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Tag Archive: JK Woodward


A Star Trek Discovery comic book series is coming your way tomorrow from IDW Publishing.  A lead-in prequel to the events of this year’s new television show, this four-part limited series delves into the warrior culture of the Klingons, and hones in on T’Kuvma, the Klingon leader played by actor Chris Obi, who stands apart from the other members of the Klingon Empire.

The series is written by TV series episode writer Kirsten Beyer and IDW Kelvin timeline story writer Mike Johnson.  Artwork is supplied by fan favorite cover and interior artist Tony Shasteen, well known for his work on several Star Trek series.  All three are recent veterans of the popular Star Trek: Boldly Go monthly.

The Star Trek Discovery universe begins in comic form with “The Light of Kahless,” a story that will ring familiar for fans of Klingon-centric episodes of Star Trek: The Next Generation like “Redemption,” “Birthright,” “Rightful Heir,” and “Firstborn.”  Tony Shasteen’s artwork and the color work by J.D. Mettler provide a striking recreation of the newly updated Klingons from the television series, with clear cultural callbacks to the Klingons of past series.  So expect to see some bat’leths and d’k tahgs along the way.

Sneak preview of future artwork from the series.

Check out this preview of Issue #1 of Star Trek Discovery, “The Light of Kahless,” courtesy of IDW Publishing:

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Captain Jellico and an over-the-top Wesley Crusher join the crew of the Enterprise-D and get to play in the world of daggers, sashes, and deception with today’s release of the third issue of IDW Publishing’s limited comic book series Star Trek: The Next Generation–Mirror Broken.  Plus, for the second consecutive month of a series usually only issued sporadically, Archie Comics’ Archie Horror imprint is releasing the eighth issue of Chilling Adventures of Sabrina.  We have previews of both issues below for borg.com readers, courtesy of their publishers.

The creative brother team of David Tipton and Scott Tipton continue the Mirror Universe adventures of the Star Trek: The Next Generation era with another round of beautiful pages by J.K. Woodward in Mirror Broken’s next installment.  Look for the standard cover by Woodward and great variant covers by Tony Shasteen and George Caltsoudas.  This time Woodward has created a look for Wesley Crusher that will appeal to both lovers and haters of the classic sci-fi series’ obligatory child character.  Get prepared to see who wins and who loses in the ultimate strategy battle between Picard and Jellico.  And Trek fans should always check every corner of each panel for hidden throwback gems from the TV series.

   

In Chilling Adventures of Sabrina, Roberto Aguirre-Sacasa, comic book writer and show runner of the CW’s Riverdale,  and artist Robert Hack continue to take Sabrina down a darker path than the character has ever experienced.  Sabrina has returned Harvey from the dead, but at what price, and will anyone be able to stop what has been unleashed before it’s too late?  The creative team continues to flesh out the personality of Riverdale’s timeless teenage witch, blending a young heroine’s tale with equal parts Buffy the Vampire Slayer and Charmed.  Plus Hack’s classic pulp horror comic imagery gets better with each new issue.

Check out these previews for Star Trek: The Next Generation–Mirror Broken, Issue #3, and Chilling Adventures of Sabrina, Issue #8: Continue reading

Of course there’s a new Star Trek television series coming our way this year, but a new comic book series is going to knock your socks off in the interim.  Star Trek produces some of the best tie-in stories of any franchise.  Every now and then we witness a story that we wish we were watching on television or at the movies, and that next great story is IDW Publishing’s limited comic book series Star Trek: The Next Generation–Mirror Broken.  For the first time ever the crew of the Enterprise-D gets to play in the world of daggers, sashes, and deception in the evil Terran Empire instead of the idyllic Federation, already seen by the crews of the original Star Trek series, Deep Space Nine, and Star Trek Enterprise. 

Only three issues in and the next issue can’t get here soon enough.  Brothers David and Scott Tipton (who touched on the NextGen Mirror universe in IDW Publishing’s 2008 Mirror Images series) return to Star Trek comics to script a dark, parallel timeline fans never got to see in seven seasons of the TV series (although we were treated to plenty great alternate universe shows in episodes like “Parallels” and “A Few Good Things…” and even a Mirror-like universe in one of the series best episodes, “Yesterday’s Enterprise”).  Known already for his beautiful illustrations in the Star Trek/Doctor Who crossover miniseries Assimilation², the IDW adaptation of Star Trek: The City on the Edge of Forever, and the covers of the Star Trek/Green Lantern crossover miniseries, artist J.K. Woodward now brings his jaw-dropping photo-real paintings to Mirror Broken–providing poster-worthy interior artwork for every page of the series.  Woodward not only gives us our first look at the ships and places in the new Mirror universe, he created the look of each character for the franchise.

