Tag Archive: Hello Kitty


Back for another four episodes, the documentary-style series about toy lines and toy companies of the past The Toys That Made Us is now streaming on Netflix with its Season 2.  As with the first four episodes reviewed here at borg.com in January, the series really isn’t a show for kids, but a behind-the-scenes account of the good and the bad of the history of the toy business.  Because of the toy lines covered in this short Season 2–LEGO, Transformers, Hello Kitty, and Star Trek–expect a more international flavor to the show’s coverage than of Star Wars, G.I. Joe, Barbie, and Masters of the Universe.  You can’t get around the fact that this is about business and business politics, with the added opportunity for those who just want to spot their very favorite toy of their youth to shout out during at least one of the episodes, “I had one of those!”

Back is the sugar-coated dialogue of the enthusiastic narrator Donald Ian Black.  The series continues to be of value mostly for the gold nuggets nestled within its lighthearted framework.  Excerpts of an interview with former Mego President Marty Abrams tops the list.  Despite the high highs and the low lows of his days leading Mego, Abrams seems to have been in the middle of a great time for the toy biz, seen in the first of the new episodes, where he admits passing up the deal to secure the valuable Star Wars account, supposedly for being out-of-town at the time.  The episode of Transformers is surprisingly emotional, including interviews with Optimus Prime himself, lo-o-o-ong-time animated film voice actor Peter Cullen (who was also the voice of Winnie the Pooh’s Eeyore), and the much revered Hideaki Yoke, the Japanese company Takara’s lead designer responsible for the brilliant puzzle-piece designs of the vast Transformers line of characters.  As with Masters of the Universe, comic books were important to the development and success of Transformers, and viewers will learn Hello Kitty originated with comic book artists.  The most unexpected storytelling may come from the Hello Kitty episode.  Hello Kitty, a Japan-originated phenomenon turned international craze not tied to any book, TV series, or film, benefited from the coup of celebrities using the products publicly (without paying endorsement fees).  The discussion of the Japan cultural concept of kawaii and its relationship to the development of the Hello Kitty brand, character, and mythos will come as a surprise to most.

For Star Trek fans the episode featuring the franchise’s toy pursuits might have a few surprises.  Yes, that crazy Spock and Kirk helmet from the 1960s rears its ugly head again.  It’s too bad the show feels the need to explain what each franchise is first (we probably wouldn’t be watching if we didn’t), because fans would probably instead rather hear more about subjects the show creators didn’t leave time for.  We were looking for a discussion of the advance release of a line of Star Trek Generations action figures with costume styles that were changed before the film was released (a rare mishap), coverage of the very extensive (and once popular) line of attractive 12-inch scale action figures, the scope of the segment of Playmates company toys featuring characters from not only the series (discussed) but the movies through Star Trek: First Contact, and a little about the “why” of decisions behind toy releases, like why every NextGen line seemed to have two different Worf figures.  From the LEGO segment viewers learn a comprehensive overview of the company, plus some interesting bits like the fact that the early color scheme was directly inspired by the artist Mondrian, and that the outer space series caused the modern line of toys to really take off.  LEGO goes back some 80 years, and the history of the town that made it famous and impact of the brand is a great piece of history.  As with the rest of the episodes business and marketing trends are a great focus, and the 1958 LEGO patent for the interlocking brick–and loss of the patent–is part of that.

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Netflix is now carrying a new documentary television series that delves into the creators behind some of our favorite toys from the recent, and not so recent past.  The Toys That Made Us features four episodes in its first season of streaming, each focused on a toy line that should bring in a good cross-section of fandom.  The choices for the first shows include Kenner’s vintage Star Wars action figures and playsets, Hasbro’s G.I. Joe, with an emphasis on the 3 3/4″ line of action figures, Mattel’s Barbie, and the Mattel’s Masters of the Universe No doubt Barbie and G.I. Joe should pull in the older crowd, while the latter half of G.I. Joe and Star Wars will pull in the kids of the 1970s and early 1980s, and Masters of the Universe the kids of the 1980s.

