It’s been a year since Kevin Costner returned to Dyersville, Iowa, to lead the ultimate movie event follow-up. Last year the Chicago White Sox faced the New York Yankees in vintage uniforms to provide fans of Major League Baseball with the ultimate gift, a regular season game at the most beloved stadium in the country–the Field of Dreams, setting for the Phil Alden Robinson’s 1989 film classic (find out more about last year’s game here). Last night the second major league game to take place in Iowa–and second annual Field of Dreams game–featured the Chicago Cubs and the Cincinnati Reds. Spoilers ahead–in case you missed the game.
Two episodes in and it seemed like some kind of con, a Jedi mind trick perpetrated by Disney. Six episodes in and you’re left asking “what was the point?” That’s the Disney+ series Obi-Wan Kenobi, which arrives as the least of the 21st century Star Wars television efforts, and after six episodes, probably falls short of Revenge of the Sith and The Last Jedi. Why was this an important story to tell? What entertainment value did it provide? In the end, the only thing the series served to do was give actor Hayden Christensen a chance to make up for George Lucas’s dismal script for Anakin Skywalker in the prequels. Other than that, it was like watching an assemblage of deleted scenes left on the director’s cutting room floor from the making of Revenge of the Sith.
Thursday night at the Field of Dreams in Dyersville, Iowa, a once-in-a-lifetime baseball game was played finally, after a year of pandemic delays, between the #1 ranked White Sox and the New York Yankees, and the event returned something long missing to the game. In the third inning Chicago White Sox outfielder Eloy Jiménez flipped a switch, igniting a ho-hum MLB regular season game into something more with a three-run homer, and the Sox led most of the game until New York took back the game in the ninth inning. Then, crushing a two-run, walk-off homer into the corn, shortstop Tim Anderson won the landmark game for the Sox with a 9-8 final. Anderson remarked, “playing out here in the middle of the corn, who would’ve thought that?” Jiménez commented that the experience in the first ever Major League Baseball game in Iowa was a little bit like playing back in the minor leagues, “it was amazing… but this was a big one. This was fun.” With a bushel of homerun baseballs landing in the corn field behind left and right field, it wasn’t the same old, big city baseball, but an experience that brought players and fans back to the basics of the game. It was a perfect summer night in the kind of pastoral venue the old pros played in for a hundred years before Nike logos adorned player shirts, before piloted drone cameras, and giant HD playback monitors. In short, it’s the kind of game that will hopefully happen again and again at this unique venue, and certainly more than only one MLB game per year.
Sir Arthur Conan Doyle’s 1902 story The Hound of the Baskervilles finds a sequel 120 years later in the latest Sherlock Holmes spin-off novel from writer James Lovegrove. Readers will find further adventures of not only that novella, but more connections to past works in Sherlock Holmes and The Beast of the Stapletons, a novel in the same series as the author’s Sherlock Holmes and the Christmas Demon, previously reviewed here at borg. The question for readers of Lovegrove’s other works, including his Cthulhu Casebook novels and other stories from Titan Books, is: Will he or won’t he? That is, will the beast of the title be something out of the real world (as in Sherlock Holmes and the Christmas Demon) or, as in his Cthulhu tie-ins, something from the world of fantasy? The best part of this story is the absence for the bulk of the tale of Sherlock’s right arm, Dr. John Watson, who tends toward the whiny and needy in past recent retellings. A new, interesting foil steps in for this mystery, taking Holmes more in the direction of another famous British franchise.
Only a year ago I called director Craig Brewer’s 2019 biopic Dolemite is My Name–the theatrical return of Eddie Murphy and Wesley Snipes from Netflix–the big Oscar miss of the year. It begged the question: When was the last time Murphy and Snipes were this good, and why did they ever leave the top spot on marquees of movie houses everywhere? Brewer is back again with Murphy and Snipes, this time in a sequel to director John Landis’s quirky 1988 comedy Coming to America, a two-time Oscar nominee for costumes and one of Rick Baker’s makeup nominations for turning Murphy and co-star Arsenio Hall into a host of characters, a box office success that gained favor over the years thanks to video rental stores, and today it’s a nostalgic trip back to the 1980s. The sequel Coming 2 America is a big surprise: a big budget marvel not from Netflix but Amazon Studios, a thoughtful, funny, surprisingly deep sequel we didn’t know we wanted, and a result that is even better than the original. More than “just another sequel,” it’s a fairy tale like The Princess Diaries, a bit A Knight’s Tale, a bit Crazy Rich Asians, and a worthy sequel in concept and art design to Black Panther. It’s also a celebration of the career and characters of Eddie Murphy, and it expands to be a celebration of black culture and comedic films via dozens of great Easter eggs. In short, it’s one of the best direct-to-television movies since studios started moving from movie houses to home screens.
