As we predicted last season, it appears Joel McHale’s Starman is going to find his way back to his family and superhero status in the third season of CW’s StarGirl. How will that fare for Brec Bassinger’s Courtney, her mom (played by Amy Smart), and her husband–and Starman’s former partner, Luke Wilson’s Pat Dugan aka the steel giant S.T.R.I.P.E.
Seems like the entire cast from last season is back. The second season wasn’t as powerful as the first, so hopefully Greg Berlanti & Co. and get some of the magic back with the original Seven Soldiers of Victory back in costume–along with another guest appearance (we hope) by John Wesley Shipp as The Flash. Here’s the new trailer for season three of StarGirl:
One of the best superhero series yet returned Tuesday, as Stargirl begins a new season on the CW network. After the city of superheroes was blown apart in last season’s finale, viewers will catch up with Brec Bassinger’s Courtney Whitmore aka Stargirl as she tries to lead a new generation of Justice Society of America superheroes. But is it meant to be? Yvette Monreal’s Wildcat is reeling from killing Brainwave, justifiably or not. Cameron Gellman’s Hourman is trying to track down Solomon Grundy. And Anjelika Washington’s Beth Chapel continues her turn as the saddest character on TV, now losing her relationship with her parents even more, plus Charlie, the cyber entity that no longer knows her. Worst of all, it’s the end of the school year and Courtney finds she’s stuck in summer school.
We rated it one of the best TV superhero series of the decade (behind Marvel’s Luke Cage) in our wrap-up of the first 10 years of borg. In the first season of Stargirl the series never let up, never let us down, and with this week’s new trailer it looks like it’s full steam ahead. The series that may have you stand up and cheer, from the far corners of 30 years of DC Comics, Stargirl′s first season delivered a story of a trope TV never really does that well–a positive relationship between step-daughter and step-father. Brec Bassinger’s Courtney Whitmore had a relationship with her new stepdad like you’d expect at first–awkward. But it was doubly awkward when he was an over-eager good guy named Patrick played by Luke Wilson–and they are both superheroes. Now that the introduction is out of the way, where do we go from here?
Check out the first trailer for Season 2 of Stargirl:
If first impressions are everything, the first four minutes of the new CW series Superman & Lois look like a great next series to add to your DVR. But that’s not where the writers of the series take us, leaning more into the soap opera drama audiences saw in years of Smallville. The typical Superman tale follows Clark Kent from rural America to the big city of Metropolis, when the typical Supes story takes off. This series reverses that plan, moving Supes and his family back to Smallville when newspaper man Clark Kent loses his job in the big city. What happens when you take a strong-willed city woman like Lois Lane and her and Clark’s two (newly created) citified (twin) sons to Smallville? Fans loving to watch Superman soaring in the supersuit, righting wrongs and exploring the globe, will need to take a backseat for at least part of the new series. Economic downturns, the scam of reverse mortgages, embedded conflicts between rural and urban America–things you probably don’t turn to for your next CW superhero series–is the direction of the new series. But what about strong-willed Lois? Although she gets to share the title, Lois doesn’t get much to do–yet.
After what I viewed as the best superhero series pilot yet here at borg back in May, Stargirl never let up, never let us down, and with this week’s season finale rises to become the very best superhero series yet. We can slice and dice and compare series like The Flash and Arrow, Supergirl, and Marvel’s Agents of S.H.I.E.L.D., but did any of them adapt the comic book mythos to the screen as written and drawn by years of comic book writers and artists? Or did they all twist the stories to cut away at what made the stories enduring in the first place? Even Riverdale and Chilling Adventures of Sabrina–two fantastic comic book adaptations–were nudged aside by thirteen perfect episodes of comic books in TV form. Not since the heart in the original series The Flash,The Incredible Hulk, and the animated series Superfriends has a series full of superhero characters gotten so much so right. And one scene in the season finale was so good, so surprising, it may have you stand up and cheer.
Isn’t this a great time for a new superhero series to begin? If you agree then you’re in luck, because tonight’s premiere episode of Stargirlmight be DC Comics’ best TV pilot yet. Prepare to meet the next superheroes from the corners of 30 years of DC Comics. Courtney Whitmore’s relationship with her new stepdad is like you’d expect at first–awkward. But it’s doubly awkward when he’s an over-eager good guy named Patrick played by Luke Wilson (known best for his roles in Wes Anderson movies and an unforgettable spot on The X-Files). Courtney (seen above sporting a rather timely mask) discovers there is more than meets the eye with Pat, and the series opener will propel viewers further ahead into his secrets and past–sooner than you might expect. The result is incredibly promising, a pilot mixing well-done special effects with a great story, a coming of age tale targeted at kids, a fun cast of familiar faces and a new young actress hitting the ground running (or soaring), a cool car and a 1950s vibe, and throwbacks for viewers who keep their eyes open. And the entire first season is now available on digital.
