Suddenly several animated series and movies in the fantasy, adventure, and science fiction genres are going to be appearing on your TVs and in theaters. Most are coming to Netflix and Disney+, so get ready. Each one has a unique look, and they all feature intriguing trailers that offer enough to get us to give them at least a try. From a pirate sea beast tale to Sonic the Hedgehog, Ice Age, and Despicable Me sequels, to the latest seasons of the Pacific Rim and Ghost in the Shell spin-offs, a new kind of vampire series, an Apollo movie, and more. Which will be the biggest hit? Take a look at all these trailers:
The second and third most famous genre Jareds take center stage in this trailer from the Sony side of the Marvel universe. Academy Award winner Jared Leto(Suicide Squad, Blade Runner 2049) stars as Marvel’s own bat-man, Dr. Michael Morbius, and BAFTA Award-winning actor Jared Harris(Sherlock Holmes: A Game of Shadows, Fringe, The Expanse) is Emil Nikols. Yes, Marvel has shaken its tree a lot to get us down to movies featuring the likes of Moon Knight and the “living vampire.” The appeal for most audiences will be more of Michael Keaton in the superhero realm, back as Vulture, Keaton’s villain of Spider-Man: Homecoming. And who isn’t still waiting to see what movie will be Matt Smith′s post-Doctor Who breakout role? The movie also stars Fast & Furious’s Tyrese Gibson, and 6 Underground’sAdria Arjona.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
Two of the three most famous genre Jareds take center stage in the latest trailer from the Marvel universe. Academy Award winner Jared Leto(Suicide Squad, Blade Runner 2049) stars as Dr. Michael Morbius and Jared Harris(Sherlock Holmes: A Game of Shadows, Fringe, The Expanse) as an undisclosed mentor, possibly Jack Russell. Morbiustakes place in the Sony side of the Marvel universe. Not yet taking the plunge to become a full-on Marvel Cinematic Universe entry now that the Disney/Sony deal is done, a trailer appearance by Michael Keaton as Vulture reflects a straddling of the franchise. Keaton’s character was the villain of Spider-Man: Homecoming, the first Spider-Man movie of the Marvel Cinematic Universe. Morbiusappears to have been filmed in the dark lighting of the earlier horror/superhero-verse film Venom, which featured another historic tie-in character from the world of Spider-Man. Morbiuswill be released this summer a few months in advance of a Venom sequel.
Not to be confused with the Dr. Morbius of Forbidden Planet, this is the sci-fi/Dracula hybrid–the “living vampire”–created by Roy Thomas and Gil Kane in the pages of Marvel Comics in 1971. Comic greats like Don McGregor and the late Rich Buckler and Steve Gerber would work on the Morbius stories over the years–a doomed hero drawn to look like actor Jack Palance. Over the years the character would rub shoulders with Ghost Rider, Man-Thing, Doctor Strange, and Blade, but most notably Spider-Man. Elements of the trailer look like the stuff of Doctor Strange, Venom, and Deadpool, and this is obviously a character from the world of Stan Lee.
The original Morbius in superhero costume from the pages of Marvel Comics.
The film co-stars Doctor Who’sMatt Smith, Fast & Furious’s Tyrese Gibson, and 6 Underground’sAdria Arjona.
Could this be an entry point for new Blade, Ghost Rider, or Carnage movies? Take a look at this first trailer for Morbius:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
When next surfing your next adventure on Netflix, fans of seafaring stories will want to make sure they save some time for the 2005 television mini-series To the Ends of the Earth, one of the best accounts of the brutal, nasty, ignoble, and vile side of life in the early 19th century. In what would be a relatively simple flight across continents today on a jet plane was a life-risking venture on the high seas in 1812, as a young British aristocrat named Edmund Talbot travels by a converted ex-warship to Australia, and learns more about social positions, decency, military discipline, and character than he contemplated when he booked his voyage into politics around the globe. As with the recently reviewed series The Terror, To the Ends of the Earth is a grimy, authentic look at life below deck for the several tiers of passengers (a mirror of British society) in a classic man-of-war. But where the production for The Terror looks gorgeously historic, it’s the stench that seems to permeate this tale in a way unmatched by The Terror, the A&E Horatio Hornblower series, Master and Commander: To the Far Side of the World, or Kenneth Brannagh’s Shackleton.
Sometimes just plain gross, but never in a gratuitous way, To the Ends of the Earth is a smartly written story in the same serial delivery as the Hornblower series, this one three 90-minute chapters for a total of 4.5 hours. Based on a trilogy of novels from the 1980s by Nobel Prize-winning Lord of the Flies author William Golding, for fans of modern film and modern takes on Sherlock Holmes, the series is a great, early pairing of the BBC’s Sherlock, Benedict Cumberbatch, and the big screen Sherlock Holmes: A Game of Shadow’s Moriarty, Jared Harris. Although his fictional story is less popular an his voyage less memorable, Harris elevates his layered Captain Anderson to a naval leader comparable to Forester’s Pellew and Foster and O’Brian’s Aubrey (and a comparison of his captain then to his The Terror captain 15 years later is also worth the watch). A younger Cumberbatch also shows his acting chops and foreshadows his later rise in filmdom, carrying each scene for nearly the entirety of the series’ 4.5 hours as the show’s tour guide, Talbot.
