Tag Archive: Jason Priestley


Our borg Best of 2018 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC).  No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans.  This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK.  Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for.  And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her.  This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.

Best Sci-fi TV SeriesThe Man in the High Castle (Amazon).  What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel.  The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address.  Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi.  Honorable mention: Humans (AMC), Counterpart (Starz).

Best New TV Series, Best Reboot, Best Ensemble CastMagnum PI (CBS).  If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it.  And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series.  With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts.  Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original.  Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).

Best Series, Best Drama, Best ComedyLodge 49 (AMC).  Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other.  Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions.  If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series.  And yet it wasn’t fantasy at all.  An oddball Cheers?  A southern Twin Peaks without the Lynchian weirdness?  Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be.  Maybe we’ll learn more about that next season.  Honorable mention for Best Drama: Counterpart (Starz).  Honorable mention for Best Comedy: Baskets (FX).
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Eliza Dushku Tru Calling

Between 2003 and 2005, Fox aired one of the best supernatural thrillers to date. Fans of Eliza Dushku, missing her superb performance as vampire slayer Faith on Buffy the Vampire Slayer, could get their fix with Tru Calling.  After years of sitting on the shelf Tru Calling is finally being re-broadcast Wednesday nights on the Chiller cable network.

Eliza Dushku’s first starring vehicle of her post-Buffy days, Tru Calling had an excellent sci-fi premise, Medium meets Groundhog Day.  Medical student Tru (Dushku) gets a part-time job in the morgue and discovers that the recently deceased can ask for her help, causing her to relive their final days, in the hopes of saving their lives or solving their murders.

Tru Calling is one of those forgotten series that made our borg.com10 TV series that didn’t make it (but should have)” list back in 2011.   Lots better than Dushku’s role on Dollhouse, Tru Calling also was the first time we noticed many current genre favorites.  Tru’s co-worker mentor in the morgue was played by The Hangover‘s Zach GalifianakisMatt Bomer (White Collar, Chuck, Space Station 76) played Tru’s boyfriend.  But several more actors were barely known then, and featured in guest spots on the show.

Tru Calling

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Back in Beginner Computing class in junior high, we learned the BASIC computer language on Commodore VIC 20s.  The first program you learn to write is this:

10 PRINT HELLO

20 GOTO 10

The end result is a loop, printing the word HELLO over and over again infinitely like this:

HELLOHELLOHELLOHELLOHELLOHELLOHELLO

HELLOHELLOHELLOHELLOHELLOHELLOHELLO

HELLOHELLOHELLOHELLOHELLOHELLOHELLO

HELLOHELLOHELLOHELLOHELLOHELLOHELLO …

It’s an easy way to illustrate a temporal loop or time loop, a recurring story element in science fiction and fantasy works.

In 1905 Spanish philosopher George Santayana wrote “Those who cannot remember the past are condemned to repeat it.”  He didn’t mean this literally.  As science and science fiction would later speculate, repeating the past may be a possibility one day.

It is difficult to determine who first put the literal repeat of history into story form, but it is a recurring science fiction device that is often used to great effect.  Classic sci-fi writer Philip K. Dick used the time loop in his 1975 short story “A Little Something for Us Tempunauts.”  The best and most well known example of this is the Bill Murray movie Groundhog Day, where for for some unknown reason a weatherman’s day is repeated until something happens that is supposed to happen–he gets the day exactly right.

Unlike later uses of this device, in his short story Philip K. Dick did not express the element as a repeat of the actual narrative story, but an explanation of cause and effect.  In his story, time traveling astronauts go on a mission, where destruction of the mission results in a time loop that may or may not result in the preservation of an eternal life for everyone.  We don’t see the result, but hear from the tempunauts they have been there, done that, before.  Over and over.

Usually use of a time loop on sci-fi/fantasy genre tales involves at least one person being able to realize the existence of the repetition.  Bill Murray’s weatherman knows the day is repeating in Groundhog Day.  Yet the other characters are not aware at all.  In other uses, characters get to experience deja vu or even fatigue from living time over and over.