What’s more fun than the idea of Joel McHale as a DC Comics superhero, and Luke Wilson as his sidekick? Unfortunately that’s not the focus of the CW’s next series of the Arrowverse, but it’s close, and if the volley of trailers are any indication, fans of the DC universe will see these two in recurring backstory in Stargirl, coming next month. The other famous league of extraordinary superpeople, the Justice Society of America meets its demise, but that’s the starting point, as a young woman named Courtney Whitmore, played by 20-year-old actress Brec Bassinger (School of Rock), learns her stepdad is a superhero sidekick.
Make that “was” a superhero sidekick. Luke Wilson, known best for his roles in Wes Anderson movies and an unforgettable spot on The X-Files, was once S.T.R.I.P.E, a mechanic in a powered armor supersuit, and sidekick to Sylvester Pemberton, aka Starman, played by Community, Ted, and The Soup’s Joel McHale (in the comics the Star-Spangled Kid from the 1940s aka Skyman). Members of Seven Soldiers of Victory, the All-Star Squadron, and the Justice Society of America, these guys got around. In the new series Courtney takes on Starman’s mantle, a cosmic staff that chooses her, and she’ll begin to assemble the next generation of superheroes.
Appearing at first blush a lot like DC’s Doom Patrol, the pantheon of superheroes includes Anjelika Washington and Henry Thomas as versions of Doctor Mid-Nite, Yvette Monreal and Brian Stapf as Wildcat, and Cameron Gellman and Lou Ferrigno, Jr. as Hourman, taking on Christopher James Baker as Brainwave, Joy Osmanski as Tigress, Neil Hopkins as Sportsmaster, Nelson Lee as Dragon King, and Neil Jackson as Icicle.
Here is the new trailer, and some recent trailers, for DC’s Stargirl:
Last night’s episode of CW′s Arrowbrings eight seasons of one of DC Comics’ oldest superheroes to a close as the CW aired the show’s series finale. Focused on Oliver Queen aka the Green Arrow–one of the costumed characters off to the sidelines over the years in the shadow of Superman, Batman, and Wonder Woman–the series would be a resounding success for the network and executive Greg Berlanti, sprouting several other DC Comics adaptations under the banner of the Arrowverse. And what a long, strange trip it has been. It’s been seven and a half years since I first watched the premiere of CW’s Arrow in Hall H at San Diego Comic-Con 2012 at the panel featuring the creators and stars Stephen Amell and Katie Cassidy (I reviewed the pilot first here at borg). My initial reaction found the show a “refreshing, intriguing update to the superhero game,” and “even for a fan of the traditional character’s story, updates made for TV were well thought out and did little to detract from the core of what makes Green Arrow the unique character that has survived as a key comic book character for 70 years,” and that the pilot “deftly managed to alter far less of the source material than, for example, the Green Lantern movie released in 2011, and in doing so created a truer, more refreshing story with appropriate nods to the past, and one that promises to survive, should it find its fan base.” Who knew that survival would mean greenlighting so many more superhero shows, including The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, and the forthcoming Superman & Lois?
The series accomplished a lot even if it didn’t get everything right. Arrow suffered when it veered too far from the DC Comics stories, or when it pursued too deeply the more arcane corners of the DC universe, the biggest side trip being the dominance of fan-favorite minor character Felicity Smoak in the series, ultimately knocking Dinah (or Laurel in this version) Lance aside to be Oliver’s romantic partner, which again took center stage in the finale episode.
This winter’s ambitious Crisis on Infinite Earth’s crossover event killed off Oliver Queen in the grand tradition of killing any superhero character (aka until his inevitable return, which we’ve seen in Kevin Smith, Phil Hester, and Ande Parks’ comics story arc). Although the finale itself, “Fadeout,” was much like an old 1980s “filler” episode (with many scenes spliced from past episodes) and like the final Crisis episodes it was about mourning Oliver and preparing for his funeral. But the penultimate episode, “Green Arrow and the Canaries” (which aired last week), would make for a good spin-off. That episode took Katie Cassidy’s Laurel Lance (the only actor we ever expected to be Black Canary in 2012), and teamed her up with Katherine McNamara’s Mia (Oliver and Felicity’s daughter trained by Oliver last year), along with Juliana Harkavy’s Dinah Drake, all in a future world of Earth in 2040 (introduced earlier in the series). How long will the CW Arrowverse continue without its flagship series? Only time will tell, but viewership already switched over to make The Flash the CW’s #1 watched show.
