Tag Archive: iZombie


This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

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Review by C.J. Bunce

After its first episode back in 2015, we called it “your next favorite TV series.”  This week iZombie saw its last episode.

Rob Thomas hasn’t directed the blockbuster movies or gained the same fame, but he’s filled in the gaps on television for genre fans where Joss Whedon left off.  Along with giving us Veronica Mars (and refusing to let the world of Neptune, California, fade into TV history), Thomas brought Liv Moore and the post-apocalyptic zombie world of iZombie to life, a bigger and better heroine than the one found in the original Chris Roberson and Michael Allred comics.  That was thanks to New Zealand actor Rose McIver, whose versatility and charm took her from roles in Xena: Warrior Princess, Hercules: The Legendary Journeys, and Legend of the Seeker to create one of our newest favorite superheroes.  And with Thursday night’s fifth season and series finale episode it’s all over now, yet still leaving plenty of opportunity for future episodes, series, a film, or novels, just as Thomas has provided for his sleuth Veronica Mars.

Can the middle–the place of reason our heroes are striving to fight for–survive the extremism from both sides of the ongoing struggle?  In the finale, “All’s Well that Ends Well,” Thomas brings everything full circle, wrapping up every last plot thread for Liv, Major, Clive, Ravi, Peyton, Dale, Blaine, and Don E.  But he throws an eleventh hour wrench into the plot–the cure for zombies won’t help the kids with Fröhlich’s syndrome.  Are they doomed either way?  As always, Thomas leaves plenty of room for fun–the actors and characters, the banter, and that chemistry, that made iZombie so good for five seasons.  Along with McIver, Malcolm Goodwin, Robert Buckley, Rahul Kohli, David Anders, Aly Michalka, Bryce Hodgson, and Jessica Harmon formed probably the best ensemble cast on network genre TV.

A perfect series finale is a reminder of how iZombie matched the success of Grimm in so many ways, and filled the void left by that show so well.  iZombie also improved with each of its five seasons, and exponentially improved in its final season–as Grimm did–once the end of production was in sight, complete with the year’s best hour of TV, the noir send-up episode “Night and the Zombie City.”  Series like these prove that when ratings aren’t the only driving force and creators have freedom to take characters in new directions, audiences are in store for a real treat.

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Just as iZombie has aired its first episodes of its final season, showrunner Rob Thomas is readying Season 4 of the series that made him famous, Veronica Mars Eight new episodes of Veronica Mars are coming to streaming service Hulu this summer.  The new series finds the snarky private investigator five years after the events of the 2014 crowdfunded movie with more detective stories of So-Cal noir.  Original actors returning include Kristen Bell (Veronica), Enrico Colantoni (Keith), Jason Dohring (Logan), Percy Daggs III (Wallace), Francis Capra (Weevil), Max Greenfield (Leo), Ryan Hansen (Dick), Ken Marino (Vinnie), Daran Norris (Cliff), and Adam Rose (Max).

Rob Thomas is back as script writer, so expect the same quirky dialogue and pop culture references he’s written for iZombie and the first three seasons of Veronica Mars.  Don’t forget, Thomas’s two Veronica tie-in mystery novels are part of Veronica Mars canon.  If you missed them, catch our reviews of The Thousand Dollar Tan Line here, and Mr. Kiss and Tell here.  Based on Thomas’s use of actors from Veronica Mars in his five seasons of iZombie, we wouldn’t be surprised to see some cameos from a few members of his iZombie cast to make an appearance.

Sorry, Thomas has not yet announced a few key actors from Veronica’s past for the next eight episodes, including best pal Tina Majorino (Mac), or boyfriends Chris Lowell as Piz, or Teddy Dunn as Duncan, or a lost twin sister of murdered friend Lily (Amanda Seyfried).

Hulu has released a trailer for the series.  Check it out:

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After a painfully long wait for fans, the CW Network renewed the hit horror comedy/drama iZombie for a fifth season last May.  A year later and that final season is here, beginning with its season opener next Thursday.  What began as a successful comic book series by writer Chris Roberson and artist Michael Allred for DC Comics’ Vertigo imprint about a gravedigger zombie gal who eats brains to survive, took on its own life under the deft management of showrunner Rob Thomas, who had already dazzled his target audience with Veronica Mars Powerhouse star Rose McIver′s Liv Moore has become every bit the ace detective that Veronica was, but she also bridged the audience back to the pop culture references and off-the-wall fun Joss Whedon brought to TV audiences with the original badass heroine in his groundbreaking series Buffy the Vampire Slayer.

McIver had the added bonus of playing a character that had to change up her performance every single episode while also appearing in nearly every scene, like Quantum Leap’s Sam Beckett and more recently Tatiana Maslany’s several sisters in Orphan Black.  And she has met the challenge with high energy along the way.

