?
The trailers look just like Rogue One: A Star Wars Story and Solo: A Star Wars Story, which both reflected so much the original Star Wars from 1977 more than the other entries in the franchise. It’s not so much that Disney and Lucasfilm put together a movie based on every kid in the 1980s’ favorite background character, because George Lucas already made a movie about that guy, his dad, and a whole army of lookalikes. It’s hard to find a cooler character than Boba Fett in The Empire Strikes Back, until Lucas delivered on the fan service and inserted him into the original, special edition of Star Wars. It’s not only that. Or that, like Solo: A Star Wars Story, it’s clearly a full-fledged space Western. Or that fans get to see familiar elements of the franchise again, like carbon freezing, speeder bikes, scout walkers, patrol dewbacks, familiar bounty hunters, and Imperial bunkers hidden in the forest. And it’s not that the lead is played by its rising young actors known for badass characters, Pedro Pascal and co-star Gina Carano. Or that the series features a story by genre favorite Jon Favreau, with a host of episode directors like Thor: Ragnarok’s Taika Waititi, or noted Star Wars animaster Dave Filoni, or Solo director Ron’s daughter, actor Bryce Dallas Howard.
Well, it’s that, but not only that. It’s that added gravitas that Star Wars is better at than possibly any other franchise. It’s adding those dynamic, major character actors in supporting roles who make the magic happen sometimes even from the corner of the screen, from the likes of Peter Cushing, Alec Guinness, Christopher Lee, Terence Stamp, Brian Blessed, Liam Neeson, Samuel L. Jackson, Linda Hunt, Mads Mikkelsen, Forest Whitaker, Max von Sydow. Would Star Wars be Star Wars without the characters these actors brought to life? Definitely not.
For the second trailer for the new streaming series The Mandalorian, that means more Carl Weathers–who we saw in August’s first public trailer and April’s “sizzle reel” at the annual Star Wars convention. Along with Giancarlo Esposito and that toughest of older tough guys in movies, director and Jack Reacher villain Werner Herzog, we have plenty to look forward to. As the norm these days, unfortunately to watch this series you’ll need to subscribe to another streaming platform, this time that’s the Disney+ streaming service (or… once the Blu-ray arrives should you not want to feed the Disney machine any further).
So check it out–your next look at The Mandalorian, plus five new official posters:
At Disney’s annual “D23” Expo this weekend, attendees can expect to get another big fix of Disney, and that includes costumes. The costumes are from the more recent Disney years, with one display showcasing the new Mary Poppins Returns outfits, Time from Alice Through the Looking Glass, and Captain Jack Sparrow and Barbossa’s costumes from the Pirates of the Caribbean series. Another wing featured Disney’s recent animated-turned-live action movies, and another focused on the villainy of the live-action films, all within a gallery of dozens of costumes foreshadowing a new book coming next month, The Art of Disney Costuming: Heroes, Villains, and Spaces Between, available now for pre-order here at Amazon. Check out a 16-page preview of the new 176-page hardcover volume below.
The book isn’t about Star Wars costumes (for that, we recommend Brandon Alinger’s Star Wars Costumes: The Original Trilogy, reviewed previously here at borg, and Trisha Biggar’s Dressing a Galaxy: The Costumes of Star Wars, reviewed here). But that didn’t keep Disney and Lucasfilm from showcasing a dozen costumes of Star Wars armor tracing back a design history of Star Wars stormtroopers. Check those out below.
Lucasfilm also previewed the new hero cast costumes from The Mandalorian streaming series from Disney+ (previewed here yesterday). And note: Ewan McGregor confirmed he will be reprising the role of Obi-Wan Kenobi in a forthcoming Disney+ series.
Check out this preview of The Art of Disney Costuming: Heroes, Villains, and Spaces Between and some Star Wars franchise costumes on display at D23 this weekend:
It’s not so much that Disney and Lucasfilm put together a movie based on every kid in the 1980s’ favorite background character, because George Lucas already made a movie about that guy, his dad, and a whole army of lookalikes. It’s hard to find a cooler character than Boba Fett in The Empire Strikes Back, until Lucas delivered on the fan service and inserted him into the original, special edition of Star Wars. It’s not only that. Or that, like Solo: A Star Wars Story, it’s clearly a full-fledged space Western. Or that fans get to see familiar elements of the franchise again, like carbon freezing, speeder bikes, scout walkers, patrol dewbacks, familiar bounty hunters, and Imperial bunkers hidden in the forest. And it’s not that the lead is played by its rising young actors known for badass characters, Pedro Pascal and co-star Gina Carano. Or that the series features a story by genre favorite Jon Favreau, with a host of episode directors like Thor: Ragnarok’s Taika Waititi, or noted Star Wars animaster Dave Filoni, or Solo director Ron’s daughter, actor Bryce Dallas Howard.