For all the hype, CW Network’s latest series adapting DC Comics had an uneventful start this week. After Arrow, The Flash, DC’s Legends of Tomorrow, Supergirl, Black Lightning, and several crossovers, Batwoman is the next crimefighter to throw her dagger-lined gloves into the ring. The pilot is a straightforward introduction following the Greg Berlanti model of the other CW Network shows: A voiceover by the caped hero/heroine, backstory training in a far off strange land, and a tidy origin tied up in a bow with a closely-connected villain, to be the focus of conflict over the course of the first season. And like the other series, excepting the later introduction of Superman in Supergirl and crossovers, there’s no expectation that one of the biggest characters of the DC line-up will ever show. In this case, that means Batman, but the set-up for the first episode of Batwoman pretty much requires an appearance at some point in the show’s future.
Batwoman is Kate Kane, played by Ruby Rose, who has had cameo appearances in the other CW series, starred opposite Jason Statham in last year’s summer action flick The Meg, and she got to show her skills as a badass character in John Wick: Chapter 2, the last Resident Evil, and appeared opposite Vin Diesel in xXx: The Return of Xander Cage. She brings an edgy quality that matches the comic book superheroine, complete with tattoos that would distract from any other character but works for Kate Kane. Batwoman changes the course for the CW Arrowverse, with real-world issues of lesbians in the military, gender identity, and bias, so hopefully the series ultimately finds the right balance to match that edginess. The first episode very much reflects that less-than-edgy quality of Arrow. But it’s only the beginning, and the other series in this genre took some time to get going, too. Sorry–Rose doesn’t don that cool red supersuit in the first episode.
The only question is whether Ruby Rose, who seems to fit perfectly into the superheroine role and this take on the comic book story, can match the charisma and acting of series antagonist Rachel Skarsten, who plays Alice, an Alice in Wonderland-inspired villain who isn’t really who you think she is. It feels early to let loose an identity bombshell, but Batwoman’s writers jump right in, revealing what you’d think would be big secrets (we won’t disclose them here). Skarsten has had her share of fantastic badass roles, too. She was Dinah Lance in the original Birds of Prey, Tamsin the Valkyrie in Lost Girl, and she was the young Queen Elizabeth on Reign. Skarsten’s Alice has some similarities of the Arkham Asylum variety as that millennial-favorite character Harley Quinn, but Skarsten’s level of acting is more subtle and polished than we’ve ever seen Harley portrayed.
British actor Michael Sheen is one of film and TV’s best actors, and he proved that again in the first episode of a new Fox mystery series, Prodigal Son. Don’t expect that comical chap from Good Omens, this is the kind of mix of the dramatic and the strange that might just net him an award or two. Although the second episode teetered some, some tight writing, quick action, and witty banter plus an engaging cast is turning out to be the recipe that may get viewers to come back for more, even if this is just a spin on the villain’s story from Silence of the Lambs.
Sheen plays The Surgeon, a serial killer who murdered 23 people before being caught. All along during his crime spree The Surgeon was being a good father to young son Malcolm. Flash forward a few decades and Malcolm (the series lead, played by another British actor, The Walking Dead’sTom Payne) is a troubled victim of PTSD and some other maladies prompted by his unusual father, while he’s also a genius profiler of the Sherlock Holmes and House, M.D. school of sleuths. In the first episode Malcolm is fired by the FBI and hired by the NYPD, thanks to a long-time relationship with a police detective, played by Lou Diamond Phillips. Malcolm’s relationship with the detective provides some of the secrets of Malcolm’s past that unfold during the pilot episode. Malcolm is close with his sister, a broadcast journalist played by ex-crewmember of The OrvilleHalston Sage, and their mother (and The Surgeon’s ex-wife), is played by Bellamy Young, who primetime audiences watched grow into playing mom roles from her beginnings guest starring on every other major crime show back to Law & Order and The X-Files. Young never goes for the straightforward stuff, and there’s more than enough peppered in the initial two hours to suggest her character may have been more aware of what her husband was up to. How much and how far will certainly be what is ferreted out over the first season.
The show is led by Chris Fedek(Forever, Chuck, DC’s Legends of Tomorrow),Sam Sklaver (Deception), and master comic book-to-screen adapter Greg Berlanti. It has bits and pieces reminiscent of plenty of prior genre series: The tone of Castle, the quirky lead in Forever, and the supporting sibling relationship of Tru Calling all come to mind.