The first teaser for next week’s season opener, “Thug Death,” doesn’t give away much about the 13-episode series arc ahead.  But it’s something new: Liv and Malcolm Goodwin′s Clive Babineaux must solve a murder with no body and no brain.  And of course it’s clear there’s no skipping the craziness of the characters as we know them, except Robert Buckley′s Major, who probably needs to lighten up a little bit.  The excellent villainy of the past four seasons has smartly balanced out the heroes’ story: first with the brilliant Steven Weber’s Vaughn Du Clark and his daughter Gilda (Leanne Lapp), then with Eddie Jemison’s mobster Stacey Boss, followed by the return of Veronica Mars lead Jason Dohring as the questionable zombie law enforcer Chase Graves, and meanwhile the writers built the character arc of Robert Knepper’s Angus into compelling new territory.  Who will be the villain this year?

Check out a peek here with this preview to Season 5’s season opener for iZombie:

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males.  We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.

Better yet, here’s something we haven’t said before.  Several of our selections this year were played by women over 50.

These are the Best Kick-Ass Genre Heroines of 2018:

Enfys Nest (Solo: A Star Wars Story).  For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced.  But once she took off her mask,  it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth.  She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him.  When they joined forces, it made their characters even better.  And she became one of the best warriors in the Star Wars universe since the original trilogy.  (Disney/Lucasfilm)

Okoye (Black Panther, Avengers: Infinity War).  Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye?  We can’t think of any.  A smart commander, a brave soldier, a loyal ally.  Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos.  (Disney/Marvel)

Higgins (Magnum PI).  Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i.  So it was going to be risky having any actor step into the role John Hillerman made famous.  So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice.  Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret.  We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal.  And the result?  Every episode of the first season was full of great action and fun.  (CBS)
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Review by C.J. Bunce

Chilling Adventures of Sabrina is the rare show that tries to be many things and actually succeeds at them all.  If you are looking for the ideal way to spend this Halloween, absent a Buffy the Vampire Slayer marathon, you’re not going to find a better TV pursuit than this new Netflix series.  It features a captivating lead in its teenage witch Sabrina, played perfectly by Kiernan Shipka, who shows every frustrating feeling, emotion, and indecision any teenager must go through, reflected in a mythology-rich world with enormous stakes.  Sabrina is a kid–a smart kid, but still a kid–so she makes the kind of mistakes teenagers make.  Raised in the occult world by a family of witch aunts and a warlock cousin, Sabrina is a half-breed (her mother was human, her father a high priest in the dark arts), but viewers will see she shares some commonality with Hermione Granger from the Harry Potter books–she’s loyal, she’s book smart, she’s street savvy, and conscientious, dabbling in the magical world.  She also is trusting and able to be manipulated by the adults around her.  She may not be the fully realized, badass, confident heroine everyone wants to see–just yet–but by the end of Season 1 she’s well on her way.

The series protagonist is actually not Sabrina, but a demon who takes over the body of Michelle Gomez‘s Ms. Wardwell, a teacher at Sabrina’s mortal-realm high school, an ever-present mentor steering her out of dilemmas when Sabrina’s aunts fail to give Sabrina the help she wants.  Gomez, who played Doctor Who’s #1 nemesis The Master, is even more engaging here, fully inhabiting a character whose motivations are hidden by a fog–a blurred reality paralleled by a clever fuzzy tweak in cinematography throughout each episode.  Sabrina’s aunts, played by Miranda Otto, The Lord of the Rings #1 heroine who saved Middle-earth (“I am no man!”) and Lucy Davis, the #2 female lead in the WWI era of the movie Wonder Woman, unite to create a classic duet in the spirit of Arsenic and Old Lace.  Otto’s Zelda is strict and a devout believer in her dark religion, Hilda a sweet and doting aunt who gets excommunicated for her support of Sabrina.  All three actresses bring their genre star power to the series, providing a jolt of heroine gravatas to support the title character.

Sabrina is approaching her 16th birthday, when she must choose between the world of mortals and the world–and protections–of the witching world.  She must decide whether she will relinquish her decision-making from then on to the devil himself or take her chances as a mortal.  She is surrounded by those she thinks she can trust and others whose motivations are hidden in a dark world of several levels of good and evil.  Making sense of the darkness and evil and placing a pantheon of 56-old comic book characters he rejuvenated in the pages of Archie Horror comics four years ago onto the screen for a new audience is Roberto Aguirre-Sacasa, chief creative officer of Archie Comics, and executive producer and writer for the comics and CW’s Riverdale and Netflix’s Sabrina.  Quite shrewdly, Sacasa doesn’t comment on the dark religion of the series or any political stance his characters may reflect, instead letter the viewer bring their own value set to the show and making their own analysis.  Who do you want to cheer for, the equivalent of Darth Vader or Princess Leia in science fiction, or Sauron or Eowyn in fantasy?  Sacasa pulls from age-old classic stories, like Cain and Abel from the Bible, W.W. Jacobs’ The Monkey’s Paw, John Carpenter’s films including The Fog, Arthur Miller’s The Crucible, Robert Eggers’ The Witch, Neil Gaiman’s Sandman, and a classic horror film mirrored in the comics that might be a spoiler for Season 2–so we’ll hold that title back for now.