Well, it’s that, but not only that.
It’s that added gravitas that Star Wars is better at than possibly any other franchise. It’s adding those dynamic, major character actors in supporting roles who make the magic happen sometimes even from the corner of the screen, from the likes of Peter Cushing, Alec Guinness, Christopher Lee, Terence Stamp, Brian Blessed, Liam Neeson, Samuel L. Jackson, Linda Hunt, Mads Mikkelsen, Forest Whitaker, Max von Sydow. Would Star Wars be Star Wars without the characters these actors brought to life? Definitely not.
For the latest trailer for the new streaming series The Mandalorian, that means Carl Weathers–who we saw in April’s “sizzle reel” at the annual Star Wars convention (yet to be posted by Lucasfilm, but check out a watchable version below), with a first look at Giancarlo Esposito, and that toughest of older tough guys in movies, director and Jack Reacher villain Werner Herzog. Not seen in this trailer, but expected to be added to the list, is Nick Nolte, who we can imagine could get us to that similar kind of character as Woody Harrelson or Paul Bettany in Solo.
So check it out–your next look at The Mandalorian:
It’s not a Fast & Furious, or Deadpool, or Kickboxer movie like her past films, but mixed martial arts pro-turned-actor Gina Carano is getting her next leading role, following up on last year’s post-apocalypse B-movie, Scorched Earth. It’s called Daughter of the Wolf, a snowbound survival tale in the vein of Liam Neeson’s Taken movie series. Carano will soon co-star opposite Pedro Pascal in Lucasfilm’s live-action Star Wars series The Mandalorian, but first she’ll go head-to-head with iconic genre actor Richard Dreyfuss as her character fights to get her son back from a kidnapper and his accomplices.
Could Daughter of the Wolf be part of a trend of solo action films Carano adds to her portfolio, just as action stars Jean-Claude Van Damme and Jason Statham once stacked up a vast list of smaller action movies between co-starring stints in major films? Carano certainly has the physical prowess, style, and charisma to be tomorrow’s next action hero.
Take a look at this trailer for Daughter of the Wolf:
Review by C.J. Bunce
What Ant-Man was for Marvel Studios’ Avengers franchise, Deadpool is for 20th Century Fox’s X-Men franchise, proving that a good story and good delivery can outperform big budget, team-up blockbusters. Ant-Man stepped away from the standard superhero movie tropes to give us a flawed human trying to do right by way of some good tech, and Deadpool went to the next step and took the superhero story that much further away from the norm. As the #1 box office success of any Rated R film, it also proved you cannot predict what will fail and what will succeed.
But all the press that distinguished Deadpool as something completely new and different was really just feeding into the marketing hype. Seemingly collectively shocked by the impending change-up of “the first Rated R superhero movie,” press and critics ignored so much. From an over-the-top action standpoint was Deadpool that far different from RoboCop, The Crow, or V for Vendetta–all also carrying the R rating? And from a crude humor standpoint, is Deadpool any different from the similarly hilarious Kick-Ass and Kick-Ass 2, or if darkness is your thing Sin City or Watchmen–also Rated R?
The reality is that the success of Deadpool can be found in the melding of all the elements you need for any good superhero movie. If you skipped this one or only watched it in the theater, now is a good time to revisit it on Blu-ray or DVD. You no doubt missed some great elements during your first watch, and the special features that accompany the home release point out plenty that will likely elevate whatever view you already have about this release.
The Blu-ray we reviewed included both the Blu-ray and DVD as well as a digital Ultraviolet code for viewing on your Vudu or Flixster account. Deadpool includes the best behind the scenes coverage of any Blu-ray we’ve reviewed this year in its “From Comics to Screen… to Screen” segment. Who knew how much stunt work was required for all the elaborately choreographed action sequences and how much was actually CGI? Sure, we knew star Ryan Reynolds was in the “Deadpool red” supersuit for part of the film, but his two stuntmen really carried a lot of the film with one stuntman tearing his ACL for one of the less-involved sequences. And like the movie’s in-joke, the two other X-Men that appear may well be lesser characters when compared to the team in X-Men: Apocalypse, yet the fact we get to focus on far fewer means we got to know Colossus that much better. Plus director Tim Miller and costume designer Angus Strathie made sure Negasonic Teenage Warhead wore the classic X-Men yellow supersuit.