The first issue of the mini-series is actually an introduction to the new Mirror universe in IDW’s Free Comic Book Day issue from this past May.  Readers learn all the subtle, and not-so-subtle, changes in the alternate universe via Lieutenant Barclay, played in the series by Dwight Schultz.  We see not only a different view of Starfleet, but Barclay himself is a changed man, having fought his way up the ranks.  Fan favorite Tasha Yar, played by Denise Crosby in the series, is woven into the story as well.  The main cast is fleshed out in the first and second numbered issues: a ruthless Captain Jean-Luc Picard, a tough Commander Will Riker, and Counselor–now Inquisitor–Troi, who is not just a Mirror pin-up beauty but a sharp and manipulative power center as Picard’s main confidante.  Lieutenant LaForge is still the go-to engineering whiz and Commander Data is still trying to know what it’s like to be human, only in a world of skewed objectives and uncertain loyalties.  And everyone looks believably like the original actors (updated with Woodward’s blend of Michael Westmore make-up, of course).

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Our borg.com Best of 2016 list continues today with the Best in Print and a bonus wrap-up of other year’s bests.  If you missed it, check out our review of the Top Picks and Best Movies of 2016 here, the Kick-Ass Heroines of 2016 here, and the Best in Television here.

Without further ado, this year’s Best in Print:

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Best Comic Book Series – Old Man Logan (Marvel).  With just enough backstory from prior series focused on the future world version of Logan/Wolverine, writer Jeff Lemire and artist Andrea Sorrentino took us through the struggle of the superhero that survived all his contemporaries, only to be plunged into a parallel world where everything is familiar but nothing is the same.

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Best Graphic NovelWonder Woman: The True Amazon, Jill Thompson (DC Comics).  Writer/artist Jill Thompson is probably the best creator in comics today.  Her origin story of Wonder Woman is vibrant, and she presents a flawed, complex, and ultimately strong and fearless heroine.  The best Wonder Woman book we’ve ever read.

Batman TMNT 1 Williams

Best Comic Book Limited Series/Best Crossover Comic Book Series – Batman/Teenage Mutant Ninja Turtles (DC Comics/IDW).  James Tynion IV and Freddie Williams II pulled together an impossible team-up of characters that ended up working great together.  An action-packed, nostalgic fun trip.

DeptH cover 1

Best Comic Book Writing – Matt Kindt, Dept.H (Dark Horse).  Kindt pulls together an incredibly nostalgic assemblage of the best action concepts: classic science fiction of the H.G. Wells variety, G.I. Joe Adventure Team-inspired characters, and a fun character study and whodunit that will have you searching out your old game of Sub Search.  We just hope he makes a prequel at some point so we get to see a similar quest with an old fashioned copper-helmeted deep sea diver.  A fun read month after month and the best writing comics have to offer.

After the cut we continue with the best in comics, books, and more from 2016:

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I have been a fan of Edward Hopper since the first time I saw his artwork.  I view a print of his Automat every day at home.  In college a wall of every other dorm room had either Hopper’s Nighthawks or the Helnwein pop culture adaptation Boulevard of Broken Dreams with Hopper’s characters swapped for Elvis Presley, Humphrey Bogart, James Dean, and Marilyn Monroe.  A few years ago I made a special side trip to visit the original in Chicago, housed just across America’s most famous artwork, Grant Wood’s American Gothic.  Nighthawks means many things to many people.  For me it’s about nostalgia.

I always have an eye open for new adaptations of Nighthawks.  Some of the best adaptations have been created as variant covers for comic books.  It’s a rare find, but it happens, oftentimes in places you wouldn’t expect it.  The best comic book cover adaptation of Nighthawks is available this summer, and it’s our pick for the best comic book cover we’ve seen so far this year.

Nighthawks Hopper

Edward Hopper’s Nighthawks

It’s J.K. Woodward’s variant cover to Micronauts, Issue #5.  Innovative, futuristic, inventive, thought-provoking, and evocative of adventure for fans of the 1980s toys.  I have been a fan of Woodward since his brilliant and beautiful watercolor work on his cover-to-cover Star Trek: The Next Generation/Doctor Who crossover series Assimilation².  At first glance you might not even realize this fantastic future world is something familiar to you.  Is it the alien behind the counter that cinches the Hopper homage?  Maybe the yellow hue color choices in the background?  The commercial coffee pot?  Or just the overall design?  Check out his artwork in full and decide for yourself:

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50 Years 50 Artists book Star Trek

Review by C.J. Bunce

Last year CBS Consumer Products reached out to fifty artists of varying backgrounds and media across ten countries and commissioned works for an art exhibition commemorating the 50th anniversary of the original Star Trek series.  The result was featured at Michael J. Wolf Fine Arts gallery in San Diego’s gaslight district during San Diego Comic-Con this year, followed by a stint in Las Vegas for the annual Star Trek convention.  It then heads to the Canadian National Exhibition in Toronto from mid-August to early September before heading to the England for the Destination Star Trek Europe convention in October and continuing its worldwide tour through August 2017.

Next week Titan Books is releasing an oversized coffee table edition to accompany the exhibition, featuring all fifty artists and their Star Trek contribution.  Similar in design to the successful Star Trek: The Art of Juan Ortiz, reviewed here at borg.com, Star Trek: 50 Artists/50 Years, is a colorful, beautifully illustrated guide for the Star Trek fan that appreciates artists interpreting the franchise.  The hardcover exhibition catalog showcases some artists known for their Star Trek work and others who have never dabbled in the Trek universe before.   Media used in these interpretations include paper, sculpture, metal, ceramics, and textiles, some hand-created and others via computer.  The book includes a foreword by Star Trek film director Nicholas Meyer, and interviews with the artists.