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Review by C.J. Bunce

Let’s cut to the chase:  Daniel Godfrey’s new novel The Synapse Sequence is not just the leading contender for the best science fiction novel of 2018, it’s the most absorbing, riveting, and thrilling science fiction novel I’ve read since I was first blown away by Michael Crichton’s Jurassic Park in 1990.  Hyperbole?  Maybe just a little, but when you are reading a new book and you’re taken aback by the twists, turns, and surprises as this book provides, it’s a bit like walking out of a big rock concert, wanting everyone else to witness what you just experienced.  Godfrey is relatively new to the genre, with two solid sci-fi books behind him, New Pompeii (reviewed here) and Empire of Time (reviewed here).  But this story is a completely different take on science fiction, and so deftly written, smartly paced, and completely believable in its speculative reach, Godfrey is worth comparison to some of the greats in the genre for it.

Anna Glover is an investigator with an unfortunately troubled and public past for her conclusions in investigating an airplane crash.  She lives in the somewhat distant future–bots serve man, taking on so many functions that personal freedom is limited.  As told from the alternating viewpoint of Glover in the present and looking back on her life, future London is very familiar and steeped in the world that technology is building right now with so much of life absorbed into the digital world.  When we meet our protagonist she is attempting to lie low conducting trials for a company with an emerging technology, a “synapse sequencer,” which allows a person to be tapped into the mind of another, like a witness to a crime, to experience vivid, shared memories as an observer.  She meets with her boss inside this world, where he lives out most of his life, a life better than he would experience in the real world.  The process requires the help of a monitor, and hers sees that she gets in and out of submersion safely.  But we learn there are risks for anyone who participates in this intermingling of brain activity.  If you’ve seen the 1980s sci-fi classic Dreamscape, the modern classic Source Code, the television series Stitchers, or the shared visions of iZombie, you’ll find no suspension of disbelief issue with the wild ride that awaits you.  The method for the journey isn’t as elaborate (or glitch-filled) as Connie Willis’s elaborate time travel tech, but Godfrey provides enough to submerge us into the stress and angst of Glover as she takes journey after journey to learn the who and why of a case involving a boy in a coma and a missing girl.

You can’t predict where Godfrey will take Glover from chapter to chapter in The Synapse Sequence Godfrey has been likened to an emerging Crichton, but Crichton rarely could craft as satisfying an ending as found here.  The story embraces that speculative futurism like many a Philip K. Dick story (Paycheck, Total Recall/We Can Remember It for You Wholesale, and Minority Report for starters), while weaving in a plausible future from the seeds of new tech today.  He combines the audacious duplicity of Vincent and Jerome in Andrew Niccol’s Gattaca with the foreboding and despair of The Man’s story in Chris Marker’s Le Jetée and Cole’s in Terry Gilliam’s 12 Monkeys. 

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Review by C.J. Bunce

Today a new young heroine arrives in the pages of a graphic novel called Scoop.  In Volume 1 with the first story arc titled “Breaking News,” we meet Sophie Cooper, a 14-year-old Cuban-American high school student in Miami.  It’s not the red hair and freckles that make her an outsider, it’s her dad.  He’s under investigation by a local bank for money laundering–under house arrest he’s trapped in his own home with an ankle monitor, while Sophie’s mother serves as a lawyer in the mayor’s office.  Sophie is ostracized by her peers at school and decides to take an internship with a local TV station in the hopes that she can learn something to help prove her dad is not what everyone says he is.  Sophie can’t help but make friends along the way, including a has-been TV anchor at the least popular station in town, who proves to be more valuable than she could have imagined.  While investigating a lead they encounter a strange otherworldly force that wrecks his car, and an undersea creature who helps her escape a pursuer who thinks she is getting too close to the truth.

“Scoop” becomes Sophie Cooper’s clever handle, her nickname (the first letter of her first name and first four letters of her last name), assigned to her by the news station.  Scoop has the framework to become the next Liv Moore from iZombie or Veronica Mars.  Sophie gravitates more toward the Veronica Mars angle–your basic teen crime detective–since this first volume primarily introduces the main characters, but writer Richard Hamilton and artist Joseph Cooper plant the seeds for a supernatural, X-Files-inspired future for the teen sleuth.

