Our borgBest of 2021 list continues today with the Best Books of 2021. If you missed them, check out our reviews of the Kick-Ass Heroines of 2021here, the Best Movies of 2021 here, and the Best in TV 2021here. And we wrap-up the year with our additions to the borg Hall of Fame tomorrow. We reviewed more than 100 books that we recommended to our readers this year, and some even made it onto our favorites shelf. We don’t publish reviews of books that we read and don’t recommend, so this shortlist reflects only this year’s cream of the crop. So let’s get going!
Best Sci-Fi, Best Tie-In Novel – Moments Asunder by Dayton Ward (Gallery Books). An engaging read and fun-filled start to a new trilogy, full of great throwbacks to all the Star Trek series, with several surprise characters and incorporated events, and a great update to Wesley Crusher. Runner-up: Star Trek: Picard–Rogue Elements(Gallery Books), by John Jackson Miller, provided a great story for a newer character, pulling into the mix the future of some familiar characters including the classic villain Kivas Fajo.
It is easily the greatest and most influential American fantasy novel of all time, certainly the best of the 19th century creations, and after reading the original story, you may find it unlikely not to have influenced later British authors’ works like J.R.R. Tolkien’s The Hobbit and C.S. Lewis’s The Lion, The Witch, and The Wardrobe. It is L. Frank Baum’sThe Wonderful Wizard of Oz, first published in 1900 and now given the ultimate dose of classical style and color by the renowned designers behind the Harry Potter movies, Miraphora Mina and Eduardo Lima, the artists known as MinaLima. Especially considering the extra care taken in the margin artwork and the incorporation of the color in Baum’s story with every page, this may be the best volume in the now eight-volumes of children’s books in the MinaLima library from HarperDesign books. Take a look at a preview of twenty of those wonderful pages below. Baum’sThe Wonderful Wizard of Oz, lavishly illustrated with interactive elements by MinaLima, was published this month, and is available now here at Amazon.
One hundred and eighty-five years after Hans Christian Andersen first penned his fairy tale The Little Mermaid, the most famous fish out of water story continues to charm readers of all ages. Countless editions of Andersen’s famous story, along with his other famous works, have been printed and reprinted, and adapted for the small screen and big screen with the latest–a live-action version–coming from Disney by the end of the year, incorporating songs from the studio’s 1989 version. But if you haven’t read the original fairy tale lately–or at all–you may be surprised to learn how much closer the 1984 live-action movie Splash was to the original. With the new film on its way, what better time to revisit the original, and we’ve found an incredible new, lavishly illustrated edition from designers MinaLima that makes a great storybook to read to kids, full of interactive elements. Check out a preview ofThe Little Mermaid and Other Fairy Tales for borg readers below, along with some details of what you’ll find inside, including some important fairy tales everyone, of every age, should know.
We’re continuing our ten-year celebration of borg today with our favorite genre books. If you missed them, check out our Top 40 movieshere and our Top 40 TV series here.
We reviewed thousands of books and comics that we recommended to our readers since June 2011, and some even made it onto our favorites shelf. We don’t publish reviews of books that we read and don’t recommend, so this shortlist reflects only 23 of the Best of the Best books and book series reviewed from June 2011 to June 2021.
You can’t fully appreciate science fiction without a grasp on natural science, one of the categories of “real science” we look at from time to time here at borg. We’ve delved into dinosaurs, and trees, and yes, birds (oh, my!) and we’re back again today with a striking tie-in to a 2019 board game that has become even more popular thanks to the increase in game sales due to sheltering at home for the pandemic. The game is Wingspan from Stonemaier Games, a celebration of birds where you are a bird enthusiast and your goal is to attract birds to your aviary. The game is so popular it has prompted a market of custom deluxe scoreboards. But it’s often difficult to play a board game outside–and this is about the natural world–so a new book from the Cornell Lab of Ornithology and the artists for the board game have come up with an outdoor version that doubles as a gorgeous interactive field guide, called Celebrating Birds.
Our borgBest of 2018 list continues today with the Best in Print. If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018here, and the Best in Television 2018here.
So let’s get going. Here are our selections for this year’s Best in Print:
Best Read, Best Sci-fi Read – The Synapse Sequenceby Daniel Godfrey (Titan Books). The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place. The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park. Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).
Best Retro Read – Killing Townby Mickey Spillane and Max Allan Collins (Hard Case Crime). The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans. This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read. This was the event of the year for the genre, and a fun ride for his famous character. Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.
