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Tag Archive: Independence Day: Resurgence


Review by C.J. Bunce

When you have made as many movies as have been in the Godzilla franchise (31, more than James Bond movies), you run the risk of making a sequel or reboot that ends up like Independence Day: Resurgence, or Jurassic World: Fallen Kingdom, or Man of Steel, or Alien: Covenant.  For some moviegoers, a quick fix with lots of CGI in one of their favorite universes is good enough.  Godzilla: King of the Monsters has many things in common with these movies, without quite being as good as any of them, or Godzillas of the past.  Inasmuch as moviegoers will see the great effort taken to be faithful to its predecessors, by bringing more than just Godzilla to the picture, by bringing in a significant number of character actors that will be familiar to audiences, and by trying to create more spectacular visuals than came before, the latest Godzilla movie, opening today, doesn’t match either the monster mayhem or the humor of its 20th century predecessors.

Stuffed with every over-used creature and action trope, some used repeatedly, Godzilla: King of the Monsters suffers from taking itself too seriously.  Its single attempt at levity is Get Out’s Bradley Whitford as a wise-cracking scientist who seems to be channeling Brent Spiner in the Independence Day movies.  But beyond that, this is a family drama, more talk and human family in-fighting than Godzilla screen-time, between Stranger Things star Millie Bobby Brown as Madison and her separated parents played by Kyle Chandler (Super 8) and Vera Farmiga (The Commuter) (in that way it suffers the flaws of the 2014 Godzilla).  For some credibility we get Oscar-nominated actor Ken Watanabe (Isle of Dogs, The Last Samurai, Batman Begins) to remind us of the creature’s 65 years as a Japanese kaijū icon.  Other than that, the production skipped Japanese actors for this installment.  The best character and performance comes from Charles Dance (Pride and Prejudice and Zombies, Bleak House, Gosford Park), who plays a terrorist.  His character is the lone voice who speaks sense in a film that only makes sense if you also believe ocean drillers are the best choice to pilot a space shuttle to save the world from an oncoming asteroid.  Armageddon, War of the Worlds, Cloverfield, The Day After Tomorrow, Pacific Rim and every other disaster movie is rolled up into a single package here.  Direction and decisions are all over the place.  Even in a crazy, kooky, over-the-top monster movie, audiences deserve a plot with a foundation with a smidge of reality, especially if the talking heads scenes get equal time with the clashing creatures.  So if you decide to see Godzilla: King of the Monsters in the theater, you’ll need to throw all logic and reason aside and try to enjoy the ride.

Although this wasn’t clear in the trailers, Godzilla: King of the Monsters is more than another franchise installment, it’s a direct sequel to Gareth Edwards’ 2014 Godzilla movie.  Five years later the world is learning how to live as 17 titans (monsters like Godzilla) surface across the globe.  Watanabe joins other returning cast members, including Oscar-nominated actress Sally Hawkins (The Shape of Water, Blue Jasmine, Layer Cake), Oscar-nominated actor David Strathairn (Sneakers, The Firm, Eight Men Out, Memphis Belle), as they attempt to cause the titans to join forces in support of Godzilla instead of his three-headed dragon competition Ghidorah.  The best of the encounters finds the flying Rodan taking on a convoy of jet fighters, in a sweeping, well-choreographed scene that you’d expect from a Godzilla movie, although this scene and the rest of the monster scenes are mostly fuzzy and don’t make the most of high-definition camera capabilities or CGI.

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Review by C.J. Bunce

Independence Day: Resurgence hit theaters in a summer full of major releases, so odds are you missed this one.  Nearly the entire key cast–excluding most notably Will Smith–returned for the sequel to 1996’s surprise summer hit Independence Day: Jeff Goldblum, Bill Pullman, Judd Hirsch, Brent Spiner, Vivica A. Fox, and even John Storey and Robert Loggia in his final role.  Fans of the original and fans of Roland Emmerich (The Day After Tomorrow, 2012, Godzilla) and his take on the classic disaster movie will want to check out the new Blu-ray and the extensive special features available this week for the first time, which detail the planning and enormity of the special effects created for the film.

Resurgence is best if viewed as the next entry in a long cinematic history of rollicking disaster films.  Think Irwin Allen’s Earthquake, Towering Inferno, and The Poseidon Adventure or more recent films where Earth’s monuments stand little chance at survival like The Day After Tomorrow, 2012, and San Andreas.  Independence Day: Resurgence provides an entirely new look at Earth.  The setting is today, but it’s a parallel world that lays out a possible world 20 years after the defeat of an alien menace.  As revealed in our review of The Art & Making of Independence Day here, Emmerich and co-creator of the original Dean Devlin pulled out all the stops in creating a big-budget special effects spectacle.

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But it’s not fair to just label it only a disaster movie.  Resurgence is in good company as sci-fi is concerned.  With its mysterious sphere and aliens that telepathically communicate with humans we can look back to the roots of modern sci-fi films in 2001: A Space Odyssey and Close Encounters of the Third Kind.  It’s critical look at what humans might do when encountering aliens evokes The Day the Earth Stood Still.  And it’s look at the knee-jerk reaction of mankind to militarize and destroy with a blind eye to others we don’t understand is straight out of Starship Troopers and Ender’s Game.  It doesn’t achieve the success of any one of these, but does make for a solid summer popcorn flick with a rousing soundtrack and some cutting edge visuals, and in doing so it plays much like Ridley Scott’s Prometheus.

