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Tag Archive: Ian McKellen


For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

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Will it be #1 at the box office in 2017?

Previewed last year here at borg.com and teased even earlier here, the live-action version of Beauty and the Beast, starring the Harry Potter series’ Emma Watson as Belle, is on its way to theaters this year.  Disney just released a new television spot and theatrical poster showcasing leads Watson and Dan Stevens and the all-star cast.  You can’t understate how significant this film will be for Disney this year at the box office, with the potential to rival both Rogue One: A Star Wars Story and Star Wars: Episode VIII, based on early responses to the first release of images from the film.

An Academy Award nominee for Best Picture, Disney’s animated Beauty and the Beast is arguably the finest Disney production to come from the studio in its more than ninety year history, and no actress today has such a large and devoted fan following as Watson.  More than 20 million viewers saw the first teaser, and nearly 30 million viewers watched the first trailer.  Watson’s first major genre role since Harry Potter will make this a big box office winner for Disney.

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This is the first time audiences get to see Watson singing as Belle.  She evokes Julie Andrews in a very The Sound of Music-inspired setting.  Here is the new trailer for Beauty and the Beast:

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An Academy Award nominee for Best Picture, Disney’s animated Beauty and the Beast is arguably the finest Disney production to come from the studio in its more than ninety year history.  Coming next year to the big screen is a new, live-action version of Beauty and the Beast (teased earlier this year here at borg.com), starring the Harry Potter series’ Emma Watson as Belle.  Academy Award-winning screenplay writer Bill Condon (Gods and Monsters, Chicago, the Twilight series) is directing the picture.

Despite press accounts to the contrary, don’t look for an adaptation of the classic fairy tale, but a close adaptation of the animated Disney film (as the original did not have the talking furniture or most of the other characters created for the 1991 film).  Just like the first teaser was quite pretty as set design goes, so is this fuller trailer.  More than 20 million viewers watched the first teaser, so make no mistake:  Emma Watson’s first major genre role since Harry Potter will make this a big box office winner for Disney.

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The previews remind us of the grand production of Phantom of the Opera back in 2004, a sleeper, but a visual spectacle, too.  Jacqueline Durran (Pride and Prejudice) adapted the animated costumes for the film, which look close but not quite as amazing as the 1991 animated versions.  Everything else looks like this could be a near scene-for-scene copy of the 1991 version except in the animated movie Belle had dark brown hair and a distinct, different hair style from other “Disney princess” characters that set her apart from the rest of the blonde fairy tale leads, something you’d think Disney would have kept the same at least for cross-marketing its toy tie-ins.

Who doesn’t love each new appearance of Kevin Kline?  He’s featured prominently in this new trailer.  Check it out:

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Beauty adn the Beast teaser A

You probably saw the television series starring The Terminator’s Linda Hamilton and pre-Hellboy Ron Perlman.  You’ve also probably seen the Academy Award nominee for Best Picture, Disney’s animated Beauty and the Beast–arguably the finest Disney film in its animation vault.  Coming next year to the big screen is a new, live-action version of Beauty and the Beast, starring the Harry Potter series’ Emma Watson as Belle.  Academy Award winning screenplay writer Bill Condon (Gods and Monsters, Chicago, the Twilight series) is directing the picture.

Despite press accounts to the contrary, don’t look for an adaptation of the classic fairy tale, but an adaptation of the animated Disney film as the original did not have the talking furniture or most of the other characters created for the 1991 film.  The first teaser trailer dropped this week for the 2017 release, and viewership surpassed Star Wars: The Force Awakens with more than 91 million views in its first day of release.  You haven’t watched it yet?  We have queued up this very pretty teaser for you below, after the break.

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Dan Stevens (Night at the Museum 2, Sense and Sensibility) co-stars as The Beast, and the rest of the cast is full of familiar genre favorites.  The Hobbit’s Luke Evans is the swaggering Gaston, Kevin Kline (Dave, Silverado) is Belle’s father Maurice, the Star Wars prequels’ Ewan McGregor is Lumiere, the candelabrum (originally voiced by the late Jerry Orbach), Stanley Tucci is the harpsichord, Audra McDonald (Kidnapped) is the wardrobe, and anglophiles will be happy to see The Hobbit and X-Men’s Ian McKellen as Cogsworth the clock and Emma Thompson (Much Ado About Nothing) as Mrs. Potts, the teapot.

Check out this popular first trailer for Beauty and the Beast:

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X-Men Days of Future Past Rogue Cut

Review by C.J. Bunce

If you agree last year’s X-Men: Days of Future Past is among the best superhero films of all time, and probably the single best film in the Marvel Universe, then you’ll want to see a new director’s cut released this month: X-Men: Days of Future Past, The Rogue Cut Especially if you haven’t picked up a copy of the 2014 version on Blu-Ray, this new edition brings together the original theatrical release and The Rogue Cut, plus a disc full of new features, making this the definitive edition for most fans.

