Tag Archive: Grace Lee Whitney


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Creating a television series that makes it to a second season is a difficult thing to do.  It’s difficult today and was just as tough in 1966 when Gene Roddenberry created a full-color science fiction show in prime time about a “Wagon Train to the stars”–a Western in space–a Star Trek.  The unlikely series survived into not only its second season but also a third.  An untapped audience–a group of loyal fans kept the dream alive, and the stories would continue in an animated series in the early 1970s.  With the success of Star Wars, Star Trek made its way to the big screen by the end of the decade and the rest of the story, as they say, is history.

The future predicted in 1966 to “explore strange, new worlds, to seek out new life and new civilizations,” isn’t here yet, despite the dates of yesterday’s future arriving and going by.  But that hasn’t stopped generations of fans from being inspired to pursue everything from medicine and law to astronomy and design.  To make this world better and build a greater tomorrow.  Star Trek may not have arrived yet, but the utopian future is something many of us look forward to and strive for.

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Or has it arrived?  Our iPads and smart phones, Bluetooths and medical scanners were all inspired by creative types behind Star Trek, like Wah Chang and Rick Sternbach.  If society as a whole hasn’t changed, the technology that drives it certainly is making headway every day.

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Here, September 8, 2016, fifty years after the airing of the first episode of Star Trek on NBC, the world is far different, yet it still continues the struggle for equality and fairness, the same desires Roddenberry’s original stories reflected as the world crept up to the cataclysmic summer of 1968.  The same elements are summed up in the Vulcan acronym IDIC–infinite diversity in infinite combinations–the core of Vulcan philosophy celebrating all the differences in life.  In short, that is what Star Trek is all about.

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The background of the making of the classic Star Trek episode The City on the Edge of Forever has been discussed over and over among Star Trek insiders and fandom.  Harlan Ellison wrote the screenplay, which was carved up so much in Ellison’s view, that over the past four decades Ellison was vocal in rejecting Gene Roddenberry’s final version that first made it to television screens on April 6, 1967.

What would the original version have looked like had Roddenberry stuck closer to the original script?  It’s the kind of thing you would have thought fan film creators would have jumped at before now, but–even better–Star Trek fans can now see The City on the Edge of Forever visually portrayed in its originally conceived form.

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IDW Publishing partnered the Star Trek writing team of Scott Tipton and David Tipton with the best Star Trek artist around, J.K. Woodward, and this year they adapted Ellison’s original screenplay into a five-issue comic book series that wraps this month, and will soon be released in a hardcover and trade edition.  If you think that a comic book cannot convey everything you’d want to see from the original Star Trek, then you haven’t seen the photo-real artistry of J.K. Woodward.

In fact the single biggest reason to read The City on the Edge of Forever is J.K. Woodward’s panel after panel of beautiful paintings– renderings of not just the characters but William Shatner, Leonard Nimoy, Joan Collins, and Grace Lee Whitney–that will have your mind’s eye believing you just watched an actual episode of the original series.

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