Flies. Rotted food. The stench of the wounded and the dying in close quarters. The constant rocking of the ship, inability to walk, or sit, or drink, or sleep without getting sick, wet clothes, rashes, injuries, preparing for battle, losing men overboard–this film stinks (well, almost) like no other, and thankfully without the addition of Smell-o-vision. Add to that being lost, the uncertainty of ever landing anywhere, distrust, embarrassment, mutinous types, savvy sailors and poor sailors, alcohol, drugs, sex, and no doctor or surgeon in sight for six months. Oh, the good ol’ days, right? We must take the books’ author and the studio’s word for it as to true authenticity, but the costumes and treatment of the human condition seems completely spot-on. Thomas Hobbes’ life outside society as “solitary, poor, nasty, brutish, and short” has hardly been more plainly laid out.
Sometimes writers find the right obscure but fascinating event of the past to tap for the next fictionalized tale. The Terror, a new series beginning tomorrow on AMC, has the potential of being the next clever idea in the historical horror category. By all accounts it looks like a secret prequel to John Carpenter’s The Thing (just as the movie Split was a secret film in M. Night Shyamalan’s Unbreakable saga). That’s not really the case for this suspense-thriller, supernatural-horror series despite its similarly chilling, desolate, Arctic setting, blood and gore horrors, and lurking menace. It’s a fictionalized account of actual events from 1845-1848, written by author Dan Simmons in his 2007 novel of the same name. But it couldn’t look more like a John Carpenter creation. It begins tomorrow night on AMC.
The novel is such prime fodder for a novel it’s incredible it hadn’t been adapted before in this way. In the real world the British Captain John Franklin was leading an Arctic exploration for the Northwest Passage with two ships, the HMS Terror (The Terror! Yes, really!), and the HMS Erebus (in Greek mythology Erebus was a primordial deity representing the personification of deep darkness, shadow, and chaos). It is no secret that the expedition is noted in history books as a famous lost expedition. The British character names sound like you’d expect in a fictional seafaring crew penned by the likes of C.S. Forester, Patrick O’Brian, or Robert Louis Stevenson: Commander James Fitzjames, Dr Harry D.S. Goodsir, Cornelius Hickey, Seaman Magnus Manson. Playing Captain Franklin is Ciarán Hinds, the brilliant character actor we’ve loved in everything from Mary Reilly and Jane Eyre to The Sum of All Fears, Road to Perdition, The Phantom of the Opera, Munich, Harry Potter and the Deathly Hallows: Part 2, The Woman in Black, John Carter, and Shetland (and he was the voice of Steppenwolf in Justice League and starring now in Red Sparrow). The captain of the Terror is played by Sherlock Holmes film star Jared Harris(Far and Away, Last of the Mohicans, Lady in the Water, The Riches, Sherlock Holmes: A Game of Shadows, Fringe, The Man from U.N.C.L.E.). Fitzjames is played by Tobias Menzies (Star Wars: Rebels, Outalnder, Casino Royale, Law & Order: UK, Black Mirror, Doctor Who, Game of Thrones). Alistair Petrie (Rogue One: A Star Wars Story, Victor Frankenstein, Hellboy) plays Dr. Stanley. And Greta Scacchi (Emma, The Player, Presumed Innocent) plays Lady Franklin.
The production for The Terror looks gorgeously historic, the ships and costumes as intricately crafted as those in the A&E Horatio Hornblower series and Master and Commander. The show’s production design is by Jonathan McKinstry (known for the original Total Recall, Band of Brothers, Penny Dreadful, The Young Indiana Jones Chronicles, The Borgias, and Sphere), with supervising art director Matthew Hywel-Davies (Doctor Who, Torchwood), and set decorator Kevin Downey (Mary Shelley, King Arthur, Penny Dreadful, Little Women). Costumes were created by Annie Symons, who designed the wardrobes for King Arthur, The Woman in Black 2, and TV shows The Hollow Crown, Doctor Zhivago, Sweeney Todd, Dracula, and Great Expectations. Showrunners are David Kajganich(In the Clouds, A Bigger Splash) and Soo Hugh (The Killing, Under the Dome, The Whispers). The fact that Ridley Scott(Alien, Blade Runner, Alien: Covenant, Coma) is executive producer has been heavily marketed.
Here is a preview for tomorrow’s first episode of The Terror:
It’s almost a shame this weekend’s big screen release The Man from U.N.C.L.E. is a retelling of the 1960s television series. It’s an adaptation in that it takes the framework of the show—an American and a Russian working together as Cold War era spies—yet director Guy Ritchie makes this work stand completely by itself. The fact that it’s based on a classic series may turn away viewers who may be tired of other remakes of 1960s shows like Get Smart and The Avengers (both of which were good standalone films). But that would be a great loss, as The Man from U.N.C.L.E. is not only as stylish as advertised in our favorite trailer of the year, it’s a classy and smart story and a superb re-creation of the early 1960s.
