Tag Archive: Jing Tian

It’s time for‘s annual look at the year’s Best Kick-Ass Genre Heroines in film and television.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males.  We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.

These are the Best Kick-Ass Genre Heroines of 2017:

Wynonna Earp (Wynonna Earp).  Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was.  And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long.  Who had the tougher task, Earp or Scrofano?  Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.

Valkyrie (Thor: Ragnarok).  As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie.  Cocky?  Yep.  And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela.  As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.

Luv (Blade Runner 2049).  If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv.  First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators.  Luv is a fierce, brutal borg whose villainy became the high point of the film.

After the cut, the rest of the list…

Continue reading



Review by C.J. Bunce

The best thing about reading a book about the making of a film, without first watching the film, is that your view of the book is not skewed by your opinion of the film.  If you knew nothing about The Great Wall, the new behind-the-scenes look in The Great Wall: The Art of the Film will prompt you to want to see it.  Not only will you find incredible concept art, set design, costumes, and props, the book itself is unique.  In the past five years “making of” film and art books have vastly improved in quality.  Abbie Bernstein’s new book from Titan Books features the best quality images, the best layouts, and the best book design of any book yet reviewed at–the book itself has a traditional Chinese book binding and gilded edges.  It also features an element left out of many film books these days–it includes images of the entire film, and doesn’t remove spoiler elements, such as, in this case, detailed images of the film’s monsters and ending (the art book for Star Wars: The Force Awakens provided no final image of Luke Skywalker and several costumes and props, as an example).

An icon of China cinema, the man behind several “art house” films in China and the opening ceremony at the Beijing Olympics, director Zhang Yimou discusses in the book why The Great Wall is unique and how it became the biggest production in China film history.  If you have watched stunning Chinese film work over the years and aren’t a fan of dubbed or subtitled films, the barrier is language–how can you connect U.S. and Chinese film audiences?  Yimou intended just that by making a Hollywood-esque film as a Chinese production in English with a cast and crew from dozens of nations, including more than 100 on-set translators.  Beyond that goal, the powerful imagery of the film as displayed throughout The Great Wall: The Art of the Film, is the stuff of Academy Award-winning costume design and art design.


Along with interviews with Zhang are chapters featuring producer Peter Loehr, actors Matt Damon, Pedro Pascal, Jing Tian, and Willem Dafoe.  The most visually stunning chapters detail The Nameless Order, with Zhang’s color coding of each fighting corps, including the royal blue Crane Corps–the fighting unit consisting entirely of women.  We see frosted plastic pages displaying each corps symbol, and poster quality designs highlight each leader, along with their shields and weaponry.  Detailed sections feature the creation and design of the film’s monsters–the mythical Tao Tei–and how WETA and Industrial Light and Magic created them.  And each key sequence of the film is revealed with photographs of special effects and the actors in action.

Continue reading

%d bloggers like this: