It’s been another long year of great entertainment. It’s time for the ninth annual round of new honorees for the borg Hall of Fame. We have several inductees from 2021 films and television – 16 in all, new borgs or updated variants of past members, bringing the borg Hall of Fame total to 281.
You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”
Some reminders about criteria. Borgs have technology integrated with biology. Wearing a technology-powered suit alone doesn’t qualify. Tony Stark aka Iron Man was named an honoree because the Arc Reactor kept him alive, not because of his incredible tech armor. The Spider-Man suit worn by Tom Holland is similar to Tony’s, but it’s not integrated with Peter Parker’s biology.
Also, if the creators tell us the characters are merely robots, automatons, or androids (as in Westworld, and as in the Synths of Star Trek: Picard, and the new Dark Troopers of The Mandalorian), we take their word for it. Again, integration is key, but in the Hall, once a member, always a member.
It’s been another long year of great entertainment. Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame. We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all. You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”
Some reminders about criteria. Borgs have technology integrated with biology. Wearing a technology-powered suit alone doesn’t qualify a new member. Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive. The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology. Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits. We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor. Maybe Jon Favreau’s new television series will give us something new to ponder next year.
Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it. Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials. Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres? Only if integrated (surgically). Darth Vader has more borg parts than his breathing filter. We assume new honoree Saw Gerrera does as well. With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg? Again, integration is key. Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.
Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018. This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage. New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame. Above are the new looks for these two earlier honorees.
A new edition of novels based on Marvel Comics characters is being published beginning this month from Titan Books, including reprints of past novels as well as entirely new works. First in the series is Stuart Moore’s 2013 prose novel Civil War, based on the giant, 98-issue, comic book event from 2006 and 2007 (not a novelization of the Marvel Studios movie). The release of the novels is well-timed to capture new readers drawn in by Avengers: Infinity War, and Moore’s Civil War is the perfect follow-up for fans of the movie looking for more stories featuring the majority of the publisher’s roster of superheroes. Just like the movie Captain America: Civil War only loosely tapped into concepts from its source material in the comic books, this novel may be a little jarring to those who only follow the movies. But Moore’s book is a great way to see even more characters than made it into Captain America: Civil War or Avengers: Infinity War working together and against each other. In short: It’s a blast to read.
As in the Marvel Cinematic Universe, Civil War the novel features a split between Earth’s superheroes, pitting Steve Rogers’ Captain America against Tony Stark’s Iron Man. But the similarities end there. A devastating explosion that kills hundreds of people resulting from a failed attempt by the New Warriors (a young superhero team filming a reality show) prompts American citizens to fear the superhero community and push for an invasive regulation of superheroes. Stark initially opposes the Act, but ultimately favors it as the lesser of two evils and the best way for superheroes to continue to serve and protect. Captain America and those loyal to him see the new Superhero Registration Act as a fascist restraint on their freedom and refuse to comply. In the conflict that ensues Moore streamlines the original story from the comic books into an exciting and engaging read, drawing together most of the Marvel universe’s major characters and many minor characters.
Thor, Nick Fury, and Scott Lang are dead, Hulk has been exiled off-planet, and Wolverine and the X-Men refuse to take sides, not participating in the story, except for Storm. The Fantastic Four’s Ben Grimm and Doctor Strange remain neutral, but the rest choose sides, with Sue Richards, Hawkeye, and Spider-man switching sides throughout the story. Falcon, Cloak & Dagger, Johnny Storm, Tigra, Prince Namor, Dr. Hank Pym, Black Panther & Storm, Daredevil, Ms. Marvel, Cassie Lang, Luke Cage, The Punisher, and newly appointed S.H.I.E.L.D. director Maria Hill all have key roles, with She-Hulk, Captain Marvel, Valkyrie, and Black Widow actively involved as well. But the bulk of the character development follows Peter Parker, revealing for the first time to the world he is Spider-man, by far the most engaging and endearing hero of this tale. The leadership challenges of Captain America and Iron Man as they oppose each other and keep Maria Hill and S.H.I.E.L.D. at bay is the girth of the story with a great thread involving Sue Richards as she struggles to deal with her husband Reed who she feels is on the wrong side of the issue Act implementation.
For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more. Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month. Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.
The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items. You’ll find the following movies and TV shows represented and more: 3:10 to Yuma (2007), 300,Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers,Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.
You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.
Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
Sark (David Warner) Grid costume from the original Tron (1982)
Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity(sold as individual costume lots)
Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
Star-lord helmet from Guardians of the Galaxy
Thor (Chris Hemsworth) Mjolnir hammer from Thor
Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
Val Kilmer Batman suit and cowl from Batman Forever
Maverick (Tom Cruise) flight suit from Top Gun
Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl
As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections. From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures. But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that. So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice. In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end. In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million. This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).
Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films. According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years. And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002). After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.
Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid. The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million. A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.
When Jon Favreau matched up Black Sabbath’s “Iron Man” at the end of the first Iron Man film the all-encompassing coolness of the Marvel Cinematic Universe emerged and the classic 1970 rock tune came full circle. So Tim Burton bringing the voice of Grace Slick with Jefferson Airplane’s 1967 classic “White Rabbit” into a trailer for Alice Through the Looking Glass is something that was simply meant to happen.
Disney’s Alice Through the Looking Glass is of course based on Lewis Carroll’s 1871 book Through the Looking-Glass, with Tim Burton producing this time around and James Bobin (The Muppets, Muppets Most Wanted) in the director’s chair. (We previewed the first trailer for this fantasy film here at borg.com back in November).
The return of the original cast–and an all-star cast at that–points to another winner ahead for fantasy fans. Mia Wasikowska, Johnny Depp, Anne Hathaway, Alan Rickman, Stephen Fry, Michael Sheen, Timothy Spall, and Helena Bonham Carter are back, with Rhys Ifans and Sacha Baron Cohen joining the cast. Danny Elfman will again be producing the musical score.
Here’s the latest superb trailer for Alice Through the Looking Glass:
We’ve talked about and sat through many a movie marathon in the past four years here at borg.com, with The Lord of the Rings Marathon, The Dark Knight Marathon, the first Avengers Movie Marathon, the Cornetto Marathon, and The Hobbit Movie Marathon. But those won’t quite compare to what’s coming your way, spanning two days, April 29-30, 2015. For those willing to spend more than 27 hours in the theater, you can soak up the entire Avengers series of movies in the “Marvel Cinematic Universe” plus Guardians of the Galaxy as a bonus– eleven movies in total–at the Ultimate Marvel Movie Marathon. It all leads up to the premiere of Avengers 2: Age of Ultron in advance of its May 1 national release.
You can buy advance tickets now here, but don’t wait too long as shows in many cities will sell out. Major chains are all participating, including AMC Theaters, Cinemark, Megaplex, and Regal Entertainment Group, among others. Check out this insane schedule:
April 29
6:00 p.m. IRON MAN
8:25 p.m. THE INCREDIBLE HULK
10:35 p.m. IRON MAN 2
April 30
1:00 a.m. THOR
3:10 a.m. CAPTAIN AMERICA: THE FIRST AVENGER
5:30 a.m. THE AVENGERS
8:48 a.m. IRON MAN 3
11:15 a.m. THOR: THE DARK WORLD
1:45 p.m. CAPTAIN AMERICA: THE WINTER SOLDIER
4:20 p.m. GUARDIANS OF THE GALAXY
7:00 p.m. AVENGERS: AGE OF ULTRON (in RealD® 3D)
Some theaters are planning a double feature with 2012’s The Avengers plus Avengers 2. Check local listings for showings as the premiere date gets closer.
And after the break, check out the third full trailer for Avengers 2: Age of Ultron, with a peek at Paul Bettany’s new villain, The Vision.