It’s no surprise that this film relishes its Bond influences–Henry Cavill’s character Napoleon Solo was created by Ian Fleming, the same Ian Fleming that created Bond. Yet the movie is fresh and new. The story and Cavill’s performance evoke Matt Bomer’s role of stylish and cocky ex-art thief-turned government man on TV’s White Collar. In fact Cavill is a dead ringer for Bomer. Likely it’s just a coincidence but if you loved White Collar you’ll love this film. And any doubts you may have as to Cavill’s acting because of the poorly written part he was stuck with in Man of Steel will be wiped away with his confident and suave Solo. Even better is Armie Hammer’s performance as Illya Kuryakin. Any doubts you may have as to Hammer’s acting from his lead role in The Lone Ranger will also be wiped away. Hammer’s performance as a KGB agent in need of some anger management is nuanced and layered. The idea of putting some Ennio Morricone musical queues behind Hammer and adding a Clint Eastwood Dirty Harry twitch are simply inspired. This is a great team and a film that sets itself up for an exciting sequel.
As commanding a presence as Cavill and Hammer have, they are almost upstaged by the equally important roles played by Alicia Vikander as the German daughter of a rocket scientist and Elizabeth Debicki as the ultimate Bond villain. The villainy in The Man from U.N.C.L.E. is surprisingly as powerful, seething, and fun as any 1960s Bond film. All of this is a credit to Ritchie’s bankable directorial and writing prowess. A fan of Butch Cassidy and the Sundance Kid, Ritchie knows how to get the best out of partnerships here, just as he did with his Sherlock Holmes movie series.
Years ago I had the great fortune of living in Vancouver, Washington, across the beautiful Columbia River from Portland, and every day I watched the skyline of Mt St. Helens as I drove to work downtown. Fifty years before that, my dad peered up at St. Helens as he walked to school in that same Pacific Northwest town. The big difference of what he saw–compared to what I saw–was the top of the mountain was gone, destroyed more than 15 years before I got there when the volcano reared its force across southwest Washington, devastating the forests and towns and lives of several people nearby, killing nearly 60 people, nearly 7,000 deer, elk and bears, and 12 million fish.
The eruption was still a topic of conversation years after the blast. Vancouver had been covered in ash. People shoveled ash like it was snow, and it even looked like dirty snow. Vancouver and towns closer to the blast zone’s 230 square mile destruction area were just plain lucky the 24 megaton blast of energy didn’t stretch any further. Even 20 years after the blast, remnants remained. We were having our home re-roofed and a worker fell through into our family room pulling with him pounds and plumes of ash that had sat quietly in the shingles and attic all those years.
As a kid watching the blast on TV, I learned a new word: pneumonoultramicroscopicsilicovolcanoconiosis, a disease from inhaling the ash and in its plural form the biggest word in Webster’s Dictionary. The blast also brought memories from my dad about his service days around the city Pompeii, including reviewing his photos of the aftermath of Mt. Vesuvius and solidified stone tombs still documenting the last acts of the townspeople. With 1,934 years removed from the tragic event, it’s easy to marvel at how interesting these people looked. Yet I had a newly found sense of horror last week, reading the New York Times front page news of Syria. Horrific photos showed the gassed suburb of Damascus, with families also found dead in various states of simply living their lives, left in this strange, unreal-yet-too-real and disturbing way. These people were of course murdered, in contrast to the Vesuvius natural disaster, but both events are similarly shocking.
BBC announced yesterday that Matt Smith’s last episode as the 11th Doctor on Doctor Who, the oldest series on television, will be this year’s Christmas episode to air on Christmas Eve. He’ll also appear in the 50th anniversary of Doctor Who episode this fall. For those of us who never would have given Doctor Who a try but for Matt Smith, he will be sorely missed. Without Matt Smith’s energetic and brilliant performances, we wouldn’t have seen how awesome David Tennant was as the 10th Doctor, met Christopher Eccleston’s 9th Doctor and his long-running companion Rose, or checked out the numerous audio books, or even peeked at those earlier “other” Doctors.
But just as we quickly have embraced his new companion with Jenna-Louise Coleman’s Clara (Amy Pond who?) after we thought we’d met the best companion ever, life goes on and so will the Doctor’s next incarnation as he takes the form of another actor… or actress?
So who should be the next Doctor? Matt Smith has given us some brilliant performances. If you aren’t a Doctor Who fan and wanted to sample some of the best of Matt Smith’s Doctor, try these:
The Eleventh Hour. We meet Matt Smith’s Doctor for the first time as he must save the world in 20 minutes with a wrecked TARDIS and broken sonic screwdriver and with the help of Amy Pond–the girl who waited.
The Beast Below. The Doctor and Amy travel to a future where residents live on a spaceship called Starship UK. We meet a future Queen and learn the terrible truth about what keeps the ship–and all its inhabitants–alive.
