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Tag Archive: Jerry Siegel


Next week Quirk Books is releasing its follow-up look at the obscure side of comic books with The Legion of Regrettable Supervillains, a companion book to its 2015 release The League of Regrettable Superheroes (reviewed previously here at borg.com).  Cartoonist and graphic designer Jon Morris has again researched the archives of Digital Comic Museum and Comic Book Plus to locate oddities from the Golden Age of comics to more recent series.

Morris collected more than 100 of these antagonists of the comic page, many only serving their plot in a single issue of a long forgotten publication.  These are villains that today seem laughable as bad guys, like Animal-Vegetable-Mineral Man, Bloor (The Dictator of Uranus), The Horrible Hand (a giant hand), and The Human Flying Fish.  The Legion of Regrettable Supervillains is a great excuse to look back to the roots of comicdom, its creators, and the publications that have come and gone.  Morris’s overview of the far recesses of the Golden Age of comics may remind readers of the changing times–the changing audiences–for comic books, and how the industry has grown.  Creators of the obscure are mentioned in the book when known, and sidebars list plenty of humorous weaknesses of these vile fellows.  The Balloon Maker is particularly nefarious, and a baddie before his time–he’s something out of House of Wax or Silence of the Lambs.  As much as some entries are obscure, others, like MODOK, are better known–but still strange.

   

You’ll see plenty of examples of full color covers and interior art from the characters represented, as well as characters created by legends in comics like Dick Sprang, Frank Frazetta, Gill Fox, Jack Cole, Otto Binder, Stan Lee, Jack Kirby, Jerry Siegel, Joe Simon, Neal Adams, and John Romita.

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PBS is airing a new documentary series tonight and re-broadcast October 22 focusing on the impact of comic book superheroes on America and American culture, in Superheroes: A Never-Ending Battle.  It’s a good history lesson in the creation of the modern comic book and the development since the 1930s of the comic book art form.  Packed with interviews with key creators and industry professionals, and comic book page and TV and movie clips, it tells a history of America as much as the comic book medium.

Not surprisingly the documentary, funded by both the National Endowment for the Arts and the National Endowment for the Humanities, focuses on U.S. comics and comic stories tied to patriotism across the past 100 years.  Written and directed by Michael Kantor, it covers how changing times is mirrored in comics, but also dictates the stories of comics, from the Great Depression, to World War II, McCarthyism in the 1950s and the Cold War in the 1960s to 1980s, the psychedelic 1960s, drugs in the 1970s, to Watergate and terrorism.

Liev Schreiber hosts Superheroes on PBS

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