BOULEVARD DRIVE-IN — It’s hard to believe it has only been six years since Jon Favreau surprised the world, taking a typically underwhelming character like Tony Stark, casting Robert Downey, Jr. as Iron Man, and making the best modern superhero movie. Although fanboy director Favreau made the Christmas classic Elf before Iron Man, who knew he was going to change how we evaluate the modern superhero film? So it shouldn’t be surprising that a proven genre director like Bryan Singer, with titles under his belt like The Usual Suspects, X-Men, X-Men 2, X-men Origins: Wolverine, Superman Returns, and Valkyrie, has set the new standard in the summer blockbuster sci-fi, fantasy, and superhero sphere with his latest X-title, X-Men: Days of Future Past. You don’t even need to be an X-Men or Marvel fan to realize what a triumph Singer has achieved.
The movie is gigantic from the opening set-up. The giant mechanical Sentinels of the comic books take over Earth in the distant future, weeding out once and for all the small bands of survivors, creating a very Terminator-influenced opening. Now see if you can spot a theme here. A band of what you might call Tier 3 X-Men, led by Kitty Pryde (played by Oscar nominee Ellen Page), find a way to send something back into the past to save themselves from Sentinel strikes. Golden Globe and Emmy nominee Patrick Stewart’s Professor X, Oscar nominee Ian McKellen’s Magneto and Oscar nominee Hugh Jackman’s Logan aka Wolverine take Pryde’s method to come up with a time travel plan that results in dual casts trying to save their world, one in 1973, the other in the future. Storm, played by returning Oscar winner Halle Berry, tries to fend off the Sentinels to allow the time travel trick to work.
Like all characters in comic books, dead doesn’t really mean dead. And we couldn’t be happier that Marvel Studios is bringing back Agent Phil Coulson, who, played by Clark Gregg, was the unlikely lynchpin of every one of the recent interconnected movies based on Marvel Comics’ characters.
In the marathon opening night for The Avengers, Agent Coulson served as our guide, speaking directly to viewers as he introduced Iron Man, The Incredible Hulk, Thor, Iron Man 2, and Captain America: The First Avenger. In The Avengers, we saw what was unquestionably the most emotional scene of the franchise as Coulson was killed by Loki. Or so we thought.
Check out the preview for the ABC Network’s new TV series, Agents of S.H.I.E.L.D.:
If there is a constant as we look ahead to movie franchises and other entertainment properties in 2013, it is the sequel, spin-off, and remake. We’re sure someone will provide new content and stories for us for movies and TV from entirely new characters and worlds in 2013, but just take a look at the 24 biggest genre movies coming out next year and it is obvious that Hollywood is following the “tried and true” model of investing in current properties rather than investing money in “the new”.
So with that in mind, what are the big characters to watch out for next year–the characters we already know that seem like they can only get bigger?
10. Jack Ryan. Back in the 1980s and 1990s it seemed like Tom Clancy’s Jack Ryan was everywhere, first with Alec Baldwin taking on the role in The Hunt for Red October, then mega-star Harrison Ford in two sequels, followed by a big break and then Ben Affleck in the prequel Sum of All Fears. With Star Trek star Chris Pine bringing us yet another prequel effort next December, we think a wide audience will come back again to see what this CIA agent has been up to.
9. Wolverine. I’ve always thought Wolverine should be Marvel Comics’ key property. Spider-man always relied on Peter Parker (well, until recently) who seemed pretty planted in the psyche of the past. The Avengers seemed too cartoony with characters with too little in common to really be a huge property (happily I was wrong!). But Wolverine has a certain modern grittiness that readers, especially young readers, would seem to really attach to. Audiences seem to like Hugh Jackman’s take on the character and his incredible fifth outing as Logan/Wolverine in July, titled The Wolverine should tell us if this will be the end of a big-screen Wolverine for a while or whether he will only get bigger.
