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Tag Archive: Jesse Plemons


Only a free and unrestrained press can effectively expose deception in government.  And paramount among the responsibilities of a free press is the duty to prevent any part of the government from deceiving the people and sending them off to distant lands to die of foreign fevers and foreign shot and shell.

— United States Supreme Court Justice Hugo Black, NY Times v United States

The Post is the next in a prestigious line of the drama sub-genre of motion pictures focusing on journalism, a group featuring great films like Citizen Kane, Meet John Doe, The China Syndrome, Call Northside 777, and Zodiac.  The Post could be seen as a sequel of sorts to another film classic from this group, the Academy Award-winning 1976 film All the President’s Men.  That film, which told the story of The Washington Post coverage of the break-in at the Watergate Hotel that led to President Richard Nixon’s resignation, co-starred Jason Robards as executive editor Ben Bradlee.  The Washington Post is again front and center in The Post, this time with Tom Hanks as Bradlee and Meryl Streep as publisher Katherine Graham (who was an active player in the events in All the President’s Men, but the character did not appear in the film).

With director Steven Spielberg, Streep, and Hanks attached to the film, it’s likely The Post will be a big Oscar contender next March.  The Post tells the story of The Washington Post’s decision to disclose The Pentagon Papers over the course of a few weeks in June 1971, an extensive government study that would show that the government had hidden from the public and media the true extent of U.S. activity in the Vietnam War.  The decision of the Supreme Court would stifle the media for 15 days before finally providing some guidance on when the government may restrict the press from certain disclosures.

The film features plenty of familiar faces, including Alison Brie as Graham’s daughter Lally Weymouth, Carrie Coon as Meg Greenfield (Post editorial writer and confidante of Graham), David Cross as Post editor Philip Geyelin, Bruce Greenwood as Robert McNamara (President Johnson’s secretary of defense), Tracy Letts as Paul Ignatius (President Johnson’s assistant secretary of defense), Bob Odenkirk as Ben Bagdikian (the reporter for The Post at the center of the Pentagon Papers coverage), Michael Stuhlbarg as Post managing editor Eugene Patterson, and Zach Woods as Daniel Ellsberg, the military analyst who disclosed the Pentagon Papers and was charged with espionage.

Check out this trailer for The Post:

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Review by C.J. Bunce

Once again Tom Cruise proves he can’t make a bad action movie.  This Friday his latest, American Made, opens in theaters nationwide.  It is absolutely a Tom Cruise movie for anyone that loves Tom Cruise movies, and everyone else will find a 1980s flashback blast waiting for them.  Cruise has had starring or recognizable roles in 42 movies.  As with star actors like John Wayne and Arnold Schwarzenegger, many expect to see Cruise play Cruise in every new film, but that’s not quite what happens.  Like many actors you can bundle their performances into categories, although it’s easy to find some overlap.  There are Cruise’s cocky maverick hotshots in Jack Reacher, Collateral, Mission: Impossible, Days of Thunder, Rain Man, Cocktail, The Color of Money, and The Outsiders.  That’s a bit different Cruise than the renegades of Top Gun, Oblivion, Valkyrie, Minority Report, Born on the Fourth of July, and The Last Samurai But that’s not the Cruise you’ll find in American Made.  This is Cruise as flawed, cavalier everyman–and a bit of a dope–the kind of roles you could see Gary Cooper or Kevin Costner cast in.  Early buzz suggests this new role is Cruise as cocky maverick hotshot, but that’s only on the surface because he’s playing a pilot.  In American Made you’ll find the more casual but layered Cruise of War of the Worlds, Far and Away, Edge of Tomorrow, A Few Good Men, The Firm, and Jerry Maguire.  This is also the more likeable, more relatable Cruise persona.

Cruise’s character Barry Seal was a real person who fell into some crazy, impossibly outlandish situations as a pilot in the 1970s and 1980s.  This isn’t a true biography–the real events in Seal’s life are far different than as portrayed in the first half of the film, but the second half tracks much closer.  The Barry Seal of the film begins as a well-trained pilot that gets bored with the mundane.  He starts small, smuggling cigars from Cuba into the states while a TWA pilot.  Then a CIA agent named Schafer catches him and offers him a deal: Seal’s evasive techniques are perfect to take spy photos in Central America.  For Seal it beats boredom, and it’s a breeze for him, despite the frequent heavy gunfire.  Seal gets in deep but never really seems to understand how deep, because underneath what would appear to be your typical hotshot pilot is that bit of a dope.  He is so clueless he can’t fathom that his wife, played by Sarah Wright Olsen (Parks and Recreation, Enchanted, 7th Heaven), won’t respond affirmatively that she trusts him when he gives her a smile and asks “do you trust me?”  Twice.  He’s actually taken aback, despite the impossible situation he drags his wife into (like Jerry Maguire trying to convince his new girlfriend that all isn’t as bad as it seems).  And his new pal list includes Manuel Noriega.

CIA agent Schafer (an amalgam of agents the real-life Seal had worked with) is played by Domhnall Gleeson (Star Wars: The Force Awakens, Ex Machina, Harry Potter and the Deathly Hallows).  Gleeson is a ringer for Timothy Busfield in Field of Dreams or Sneakers and has great chemistry with Cruise–and he’s surprisingly strong directing the much older Cruise’s actions in scene after scene despite his youth.  Together Schafer and Seal build-up some CIA successes, but Seal has a growing family and needs some extra money on the side–and Schafer isn’t providing more money–so the CIA success is coupled with Seal’s casual assistance in the rise of the Medellin Cartel as he begins smuggling cocaine.  The DEA learns about it and Seal bounces back and forth, playing for both sides, ultimately smuggling weapons for the White House and Ollie North in what became the Iran-Contra scandal.  And then the FBI gets involved.  And all the while Seal literally can’t figure out what to do with all his proceeds from his smuggling, burying some piles of cash in the yard, his wife stuffing shoe boxes full of money in closets, after buying up much of the small town they arrive at in Arkansas.

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