The imagery features a dose of Burn Notice style from the investigation plot, Miami setting, and locals that pop up in the series’ first 96 pages.  Also like iZombie, this is a story and characters not springing from a major comic book universe, so anyone can climb onboard from page one.  Sophie Cooper is exactly the kind of character you might see show up in a year or two on the CW Network, engaging and bright, with her precocious younger brother as an assistant she can tap into the latest technology to hone her investigative skills.

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After a painfully long wait for fans of the series, the CW Network renewed the hit horror comedy/drama iZombie for a fifth season late Friday.  Even the folks at TV Guide had their fingers crossed for this renewal, stating, “At last, our long national nightmare is over,” in response to the news.  What began as a successful comic book series by writer Chris Roberson and artist Michael Allred for DC Comics’ Vertigo imprint about a gravedigger zombie gal who eats brains to survive, took on its own life under the deft management of showrunner Rob Thomas, who had already dazzled his target audience with Veronica Mars.  Powerhouse star Rose McIver’s Liv Moore has become every bit the ace detective that Veronica was, but she also bridged the audience back to the pop culture references and off-the-wall fun Joss Whedon brought the TV audience with the original badass heroine with his Buffy the Vampire Slayer.  And McIver had the added bonus of playing a character that had to change up her performance every single episode while also appearing in nearly every scene, like Quantum Leap’s Sam Beckett and more recently Tatiana Maslany’s several sisters in Orphan Black.  And she has met the challenge with high energy along the way.  Everyone should be taking a good look at McIver’s performance this year come award season.

That isn’t to say the series hasn’t had a few ups and downs as it found its footing each season, upping the ante for its characters faster than anyone could have predicted… Liv and Major (Robert Buckley) are off, then on again… Ravi (Rahul Kohli) and Peyton (Aly Michalka) are off, then on again… Major and Blaine (David Anders) were zombies, then they weren’t and now they are, etc.  The experimentation worked, as the change-ups kept the show fresh and interesting, and as other shows get tired after the first or second season iZombie has taken the road traveled by NBC’s Grimm, a show that kept up the momentum taking major risks and changes only to get better with every new episode.

This week’s Episode 10 of the fourth season, “Yipee Ki Brain, Motherscratcher!” was the kind of crazy fun you might find on an early episode of South Park or Buffy.  Mocking shows that run out of funds that then are left to have their action scenes off-screen to be summarized on-screen by a character afterward, in an audaciously hilarious move by the writers, co-star Malcolm Goodwin (last year’s borg.com pick for Best TV Actor) was left to pantomime a recap of his off-screen heroics for the episode.  That was coupled with the kind of genre trope episode the series’ fans love: a bombardment of movie references and Easter eggs tied to 1980s action flicks.  And Blaine and Bryce Hogson’s Don E continue to surprise us, but never more than in this week’s episode.  The excellent villainy of the past four seasons (iZombie has three episodes left in Season 4) has smartly balanced out the heroes’ story: first with the brilliant Steven Weber’s Vaughn Du Clark and his daughter Gilda (Leanne Lapp), then with Eddie Jemison’s mobster Stacey Boss, followed by the return of Veronica Mars lead Jason Dohring as the questionable zombie law enforcer Chase Graves, and meanwhile the writers were furtively building the character arc of Robert Knepper’s Angus/Brother Love into compelling new territory as we prepare for what’s coming next season.

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Tomorrow one of TV’s best and funniest shows adapted from a comic book returns.  iZombie enters its fourth season on the CW with the episode, “Are You Ready for Some Zombies?”  When we last left Rose McIver’s Dr. Liv Moore and her friends, Seattle became open for business to zombies, complete with food stands to feed the newly-exposed zombie population.  Showrunner Rob Thomas’s former Veronica Mars leading man Jason Dohring joined up in season three as Chase Graves, and when we saw him last he infected the flu vaccine with the zombie strain, furthering spreading the zombie population of Seattle, with included Det. Dale Bozzio (Jessica Harmon), the ex-girlfriend of Rose’s partner-in-crime solving, Det. Clive Babineaux, played by Malcolm Goodwin, our borg.com best TV actor of 2017.  Major Lilywhite (Robert Buckley) convinced Graves to scratch him, making him a zombie yet again, after Natalie and his crew were massacred.  And Ravi Chakrabarti (Rahul Kohli) went forward and shot himself with his experimental vaccine, leaving anything and everything open for this new season.

But what may be the most fun to look forward to this season is the return of the unlikely pair of David Anders’ Blaine DeBeers and his former, disloyal, sidekick Don E (Bryce Hodgson), back again as the show’s bad guy element.

If you miss Buffy the Vampire Slayer and Veronica Mars, iZombie is the only series that comes close, with that clever dialogue and those great scripts we once thought only Joss Whedon could turn out.  The TV series is loosely adapted from the comic book series iZombie, created by Chris Roberson and Michael Allred, and published by DC Comics under its Vertigo imprint.

Here is a preview of Season 4 of iZombie:

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