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Review by C.J. Bunce

Spanish artist Fernando Dagnino (Superman, Resurrection Man, Suicide Squad) has designed the future of Blade Runner in the continuation series of Ridley Scott and Syd Mead’s future world for Titan Comics over the past few years.  Now fans of his artwork can see Dagnino take his work further in his own series.  In Smart Girl, readers will meet Yuki, a multitasking gynoid in the future called a Smart Girl, as in “smart phone” (the male Smartdroids are called Smart Boys)–human-like tools created exactly like the domestic assistant Synths of BBC’s Humans television series.  But like the Emergency Medical Holograms of Star Trek Voyager fame, the time comes when Yuki is no longer the latest, most advanced model, and it’s time for her to be replaced by the new androids and be deactivated.  Yuki becomes self-aware, and like the Replicants of Blade Runner, she decides she has more to offer the world and makes her escape before it’s too late.

Writer and illustrator Dagnino offers a black and white future noir comic that leans into what he does best–those shadows and layouts that feel like the stuff of 1950s pulp novels.  As much as I’d love to see his work in color, the black and white works for this tale of the bleak not-so-distant future.  Yuki is Atomic Blonde and Alita upgraded.  The story is tech-forward like Altered Carbon.  Dagnino’s style is familiar in a good way, mixes of Mike Grell layouts, Phil Noto characters, and the action and appeal of Jackson Herbert–the best of the modern Miss Fury artists.  If you like speculative science fiction, issue-driven narratives wrestling with timeless questions in the manner of the best of Alan Moore and Frank Miller, this should be your next graphic novel.

Check out our sneak preview of Fernando Dagnino’s new graphic novel, Smart Girl:

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