It’s the lack of a 3D edition that is the only miss with the new release.  For most people that won’t be a problem.  But if you have embraced 3D television technology like us, you’re just going to be buying a new Blu-Ray to add to last year’s superb Ultimate Edition so you can watch each version from time to time–because you just can’t miss this new edit of the film.

If you’re not aware of the quality of this movie by ace director Bryan Singer, check out our review from last year here at borg.com.  On repeat viewings X-Men: Days of Future Past proves its worthiness as a superhero flick future superhero films will be compared to.  This expanded edition certainly does nothing to diminish the original.  It instead provides 17 minutes of additional scenes that explain plot elements skipped over in the original cut and it provides a better character study of nearly every major player: Professor X, Magneto, Wolverine, Mystique, Trask, Beast, Iceman, Kitty Pryde, and of course, Rogue.  More Quicksilver (Evan Peters) would have been fun, but you can’t have everything.  But we do learn more from Singer on his audio commentary about that character’s role, and that of Mystique, Beast, Magneto, and the rest of the mutants in next year’s sequel X-Men: Apocalypse.

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The features disc includes a nine-part “making of” series and a 30-minute roundtable featuring Singer and most of the show’s stars.  The audio track features Singer and editor/composer John Ottman.  Both provide an excellent look at the storytelling process as adapted to the filmmaker’s role.

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Ian McKellen Sherlock Holmes

Sherlock Holmes–the most celebrated and adapted character of all time–will see yet another incarnation this summer with Gandalf and Magneto actor Ian McKellen stepping into the famous detective’s shoes.  In Mr. Holmes, McKellen plays a retired Holmes, a Holmes never seen in Sir Arthur Conan Doyle’s works.  Stranger yet, this Holmes exists in a world where Holmes is a character portrayed in films, whose exploits are well known in a series of books.

So is McKellen Holmes, or a senile old chap who thinks he’s Holmes?  Either way, it’s about time Academy Award nominee Ian McKellen becomes Academy Award winner Ian McKellen, isn’t it?  Maybe this will be the film that cinches it for the man with that distinctive, booming, grandfatherly voice.

Ian McKellen is Mr Holmes

It was only last month we recounted the many modern interpretations of Holmes here at borg.com, previewing Benedict Cumberbatch’s coming role as the original, Victorian Sherlock in BBC’s Sherlock.

Check out this new trailer released this week for Mr. Holmes:

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Review by Art Schmidt

Peter Jackson’s final installment of his screen adaptation of J.R.R. Tolkien’s classic novel The Hobbit is a breathtaking piece of film which aspires to the almost insurmountable heights that his masterpiece The Lord of the Rings: The Return of the King achieved.  The goal is a worthy, if almost unrealistic one, and Jackson spares no expense in trying to soar to those heights where he took us ten years ago.

I’m of two minds about this movie, and have been struggling to combine them into a single piece for you, our faithful readers.  But like Jackson with this trilogy, I am not quite up to the task.  And so, like Jackson, I will split something that should be in a single piece into multiple pieces, and although I am aware that they will likely not equal the sum of what a whole, single review should, I will try nonetheless because I have too much to say on the subject and am utterly unable to edit myself.  Much like a certain director we all know and admire.

Review by a fan of fantasy cinema

The Battle of the Five Armies is a really good film.  Is it great?  Well, that will be up to each viewer, honestly.  It is big and bold, and gives good screen time to the multitude of characters we have come to know over the course of the last two films in the trilogy.  The movie opens where the previous film left off, a different approach from other films in both The Hobbit and The Lord of the Rings trilogies, which tended to open with flashbacks or clever recaps to bring the viewer back into the world of Middle-earth which may have faded slightly since the previous film.  Not so here, as the audience is plunged directly into the story right where we exited it last year.

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The dragon Smaug, scary and crazy in the second Hobbit film which bears his name, is magnificently rendered and feels vibrantly alive in the dark theater, the screen aglow with dragonfire and the air electric with his howls of rage and vengeance.  Benedict Cumberbatch captures the right amount of menace and vanity, bringing the drake alive in ways that superb CGI just could not do on its own.  The poor people of Laketown would surely stand in awe of Jackson’s creation if they were not fleeing for their very lives before it.

Martin Freeman knows how to play the everyman, which is essentially what Bilbo Baggins represents.  An everyday man who is snatched up from his comfortable if boring life and thrown headlong into the exciting, unpredictable and oft-times dangerous unknown.  His subtlety and good humor shine through his portrayal of the Hobbit and it is to Freeman’s credit that he can simultaneously stand up to the chiefest and greatest of calamities and also stand up for himself to Thorin, pointing out the sickness that everyone else can see but dare not mention.  The dwarves are also a humorous, entertaining lot, but far too much time would be required to provide the multitude of them a lot of individuality or backstory.  The few who are selected for the spotlight are well worth the time.  Lee Pace, Richard Armitage and Luke Evans play three leaders of different races whose loyalties lie to their people but with widely different styles and personalities.  As with the previous films, Cate Blanchett as Galadriel, Hugo Weaving as Elrond and even Christopher Lee as Saruman himself all put in appearances, though not in a way most might expect!