Not a show for kids and not another show about toy collectors, the series devotes plenty of each hour to interviews with designers, marketing, other businessmen discussing the nuts and bolts of negotiating deals, like the lawyer for Kenner discussing the greatest toy deal negotiation ever, and the later not-so-great negotiation because of a loose-lipped CEO.  The Barbie episode features a Barbie expert continually bashing the character as a “hooker” as if she has some sort of love-hate relationship with the doll.  But the politics of toymaking is interesting fodder for the right audience.  Should it be a surprise that toymakers have the same ugly corporate politics, the downsizing, the layoffs, and the takeovers, like every other company?  Prepare yourself for several CEOs and designers as they tiptoe, or not, around decisions and employers they wrestled with in the past as toys and brands came and went.  The creators look back both with nostalgia and anger at the former toy companies that eventually terminated their employment.  So look for an unusual take on these toys and these companies.

The next four episodes will be launched on Netflix later this year, and include Hello Kitty, Transformers, Star Trek, and LEGO.  Sometimes what the show chooses to tell is as interesting as how the show tells it.  The eight toy lines chosen no doubt came from the producer’s own focus groups, like the ideas behind some of the toys they discuss.  If The Toys That Made Us really is a one-time thing, someone else should come along and continue the idea with all the other major brands and influences.

We want to see an episode on Marx toys, including little toy soldiers and the 12-inch action figure series.  We also want to see a history of the broad Mego line of figures, Hot Wheels, Stretch Armstrong, and Big Jim.  How about companies like Fisher Price, Playskool, Playmobil, and Radio Flyer?  A series like this needs to cover more “recent” but still classic toy lines, too, like My Little Pony, Cabbage Patch Kids, Strawberry Shortcake, and figure out a way to capture famous classic toys like Spirograph, Tinker Toys, Play-Doh, Etch-A-Sketch, Erector Sets, Lincoln Logs, and the ultimate multi-license toy, Viewmaster.  How about a tour of the Milton Bradley and Parker Brothers factories of the past?  Who put out more great board games than these companies?  It’s easy to imagine entire episodes on the history of games like Clue/Cluedo and Monopoly.  And how about featuring a current game company that’s been around for decades, like Wizards of the Coast?

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Loot Crate Comic Con Box display

Ever thought about checking out what is in those monthly surprise boxes that have become more and more popular in the past few years?  Some of our friends have been buying Loot Crate and Nerd Block for several months, and when our friends at Wizard World dropped us a note about their new Comic Con Box we decided it was time to check these out.  We got in on the first three Wizard World Comic Con Boxes and three boxes from Loot Crate (we haven’t checked out any other companies’ boxes yet).  So what did we learn?

Loot Crates run about $20 including shipping per month per box, and Comic Con Boxes roughly $37 including shipping.  Each contain coupon opportunities, some with downloads, app opportunities, and similar items in addition to the main draw of the boxes–the shirts, comics, and collectibles.  You can sign up for one or multiple months and can terminate membership so long as you do so before the next box ships.  Customer service for these is very easy-going and helpful to explain if you think you messed up your ordering.  Themes are pre-announced, so you can skip months with themes that don’t interest you.

Cyber Loot Crate skull

The companies each insert random bonus items in boxes and have a deluxe box opportunity worth hundreds or even thousands of dollars that some lucky subscriber will get.  And if you film your “unboxing” and upload it to YouTube you can be eligible for other prizes, and other contests are also available throughout the year.  We didn’t get the big prize pack in our three months of boxes but did get a good bonus item in one box and in another we got a 1 of 2 variant that ended up being a rare insert.  The bonus item came with a Comic Con Box, and it was an authenticated, personally autographed photo of actress Karen Gillan in her Nebula garb from Guardians of the Galaxy.  Her autograph can sell for $70-$85 so this was the big win of all the boxes.  A close second was a Greg Horn rare variant cover for the recent issue of Wolverine #1 also in a Comic Con Box.  It also was selling online for around $70-$85.

Of the regular boxes we were most impressed with Loot Crate’s “Cyber” theme box.  The exclusive Terminator Genisys half-scale skull was just dead-on for our love of sci-fi and borg tech.  And that’s the thing about these boxes:  The broader your interest in pop culture, the more value you’ll get for your dollar because each company varies the licenses/franchises in each box.  You can easily add up the price of each item and tally more than the price of the box but ultimately it is your own taste that will be the judge of value.  If you have a spouse or friends or kids to share with or friends to trade items with, or if you’re accustomed to selling on eBay, then it can be easy to make these boxes a “win”.  Expect to see plenty of “trinkets” and the kind of swag you might find at San Diego Comic-Con plus a few higher valued items in each box.

So what exactly can you expect to find in the boxes?

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