Best Tie-In Book – Solo: A Star Wars Story–Expanded Editionnovelization by Mur Lafferty (Del Rey). Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one. Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen. Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut. Better yet, the writing itself was exciting. We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all. Honorable Mention: Big Damn Heroby James Lovegrove (Titan).
Best Genre Non-fiction – Hitchcock’s Heroinesby Caroline Young (Insight Editions). A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before. Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.
There’s much more of our selections for 2018’s Best in Print to go…
Today is our last day of reviews of the movie tie-in books for the new J.K. Rowling fantasy film Fantastic Beasts: The Crimes of Grindelwald. Rounding out the tie-in books is an exclusive behind the scenes account of the production composed of interviews with cast and crew, plus a new double-sized coloring book of the quality of adult coloring books but suitable for all ages.
In many ways Lights, Camera, Magic! The Making of Fantastic Beasts: The Crimes of Grindelwald is like the souvenir books you’d get to commemorate a special event or show years ago. It has all the images from the film of the key characters, environments, and scenes. And it features interviews with all principal cast members except Johnny Depp. Elaborating on the motivations behind scenes, scope, and decisions made for the film are screenplay writer J.K. Rowling, director David Yates, producer David Heyman, graphic designers Miraphora Mina and Eduardo Lima, production designer Stuart Craig, art director Martin Foley, costume designer Colleen Atwood, hair and makeup artist Fae Hammond, set decorator Anna Pinnock, concept artist Dermot Power, prop designer Pierre Bohanna, and visual effects supervisors Tim Burke and Christian Manz. The book also features a foreword by star Eddie Redmayne. Readers will find more than one photo and section describing scenes that did not make the final cut of the film, too (did anyone have any idea Newt wrote a book that was made for a book-signing scene in the film?).
The Fantastic Beasts: The Crimes of Grindelwald Magical Adventure Coloring Book offers up several scenes from the film, as well as deleted scene images, to color. The coloring book is in the realm of the more elaborately designed adult coloring books, such as Sherlock and Doctor Who coloring books. quality artwork and photo-real images that look like the actors being portrayed, not just quick sketches. You’ll find images of Newt, Dumbledore, Grindelwald, and more characters, plus several beasts inside.
Take a look at these excerpt pages from each book:
Of all this year’s books we’ve read and reviewed at borg in 2018, more than 100 all told, we’re hard-pressed to find one that matches the beauty of design in The Archive of Magic – The Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald, a new elaborately designed and detailed look at the film, the story, and the production of the new fantasy film from the mind of J.K. Rowling. Not only is the photograph reproduction quality superb, every page incorporates the style of the film, created by the very designers who made the images for the film. That’s MinaLima–the dynamic art duo of Miraphora Mina and Eduardo Lima–who also designed props for the Harry Potter movies as well as a new series of classic book reprints (reviewed here previously at borg).
Writer/editor Signe Bergstrom provides several textual elements that make The Archive of Magic stand out. She presents the narrative of the story itself in a way that will help moviegoers understand the sequence of events in the densely packed film. She also incorporates in-world elements, like examining new characters and story elements, and she steps out of the fantasy and interviews the film’s creative staff, writers, and actors, to provide an in-depth guide through the production. Readers will find final as-filmed versions of costumes and set production, in contrast with The Art of Fantastic Beasts: The Crimes of Grindelwald, which consists primarily of pre-production concept artwork (see our review here yesterday).
The Archive of Magic takes the paper ephemera book tie-in concept that has exploded in the past three years to another level. Included are several reproductions of paper props that were key to the story, not merely set dressing, but the book also includes tipped-in reproductions of set dressing, too, created by the artists who made the very props seen in the film–for any past Harry Potter universe film replica props like this would sell for at least $10-20 each. It begins with a deluxe hardcover, magnetic wraparound cover with gold embossed Art Nouveau designs. Included are Leta Lestrange’s note she finds in the Ministry Records Room, a 3D-lenticular photo identification card for Newt Scamander, a book mark incorporating Grindelwald’s logo on paper stock like that seen in the film, Credence Barebone’s dual-sided birth certificate, Queenie’s postcard from Tina, the Spellbound magazine that incorrectly reports on a Newt Scamander/Leta Lestrange engagement, Nicolas Flamel’s business card that Dumbledore gives to Newt, Butter Beer logo label stickers, six reproduced newspaper pages, and two folded, full-size circus posters.