This weekend one of the greatest American film classics celebrated its 30th anniversary across the U.S. Thirty years later and Phil Alden Robinson′s Field of Dreamsstill holds up. But thirty years is a long time, and my umpteenth viewing for Fathom Events and Turner Classic Movies theatrical release for Father’s Day netted even more new thoughts about one of my all-time favorite movies. I can’t think of a better Father’s Day movie, but if you missed it in the theater this weekend, you have one more day and two showings to catch it before it goes back in the vaults until its next anniversary. Find out more about tomorrow’s two screenings and find your local participating theater at the Fathom Events website for the anniversary event here. TCM host Ben Mankiewicz adds some film trivia before and after the screening–he’s a great host for these anniversary events.
Not even two minutes pass before Kevin Costner′s Ray Kinsella hears the ghostly words from afar that set the story into motion: If you build it, he will come. From there, Robinson’s tightly written, major re-work of the W.P. Kinsella novel Shoeless Joe is non-stop magic (check out my retro review of the novel here at borg earlier this year where I compare it to the film). It’s accompanied by James Horner′s sweeping, emotional score that will jerk you around from ghost story surprise to epic cross-country adventure and back to quiet, pastoral personal drama. You can go back and scratch your head over the actual films that won Academy Awards over Field of Dreams for 1989–it was nominated for Best Picture, Best Adapted Screenplay, and Best Score. You’ll find Field of Dreams is the only film that stuck with audiences three decades later, airing almost weekly now on cable channels, confirming its place in the Library of Congress’s film recognition and at the top of the American Film Institute’s rankings more than once.
It’s the rare film like Field of Dreams that begs for there to be an Academy Award for best casting. Margery Simkin, the casting director for films from Beverly Hills Cop to Top Gun to Star Trek Discovery deserves a salute for getting every role just right. Kevin Costner never veers from pure immersion into this new farmer wanting to follow his gut instincts. Amy Madigan plays the perfect supportive partner and wife to Ray. Gaby Hoffman is smart for her age as Ray’s daughter and a true credit to the film. Director/writer Phil Alden Robinson should share in the brilliant updating the novel character from real-life J.D. Salinger to the fictional Terence Mann–audiences know James Earl Jones so well from Star Wars, yet here we get the benefit of his powerfully emotional eyes and that broad smile and laugh. I always look forward to Ray Liotta′s steely stare, his knowing calmness, and his snarky laugh-out-loud dismissal of Ty Cobb. Keeping with the novel and my take from past viewings, Archie Graham brings the magic home as the crucial piece of the puzzle driving the story to its end, played young and eager in a 1920s mindset by the great Frank Whaley and in his later years as a wise small-town doctor by film legend Burt Lancaster. The quaint beauty of Dubuque, Iowa, made for the perfect backdrop to film Graham’s hometown of Chisholm, Minnesota, for these scenes.
Seven years ago the writers at borg came up with our top ten favorite fantasy movies (take a look at my list here). I’m happy to see that my list hasn’t changed much. Two of my top ten fantasy movies are returning to theaters nationwide for limited showings. First, Field of Dreams (my #6 favorite), is back next week, followed in July by The Muppet Movie (my #3 favorite). Celebrating its 30th anniversary, Field of Dreamswill be in theaters for Fathers’ Day, an opportunity to share the ultimate story of believing in yourself and trusting your instincts with a new generation. It’s scheduled to appear at more than 600 theaters. Then celebrating the 40th anniversary of The Muppet Movie,Fathom Events is partnering with The Jim Henson Company and Universal Pictures to show the classic big-screen debut of the Muppets on more than 700 screens nationwide.
Fathom Events joins Universal Pictures and Turner Classic Movies to bring Field of Dreams to theaters Sunday, June 16, for showings at 1:00 p.m. and 4:00 p.m. local time, and Tuesday, June 18, at 4:00 p.m. and 7:00 p.m. local time. Director Phil Alden Robinson′s re-write of W.P. Kinsella’s novel Shoeless Joe(reviewed here at borg), features three of cinema’s most fantastic characters coming together: reclusive author Terence Mann (James Earl Jones), baseball player Archibald “Moonlight” Graham (Burt Lancaster and Frank Whaley) and “Shoeless Joe” Jackson (Ray Liotta). It was nominated for six–and made three–of the American Film Institute’s lists of the top American films of all time, including being named the all-time #6 top fantasy film.
