Review by C.J. Bunce

Thunderball–the word itself conjures James Bond–the meaning of the word as an atomic bomb mushroom cloud has taken a backseat to Ian Fleming’s ninth spy novel from 1961, and the fourth Bond movie that filled theaters for Christmas 1965.  The novel is primarily Fleming’s own detailed, descriptive Bond character study, but with a twist: The story ideas are a combination of scenes created and introduced in screenplay drafts by two other writers.  Thunderball was eyed initially among the first nine novels as the one worthy of becoming the first movie adaptation.  But conflicts among who created what in a writers room before Fleming wrote the novel would be the source of a lawsuit that sidelined the movie and ultimately resulted in five writers (including Richard Maibaum, John Hopkins, Jack Whittingham, and Kevin McClory) named in the movie credits.  It also resulted in the quirky, additional film adaptation, Never Say Never Again, in 1983.  The novel, with its external inputs, is still among Fleming’s best–it’s a combination of all the best elements of Fleming’s adventure and action man writing, a one-stop shop of sorts for anyone looking for a single Bond story that has it all.

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