This week’s episode of the Syfy Channel’s Haven, the series based on a Stephen King story, is titled “Audrey Parker’s Day Off,” and is one of the best of the series so far.  The main character Audrey Parker, played by Emily Rose, wakes up to repeat a day after she comes upon a death at a crime scene.  She is in bed with friend Chris, played by Jason Priestley, to whom she must explain a different plan for each new day.  In each new day she tries to figure out how to not cause any death, by changing the variables of each day.  In the context of the mystic “troubles” the town of Haven is dealing with, Audrey as the only person person unaffected by the troubles.  With Audrey the show uses this story device quite well.  The parallels to Groundhog Day are unmistakable, but viewers can’t help but like it when it is adapted in a new way as was done here.

Jason Priestley may be strangely tied to time loops, as he also appeared in a television series entirely about time loops, called Tru Calling, one of borg.com’s favorite series.  In Tru Calling, a graduate student and morgue worker named Tru played by Eliza Dushku is able to relive days in the hope of saving the life of someone who died on that day.  Usually she has several opportunities to do this.  Priestley’s character later in the series comes along as an agent of death to undo the seemingly good that Tru has been doing.  His view is that Tru is interfering with the proper course of events, as if only one timeline is correct, and with him it is the first timeline.

Early Edition was another series focusing on the ability to “do over.”  The loop also occurs in the Buffy the Vampire Slayer episode “Life Serial,” on the series Eureka in the episode “I Do Over,” the X-Files episode “Monday,” and the Xena, Warrier Princess episode “Been There, Done That.”

In theaters now is the fifth film in the Final Destination franchise.  This series presents a variant on going back to change the past, without the ability to try again via repeats, although with the character of Clear played by Ali Larter in the first two movies, the repeat effort seems to be there all the same.  In the world of the Final Destination films, an individual lives out a horrible accident, then snaps back in sort of a deja vu state, with only seconds to try to prevent the course of events from happening.  However, like Priestley’s character in Tru Calling, an unseen power, like his agent of death, is set about to return the normal and proper timeline, even if it means the death of dozens.

In Kurt Vonnegut’s Slaughterhouse-Five, Vonnegut’s hero Billy Pilgrim similarly becomes what Vonnegut calls “unstuck in time”.  He has no choice, he appears in various stages of his own life, but with the choice of changing events.  This also happens in the episode of Angel called “Time Bomb.”

Captain Picard  (Patrick Stewart) experienced the same problem a few times in Star Trek: The Next Generation.  In  the episode “Tapestry,” John de Lancie’s omnipotent character Q plunges Picard into the past to allow Picard to not only revisit his past, but to change it if he wishes.  With no regrets, Picard changes nothing, even when that means a Nausicaan will again put a pool cue through his heart, resulting in Picard again needing an artificial heart for the rest of his life.  But whereas revisiting the past in story form has been around for centuries–think Charles Dickens’ A Christmas Carol–a temporal loop requires repeated visits to the past.  Luckily Scrooge gets it right after merely watching his past, and Q is just fine with Picard’s choices the second time around.

Actually the best Star Trek representation of the temporal loop is the Next Generation episode “Cause and Effect,” which might as well be an essay on how time loops work.  The episode starts with a poker game between the bridge officers.  The ship then experiences a temporal distortion and a ship comes out of nowhere to collide with the USS Enterprise, resulting in the destruction of both ships.  Then we have a commercial break, and the show appears to repeat again.  I know of at least one person who almost turned off the show, thinking there was something wrong with the network feed.  Brilliantly, the audience must be confused.  What did we miss?  In this story, characters are impacted by the repetition, they feel tired, and they experience deja vu.  Luckily Lt. Commander Data figures out how to leave a subtle clue for the next repeat, allowing him to save the ship before the end of the hour of the episode.  His crew had been repeating the event for mere days, but the other ship caught in the anomaly, the USS Bozeman helmed by a captain played by Kelsey Grammer, has unknowingly re-lived the same day for decades, and the show ends with Picard informing the other captain of some pretty bad news about his lost time.  Breaking a time loop is also the focus of the Charmed episode “The Good, The Bad, and The Cursed.”

Writers use time loops again and again because they are fun, and modern audiences understand them, mostly because of the success of Groundhog Day.  In fact in this week’s episode of Haven, “Audrey Parker’s Day Off,” when Audrey explains all this to Interim Chief of Police Nathan Wournos, his response is “you’re stuck in my second favorite Bill Murray movie.”  When on the following day Audrey has to explain the recurring events yet again, she cuts him off when he is about to repeat the line and finishes it for him.

C.J. Bunce

Editor

borg.com