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Tag Archive: Jean-Marc Rochette


Feeling the heat?  A new San Diego Comic-Con trailer for Snowpiercer might help.  First a series of graphic novels we discussed five years ago here at borg, then a movie starring Chris Evans (reviewed here and discussed here), the futuristic, post-apocalypse universe of Snowpiercer is now making its way to your television set.  For the 2013 movie, the casting of big names, Marvel superhero Chris Evans, Academy Award-winning actor Tilda Swinton, and multiple Oscar-nominated actors John Hurt and Ed Harris, reflected the critical and popular appeal of the comic version of the story more than the resulting B-movie that ended up on the screen.  Now it’s up to Academy Award-winning actor Jennifer Connelly (A Beautiful Mind, Alita: Battle Angel, The Princess Bride) carry the baton.

Originally published in French in 1982 as Le Transperceneige by Jacques Lob with art by Jean-Marc Rochette, Snowpiercer, Volume 1: The Escape is available in an English translation by Virginie Selavy with follow-on English translations of Volume 2: The Explorers by Benjamin LeGrand and Volume 3: Terminus by Olivier Bocquet also available, and a prequel Extinction by Matz, on the way.  For the new TBS television series (available on Netflix elsewhere), stage actor Daveed Diggs joins Jennifer Connelly with several new faces and background actors.  And it’s already been renewed for a second season.

Repressive like the world of George Lucas’s THX-1138 and Kurt Vonnegut’s Harrison Bergeron, thematically political like the similarly wintry Dr. Zhivago, and drawn with the stark, black and white look of Aha’s Take On Me music video from the 1980s, Snowpiercer is a bleak, but ambitious, series of graphic novel about many things.  The back of the train like the back of the bus in the 1960s, or the lower sections of the ship on the Titanic, you can analogize the social strata of the train to many things. But neither the rumored horrors at the “tail” of the train, nor the “golden carriages” of the first class at the front of the train are what they appear to be.  At one level Snowpiercer is a strange, existential retelling of Plato’s Allegory of the Cave.  As with the movie, the trailer for the series shows something different from the graphic novel that inspired it, but maybe an alternate story of the train a la Beyond the Poseidon Adventure.

Here’s the trailer for TBS’s new series, Snowpiercer:

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In many ways the spy protagonist Lorraine Broughton, played by Charlize Theron in this year’s action blockbuster Atomic Blonde, will be barely recognizable to fans of writer Antony Johnston and artist Sam Hart’s Lorraine Broughton, the heroine of the 2012 graphic novel The Coldest City The most obvious change is certainly that Broughton is not drawn blonde in the pages of the comic, but the modifications go much further.  Yet, if you can separate the source material from the film, both can be appreciated for the great stories and the visuals that both offer.

We reviewed the film Atomic Blonde here at borg.com back in August.  The original Oni Press graphic novel is now available in a movie tie-in edition.  Atomic Blonde is no doubt a catchy and excellent title, and matches the violent and dynamic tone of the film.  But The Coldest City is also a great title, carrying its own clever double meaning.  In the book’s pages Sam Hart draws a black and white spy story that echoes the bleakness of the Cold War territory Antony Johnston’s tale revisits.  Top spy Broughton is serious about her job, she’s street savvy, and has years of experience when she’s brought in for a debriefing at the beginning of the story.  Hart’s art style is striking, and like Jean-Marc Rochette’s artistry in his graphic novel Snowpiercer (reviewed here), the panels aren’t cluttered with detail, and he instead relies on simple, dark lines with shadows to emphasize the mood.  From every angle The Coldest City is an engaging “end of the Cold War” story.

As different as Atomic Blonde appears to be from the graphic novel, the film is substantially faithful to its source.  You might find the differences in the book and movie analogous to a comparison of the film version of Casino Royale starring Daniel Craig to Ian Fleming’s original novel (we reviewed that one here).  The imagery is different but the author’s intent comes through, albeit in an updated package.

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snowpiercer

Review by C.J. Bunce

If you’re a glutton for punishment and the Polar Vortex is child’s play for you, then Snowpiercer may be in your future.

In the future a bomb destroys the climate.  A luxury train called the Snowpiercer, intended to take passengers on weeks-long travels becomes the only vehicle for survival, taking on lower class cars to become 1,001 total train cars.  It’s the last bastion of civilization.  Snowpocalypse, Snowmageddon–call it what you will, the planet is now ice and snow and being outside for even minutes means a certain end from the “White Death.”  Originally written in French as Le Transperceneige by Jacques Lob with art by Jean-Marc Rochette, Snowpiercer, Volume 1: The Escape is now available in an English translation by Virginie Selavy from Titan Books.

Snowpiercer is also a new sci-fi film, starring Chris Evans (Captain America, the Fantastic Four), John Hurt (V for Vendetta, Doctor Who, Harry Potter, Hellboy), Ed Harris (The Truman Show, Apollo 13, The Right Stuff) and Tilda Swinton (The Chronicles of Narnia, Constantine), by Korean director Joon-Ho Bong.  A major hit in South Korea, it is yet to be released in the States yet, a result of directorial disputes with distributor The Weinstein Company, including a feud over cutting 20 minutes of footage for U.S. audiences that inexplicably “may not understand” the longer version.  Here is the South Korean trailer for the movie:

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