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moon base concept art idr

While some approaches in the “Art of” or “Making of” category of film books provides explanatory text describing the moviemaking process, others are primarily photo essays.  Both approaches have their merits.  Titan Books has offered a mix of the approach with its Elysium: The Art of the Film, reviewed here, while Batman v Superman: Dawn of Justice, the Art of the Film, reviewed here, was a more visual snapshot of the filmmaker’s journey.  Although it has less explanatory material and more in-world story background, the new book The Art & Making of Independence Day: Resurgence is most like Planet of the Apes: The Art of the Films, reviewed here.

Like the Planet of the Apes work, The Art & Making of Independence Day: Resurgence covers a behind the scenes account of two films, here the original 1996 Independence Day and this year’s sequel.  The reader is reminded of the history of the key characters in the original film in the first third of the volume, which also provides a review of the movie’s key special effect scene–the alien destruction of the White House.  Not only providing movie stills, we get to see the relative size of the model used for the building and the process for the explosion.  This sets up a good introduction for the special effects for the next two sections of the book: the rebuilding of Earth after the first invasion, and then the return of the aliens that is the focus of the sequel.

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Titan’s usual quality hardcover design and thick full-color pages include in-universe accounts of the next generation of Earth’s defenders, followed by concept art and sketchwork, extensive coverage of space vehicles and fighter plane designs and futuristic weaponry.  Director Roland Emmerich provides a foreword introduction.

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Independence Day wasn’t only linked to outer space in theaters this weekend with the release of Independence Day: Resurgence.  A real-life five-year mission ended this week with a new look at an old celestial friend.  Following U.S. missions that sent the Pioneer 10 spacecraft past Jupiter in 1973, and Galileo into its orbit between 1995 and 2003, NASA maneuvered a spacecraft named Juno into Jupiter’s orbit Monday, July 4, 2016, providing new, never before seen views of the solar system’s largest planet.  “Independence Day always is something to celebrate, but today we can add to America’s birthday another reason to cheer — Juno is at Jupiter,” said NASA administrator Charlie Bolden.

“And what is more American than a NASA mission going boldly where no spacecraft has gone before?  With Juno, we will investigate the unknowns of Jupiter’s massive radiation belts to delve deep into not only the planet’s interior, but into how Jupiter was born and how our entire solar system evolved,” said Bolden.

The burn of Juno’s 645-Newton Leros-1b main engine began at 10:18 p.m. Central Time, decreasing the spacecraft’s velocity by 1,212 miles per hour (542 meters per second) and allowing Juno to be captured in orbit around Jupiter.  Juno then turned so that the sun’s rays could once again reach the 18,698 individual solar cells that give Juno its energy.

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“The spacecraft worked perfectly, which is always nice when you’re driving a vehicle with 1.7 billion miles on the odometer,” said Rick Nybakken, Juno project manager from the Jet Propulsion Laboratory.

Juno’s scientific purpose is to understand the origin and evolution of Jupiter.  Juno will investigate the existence of a solid planetary core, map Jupiter’s magnetic field, measure the amount of water and ammonia in the atmosphere, and observe the planet’s auroras.  The Juno spacecraft launched on Aug. 5, 2011 from Cape Canaveral Air Force Station in Florida.  Lockheed Martin Space Systems in Denver built the spacecraft.

If you haven’t kept up on the mission, check out this footage about Juno, courtesy of NASA:

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Baloo and Mowgli

In case you missed the Super Bowl this past Sunday and haven’t caught up on the movie trailers that aired, we’ve stacked 15 of them up here at borg.com for your viewing pleasure.  Plus we’ve added The Lobster–a darkly wacky looking film that we can’t quite categorize yet.  Is it science fiction?  Fantasy?  You be the judge.  It may just be on that short list of quirky British comedies that manage to work (or not).  Plus it has Rachael Weisz and Ben Whishaw so that’s something.

Let’s start with what looks like the best of the bunch, a live-action reboot of The Jungle Book:

The Secret Life of Pets

X-Men Apocalypse

Jason Bourne

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Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2016 as have been disclosed.  Usually we select the 24 that look like the biggest hits, but we’re going all out for 2016.  The result is a whopping 48 movies, many you’ll probably want to see in the theater or catch on video.  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2016 calendar!

Most coming out in the second half of 2016 don’t even have posters released yet, but many do.  We’ve included descriptions and key cast so you can start planning accordingly.

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What do we think will be the biggest hits of the year?  How about Star Wars: Rogue One?  Or Star Trek Beyond?  You’ve heard endlessly about Batman v Superman: Dawn of Justice, but 2016 will also see Doctor Strange, Captain America: Civil War, and X-Men: Apocalypse.  There’s even a handful of Westerns, with The Hateful 8, Jane Got a Gun, and another remake of The Magnificent Seven heading our way.

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The Hateful Eight – January 1

Tarentino’s Western!  Ennio Morricone score!  Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, and Channing Tatum!

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The 5th Wave – January 8

Chloe Grace Moretz and Liev Schreiber in an alien invasion.

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400 Days – January 12

The CW’s Brandon Routh, Caity Lotz, and Tom Cavanaugh in a movie about astronauts that seems to be a play on Ender’s Game.

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