For two days only this July, The Muppet Moviereturns with screenings on Thursday, July 25, and Tuesday, July 30. The Muppet Movie will play at 12:30 p.m. and 7 p.m. (local time) each day. Following the international success of the television show The Muppet Show, which at its peak aired in more than 100 countries, Muppets creator Jim Henson took a creative risk to have the characters star in their first motion picture. The result, directed by James Frawley, became a box-office hit, starring Kermit (performed by Henson), Miss Piggy and Fozzie Bear (performed by Frank Oz), Gonzo (performed by Dave Goelz) and his chicken Camilla (performed by Jerry Nelson), Scooter (performed by Richard Hunt), and dozens of other favorite characters.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
Not likely to be the last we see of Star Wars animated television series from Disney, the successful four season run of Star Wars Rebels will wrap with its final episode March 5, 2018. As each season has peppered fans with the official return of actors from the original George Lucas trilogy and prequels, as well as 2016’s Rogue One: A Star Wars Story, at least one more major character will return in the series’ final seven episodes beginning next month.
Emperor Palpatine himself, Ian McDiarmid, joins original film cast members James Earl Jones, Billy Dee Williams, Forest Whitaker, Anthony Daniels, Frank Oz, Warwick Davis, and Genevieve O’ Reilly, and an ultimate mash-up of actors from literally every major genre franchise, including Sarah Michelle Gellar, Gina Torres, Tom Baker, Brent Spiner, Jason Isaacs, Katee Sackhoff, Clancy Brown, Peter MacNicol, Sam Witwer, and Freddie Prinze, Jr. McDiarmid reprises his role as the franchise’s top bad guy seen in the re-edit of The Empire Strikes Back, Return of the Jedi, The Phantom Menace, Attack of the Clones, and Revenge of the Sith. Although other original characters were voiced by new actors for characters like Princess Leia, Obi-Wan Kenobi, Bail Organa, Darth Maul, Wedge Antilles, and General Dodonna, this is a rare treat in any franchise to see the return of an actor to an iconic role so many years later (that is, except the Doctor Who franchise, which has seen 7 of the original 13 actors who played Doctors return along with nearly every companion in the series’ 50 year history as part of Big Finish Productions’ 17 years of audioplays).
Sam Witwer provided the voice of Palpatine earlier in the series, but Lucasfilm pulled in McDiarmid for one last curtain call. What will be the ultimate fate of Lothal, another loss like Scarif and Alderaan? Will Ahsoka return? Why didn’t we see Grand Admiral Thrawn in Rogue One? Does Captain Rex live to fight at Endor in Return of the Jedi? Fans of the series are waiting to see what happens to the key characters, the crew of The Ghost. We know from Rogue One that Hera and Chopper survive. Will Kanan, Ezra, Zeb, or Sabine make it out of Star Wars Rebels, too?
The end, and the answers to these questions are almost here. Check out this new trailer for the final episodes of Star Wars Rebels:
Before Greg Berlanti became a household name, responsible for creating, writing, or producing hit television series like Arrow, The Flash, Legends of Tomorrow, Supergirl, and Riverdale, he created a successful drama for the WB network that would help propel his career forward–Everwood. What could have been a flop on paper–a family drama about a widower who takes his career as a neurosurgeon and his son and daughter to a small town in Colorado to start again–became an engaging and enjoyable series with an electric cast and powerful writing. The entire four seasons, all 89 episodes of the 2002-2006 series is now streaming via CW Seed online for free.
Treat Williams (The Empire Strikes Back, 1941, The Phantom, White Collar) starred as Dr. Andy Brown, an immensely successful big city neurosurgeon who, while intruding on the turf of the pompous local family doctor, Dr. Harold Abbott, played by Tom Amandes (Arrow, Fairly Legal, Leverage), begins to become an invaluable and influential member of the community. Standout in the cast was Debra Mooney (Dead Poets Society, Tootsie) as Dr. Abbott’s mother Edna, whose snarky attitude was perfect as she helps the new doctor with his clinic across the street from her own son’s competing clinic. Stephanie Niznik (Star Trek: Insurrection, Enterprise) played Dr. Brown’s friendly neighbor Nina, and Brenda Strong (Dallas) played Dr. Brown’s late wife in flashbacks.
But Everwood, which has not been available on any previous streaming service, will probably be best known for the breakout roles of two Marvel Cinematic Universe stars, Guardians of the Galaxy’s Star Lord Chris Pratt and Captain America’s love interest Sharon Carter from Captain America: Winter Soldier and Captain America: Civil War, Emily VanCamp. VanCamp and Pratt had significant roles on Everwood. Portraying Dr. Abbott’s teenage kids, VanCamp was Amy, the target of affection of Dr. Brown’s son Ephram (Gregory Smith, selected for the role over Supernatural’s Jared Padalecki), and Pratt was Ephram’s not-so-bright new friend, ironically named Bright. Both actors shined in these early performances (and were a real-life couple for several years).