Take a look at this book trailer produced by Harper Design, and sixteen interior pages from the book: Continue reading →
For a film inside the giant, magical world of Harry Potter, Fantastic Beasts: The Crimes of Grindelwaldseemed to come and go from theaters with little fanfare. J.K. Rowling‘s newest world is a bleak one full of darkness, and without her trademark happier, lovable, wonderful bits to echo the Harry Potter universe that draws its fans to this new series. The spin-off series may suffer from prequel-itis. Does it indicate that, like George Lucas and his prequels, the bestselling living author might benefit from letting someone else step in to edit these screenplays into a more accessible story for her fans? The original screenplay to Grindelwaldclocks in at a whopping 304 pages, nearly three times the standard, and it may have been simply too difficult for the production to whittle it all down into a cohesive story. Regardless of what you think of the finished film, it is difficult to deny the amazing level of work that went into the production design. We’re featuring some great behind-the-scenes books that spotlight the artistry behind the film over the next few days, beginning today with The Art of Fantastic Beasts: The Crimes of Grindelwald, by concept artist Dermot Power, who also penned the predecessor book The Art of the Film: Fantastic Beasts and Where to Find Them.
The Art of Fantastic Beasts: The Crimes of Grindelwald showcases the work of fifty-five artists, with notations provided by each creator, including what they were commissioned to draw, what inspired the look, and where the piece belonged in the story. Art Nouveau inspired much of the film, coupled with a very steampunk industrial look that did not appear in the Harry Potter films. Highlights include blueprints for stage sets, concept art that influenced the various Paris scenes, the design for Grindelwald’s vial, circus images that didn’t make it into the film, and Newt’s half-flooded basement zoo.
Best of all, Power’s new book gets to the heart of what is missing on the big screen from both Fantastic Beasts films: more images of the elaborate, intricately stylized, fantastic animal creations. Unlike many “art of” books, the author pulls out far more fully rendered drawings, paintings, sculptures, instruments, 3D set builds, character designs, and visual effects try-ons–concept artwork that didn’t make it into the final film. He also provides clearer images of the creatures that did make it into the film but were lost in the shadows because of the dimly lit cinematography used in the film, like the ethereal half-animal, half-vegetable Kelpie.
For the fifth time, writer, editor, and researcher J.W. Rinzler has gone behind the scenes of pop culture’s biggest films for an in-depth look at the creative process. Following his “Making of” books for Star Wars,The Empire Strikes Back, Return of the Jedi, and the Indiana Jones films, Rinzler has tackled one of the most iconic of all science fiction franchises in The Making of Planet of the Apes, released this month from Harper Design books. At last fans of the 1968 film Planet of the Apes, which celebrates its 50th anniversary this year, have a definitive, exhaustive look at the film from interviews with the cast, creators, and everyone else involved with the movie from its source in a Pierre Boulle novel to film idea to Rod Serling draft script to casting Paul Newman and Edward G. Robinson in lead roles, then switching to Charlton Heston, Kim Hunter, and Roddy McDowall. Readers will get an immersive, inside account of studio politics and deal making leading to the ultimate production of the film, and from marketing the film to its enduring legacy. We’ve included a 16-page preview of the book below, courtesy of the publisher.
Planet of the Apes is best known for its surprise ending and the groundbreaking makeup work by John Chambers. Both topics are thoroughly covered in Rinzler’s account. Through initial sketches, concept designs, storyboards, and rare photographs, readers will see the building of the climactic finale from the ground up, as executives, producers, and cast struggled to determine what would be the final scenes of the film. Heston’s character Taylor did not survive in many of the draft screenplays (and he wasn’t called Taylor). And Rinzler reaches back to film archives to trace the steps that led to John Chambers’ final designs for the chimps, the orangutans, and the gorillas–and why baboons were ruled out. Beginning with techniques used to create the animated facial characteristics for the Cowardly Lion in MGM’s 1939 epic fantasy film The Wizard of Oz, Chambers expanded his own methods and created several iterations of the prosthetic masks and makeups before arriving at the designs we saw on film.
The Making of Planet of the Apes includes a spectacular two-page, detailed image of the specifications for the “ANSA” spacecraft that the three astronauts crash at the beginning of the film. Perhaps the most eye-opening information about the film came from the late Charlton Heston’s personal archives. He made detailed diary entries that reflect events during the filming process including scenes, discussions, concepts and people that he approved of and those he didn’t. His entries, contemporary and recent interviews, and information from Fox and Warner Brothers’ studio archives, and records at the Academy of Motion Picture Arts and Sciences fill-in the blanks, building a meticulously complete account of the production.