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Evan Peters QuickSilver Time in a Bottle X-Men Days of Futue Past

Review by C.J. Bunce

BOULEVARD DRIVE-IN — It’s hard to believe it has only been six years since Jon Favreau surprised the world, taking a typically underwhelming character like Tony Stark, casting Robert Downey, Jr. as Iron Man, and making the best modern superhero movie.  Although fanboy director Favreau made the Christmas classic Elf before Iron Man, who knew he was going to change how we evaluate the modern superhero film?  So it shouldn’t be surprising that a proven genre director like Bryan Singer, with titles under his belt like The Usual Suspects, X-Men, X-Men 2, X-men Origins: Wolverine, Superman Returns, and Valkyrie, has set the new standard in the summer blockbuster sci-fi, fantasy, and superhero sphere with his latest X-title, X-Men: Days of Future Past.  You don’t even need to be an X-Men or Marvel fan to realize what a triumph Singer has achieved.

The movie is gigantic from the opening set-up.  The giant mechanical Sentinels of the comic books take over Earth in the distant future, weeding out once and for all the small bands of survivors, creating a very Terminator-influenced opening.  Now see if you can spot a theme here.  A band of what you might call Tier 3 X-Men, led by Kitty Pryde (played by Oscar nominee Ellen Page), find a way to send something back into the past to save themselves from Sentinel strikes.  Golden Globe and Emmy nominee Patrick Stewart’s Professor X, Oscar nominee Ian McKellen’s Magneto and Oscar nominee Hugh Jackman’s Logan aka Wolverine take Pryde’s method to come up with a time travel plan that results in dual casts trying to save their world, one in 1973, the other in the future.  Storm, played by returning Oscar winner Halle Berry, tries to fend off the Sentinels to allow the time travel trick to work.

Magneto Fassbender

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hobbit-the-desolation-of-smaug Bilbo

Review by C.J. Bunce

Like Star Wars or the first of any good trilogy, The Hobbit: An Unexpected Journey was almost a standalone story, to be watched over and over again.  And like The Empire Strikes Back, The Hobbit: The Desolation of Smaug jumps rights into the adventure and doesn’t relent until the final cliffhanger at film’s end.  The Desolation of Smaug’s triumph may be a sweeping and epic inclusion of more fantastical settings and strange, new worlds than any film before it, some beautiful in their colorful grandeur, others in their dark creepiness.  And more story and subplots are fit in to keep viewers on the edge of their seats for the whole two hours and forty minute tour.

Dwarves The Hobbit The Desolation of Smaug

It’s hard to say if this installment of The Hobbit is better than the first.  It’s a wondrous tale in the same way as the Harry Potter series included the stand-out episode Harry Potter and the Prisoner of Azkaban.  Sure, it needs to be seen in the context of what comes before it, but wow, what a great ride in and of itself, almost literally.  We’d seen previews of the great dwarf barrel escape scene, but director Peter Jackson didn’t just squeeze in river ride as an afterthought.  It’s full of good humor and action, something like what we imagine George Lucas intended in his pod race scene, but this effort is successful, focusing on the strengths and weaknesses of dwarves and elves alike, as they dodge the grotesque and foul Orcs under the leadership of two particularly nasty fellows, Azog (Manu Bennett) and Bolg (Lawrence Makoare).  Most of the action is over-the-top, but if you’re in for a penny you’re in for a pound, and the arrows flying and dragon fire ablazing are what any fantasy fan could hope for.

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4 X-men of the futureFor Marvel Comics and X-Men fans, the next in the line of X-Men movies to hit the big screen looks to be an epic production, starring the stars of the first three X-Men and Wolverine movies and the younger stars of X-Men’s past in X-Men: First Class.  Not only does that mean Patrick Stewart, Ian McKellen, Michael Fassbender, James McAvoy, Hugh Jackman, Anna Paquin, Shawn Ashmore, Halle Berry, and Ellen Page are back, but we get to meet new characters, too, including Peter Dinklage as Bolivar Trask, Omar Sy as Bishop, Booboo Stewart as Warpath, Bingbing Fan as Blink, and Adan Canto as Sunspot.

 

Check out this first full-length trailer for X-Men: Days of Future Past:

We have a long wait for this one.  X-Men: Days of Future Past is scheduled for release in theaters May 23, 2014.

C.J. Bunce
Editor
borg.com

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