Tag Archive: Jessica McNamee


Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  (Want to see previous years’ kickass genre heroines to see how 2021 compares?  Here are 2020, 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass, and often badass, character is about.

This year we add three superheroines, an amnesiac bounty hunter, four police detectives, a thief, a grifter, a hacker, 13 martial arts experts, three soldiers, a god, a duchess, two college students, three Russian assassins, a spy, an actress, a cyborg, a bartender, a forensics expert, a hitman, and a helicopter pilot, with eight characters we’ve seen in past years and 13 all-new characters we’ve never seen in any medium before–all in a roster split between 21 television and 13 movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2021:

Antonia Dreykov aka Taskmaster (Black Widow).  Was there a more intriguing, surprising, gut-wrenching character this year than Olga Kurylenko’s super-powered cyborg?  She was one of the best costumed villains this year and certainly the most sympathetic, leaving the question: Where does she go from here? (Disney)

Faye Valentine (Cowboy Bebop).  Daniella Pineda’s spin on this classic sci-fi character couldn’t have been better.  Always eager, always excitable, always refreshing, as she pursued the dramatic journey to discover who she really is. (Netflix)

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Review by C.J. Bunce

At one level you know exactly what to expect when you select a movie based on a video game.  Any film worth its production costs needs to bring general audiences into the world, the director and writers need to then build that world, establish heroes, fight battles, provide over-the-top action and effects, and the hero(es) must achieve some kind of goal.  The stakes are high, often the fate of the entire world.  And that rarely leaves room for character development.  Entries include Tomb Raider, Assassin’s Creed, Resident Evil, Warcraft, Monster Hunter, Prince of Persia, Rampage, Sonic the Hedgehog, and a slew of Pokémon movies, and they go back decades to the original concept film Tron, which had a video game at its center that players didn’t get to play until after the movie.  Lesser rated entries include movies like Hitman, Max Payne, Doom, Street Fighter, and In the Name of the King.

This year’s big-budget release Mortal Kombat, both a remake and a reboot and adaptation of a series of martial arts fantasy games going back to 1992, leans heavily into Asian action movie culture.  It arrives in a growing marketplace for API and AAPI films, in a year including Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, and Snake Eyes: G.I. Joe Origins.  

So where does Mortal Kombat land in comparison?

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It’s a question that goes back to Doom, if not before:  Why make movie adaptations of video games?  Easy answer:  “Why not?”  Or “easy money.”  So why are so many so lackluster, in story, and often in production values?  The triumphs mark the exceptions, from Tron and Tron: Legacy to the Resident Evil series, and a fine enough effort by Angelina Jolie and Alicia Vikander in two efforts to get a Tomb Raider film series to take hold, for starters.  Then there’s Assassin’s Creed, Warcraft, Street Fighter, Wing Commander, and worse (at least Prince of Persia: Sands of Time had some fun in it).  Often listed among the worst of them all is 1995’s Mortal Kombat, a film that couldn’t be saved even by casting Cary Hiroyuki-Tagawa as the charismatic villain or casting an ex-Bond girl (Talisa Soto).  It’s those same characters and apparently plot that will get a retry this spring with the big-screen reboot Mortal KombatHowever this movie features leads of the stellar martial arts marvels The Night Comes for Us and Wu Assassins, and the special effects are light years ahead of the prior films.  Check out the first trailer for the movie below.

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Review by C.J. Bunce

The trailers didn’t lie.  With only a month to go, The Meg might be the most fun movie you’ll see this summer.  The Meg has everything: a stellar international cast with plenty of chemistry, big action scenes, great sets, and even some drama.  For Jason Statham fans, look for another must-see Statham movie with his tough-as-nails deep-sea diver Jonas Taylor getting in and out of some big crises.  For fans of underwater adventure movies like The Abyss, Leviathan, and Sphere, a better movie has arrived.  A combined production from China and the U.S., it also pushes past last year’s much bigger budget action film The Great Wall–the combination of the two cultures from these films is setting up the future of action films.  If you liked the Pacific Rim franchise, recent Godzilla movies or Battleship, you’ll probably find The Meg a better all around production.  For an only PG-13 rating, it’s loaded with blood, chum, and other viscera (the newfound terror gobbles up plenty of characters both major and minor), but it balances that out with some good worldbuilding, likeable characters, and plenty of humor along the way.

The trailers also didn’t give anything important away.  Beginning with a John Hammond-esque deep-sea research base, we meet a perfect set-up of international personalities, led by Chinese superstar Bingbing Li (Resident Evil, Transformers series) as a scientist working with her father (1911 and Eat Drink Man Woman’s Winston Chao) on breaking through a new-found barrier to the deep sea.  The movie is really two films–the first a slowly-building drama detailing the background and players in the research facility, and the second a 1980s/1990s Sylvester Stallone, Bruce Willis, or Steven Seagal action-rescue movie (think Cliffhanger, Under Siege, Striking Distance, Executive Decision), sensibly swapping out the much younger Statham (who played Stallone’s #1 guy in The Expendables series), the modern incarnation of this brand of action star.  For the action, we learn Statham’s Taylor quit diving for a rescue operation five years past that didn’t go as planned.  He returns thanks to an old friend working at the facility (played by Fear the Walking Dead’s Cliff Curtis) when Taylor’s ex-wife, played by Australian actor Jessica McNamee, is piloting an exploratory vessel, along with scientists played by Japanese-American actor Masi Oka (Heroes, Hawaii Five-O) and Ólafur Darri Ólafsson (Fantastic Beasts: The Crimes of Grindelwald, BFG), which runs aground with the help of a mysterious creature.  Rounding out the cast is The Office’s Rainn Wilson as the show’s Hammond, an Elon Musk-inspired exec who funded the facility, Rush Hour’s Page Kennedy as another scientist, and the new lead of the CW’s Batwoman, Ruby Rose, whose character designed the facility.  Rose proves in The Meg she’s got the right stuff to dawn that red cape.

Based on Steve Alten’s 1997 science-fiction/horror book Meg: A Novel of Deep Terror, this fish tale is somewhat Michael Crichton-lite.  It’s surprisingly better than all the Jurassic sequels, as well as Crichton’s lesser action film adaptations like Congo and Sphere.  But the marketing may have set expectations off-kilter in one regard:  The shark–the megalodon–of the title may have you thinking Jaws or Sharknado.  It’s neither.  Think Godzilla and King Kong and you’ll be much closer.  The chemistry among the cast is what makes The Meg really stand out.  Statham and Bingbing Li (only six years apart in real life) make a great pair I’d love to see again.  Statham and Curtis seem like they really have been pals for years.  Young actor Sophia Cai may be the next best child actor, holding her own with both Statham, Li, Kennedy, and the rest of the crew.  The camaraderie of everyone involved and top-level production values (thanks to King Kong and The Lord of the Rings’ Oscar-winning production designer Grant Major) beg for a sequel or series.

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