Paul Shipper The Cage Star Trek 50 Years 50 Artists

Paul Shipper’s “Star Trek Inception: The Cage”

Not surprisingly, the work of successful comic book cover artists Joe Corroney and J.K. Woodward is featured, Corroney with two vibrant retro style posters, and Woodward with a painting showing key Klingons throughout all the Star Trek series and films.  A photograph incorporating the Vulcan salute by Leonard Nimoy was also included in the show.  As with any non-juried exhibition, a few works don’t quite seem to stir the senses as the others, but those that do are of high-quality and well-conceived.  Comic book artist and animator Dusty Abell’s poster thoughtfully includes an element of each of the 79 original episodes if the original series.  It would be no surprise to find Viennese children’s illustrator Amir Abou-Roumié’s whimsical look at Star Trek characters in a future San Francisco, titled “Homestead,” at the Met.  Disney, Hasbro, and DreamWorks freelance artist Sue Beatrice’s metal sculpture “On the Edge of Forever” is an exquisitely detailed timepiece featuring the starship Enterprise. 

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Phil Noto Black Widow

The last day of the year is finally here, and with that the last of our reviews of the best content of 2014.

We’ve previewed comic books each month thanks to publishers like Dynamite Comics, Dark Horse Comics, IDW Publishing, BOOM! Studios, and Image.  We sample the best of all that Marvel and DC Comics has to offer, too, and although we don’t have enough time to review everything we review those titles we think our readers might like to check out, especially those with a sci-fi, fantasy, or retro angle.  And we read plenty of books–sci-fi and fantasy, pulp and spy novels, movie and TV tie-ins, even Westerns and steampunk, as well as non-fiction books about movies, TV, and other genre topics.  This past month we have looked again at these titles, as we narrowed our selections to what we think are the very best.  So here are our picks for Best in Print for 2014.

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Best Comic Book Series — Black Widow, Marvel Comics.  We were wondering early on what would take the place of Fraction and Hollingsworth’s Hawkeye series for the most satisfying superhero fix.  It didn’t take long to see this other Marvel series looking at another superhero in a similarly personal–but very different–way.  It was a standout in a great year of comics.  Phil Noto’s art and colors were incredible and Nathan Edmondson’s story didn’t let up once.  Full of action, espionage, and intrigue.  A great series to catch-up on in a trade edition.  See our reviews of the series here and here.

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Best Comic Book Mini-Series — Afterlife with Archie, Archie Comics.  Who would have guessed someone could make Archie and friends so accessible to any demographic in the 2010s?  And whose brilliant idea was doing it via a horror genre story of zombies taking over Riverdale?  Smart writing by Roberto Aguirre-Sacasa and spooky atmospheric illustrations by Francesco Francavilla made for a sumptuous series like no other.  Not technically a mini-series, it feels like one because of its staggered release.  See our earlier raves about the series here.

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Best Comic Book Writing – Dan Abnett, Wild’s End, BOOM! Studios.  Abnett’s Wild’s End really caught us by surprise.  An incredible fantasy read that is truly unique from BOOM! Studios.  Anthropomorphic characters with incredible archaic dialogue that’s witty and smart.  A crazy mash-up of War of the Worlds, Christopher Robin’s neighborhood, and the dark edge and high stakes of Revival.  We can’t wait to see what’s in store for the rest of this series.  Check out our earlier review here.

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Woodward Black Canary commission close-up 2014

One of our favorite artists is J.K. Woodward, known for his vibrant and life-like painting style, and his work on several successful series including Doctor Who/Star Trek: The Next Generation–Assimilation² reviewed here and Star Trek: Harlan Ellison’s The City on the Edge of Forever reviewed here.

We haven’t featured any new original comic art lately so what better time than now to share borg.com’s recent commission of a Woodward painting, done as part of his donation to the Toe Tag Riot crowdfunding project (we reviewed Toe Tag Riot Issue #1 here).

Woodward commission Green Arrow close-up

Adding to our gallery of awesome Green Arrow and Black Canary original art, Woodward placed the Alex Ross era costumed duo on the streets of Star City.  Green Arrow, sporting his classic look and Van Dyke beard, is ready to take out some vile foe off-screen, as Black Canary soars into the picture overhead on her trusty bike.  Based on her facial expression, this superheroine means business.

Check out the full image, after the break…

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star trek city edge forever ellison idw cover juan ortiz

Hands down J.K. Woodward is the best artist to ever take on Star Trek in the comic book medium.  His Star Trek: The Next Generation/Doctor Who Assimilation² was a stunning visual journey, and that series, reviewed here at borg.com, showcased Woodward’s superb painted panels and contained an imaginative story by David and Scott Tipton.  Tipton, Tipton, and Woodward are back this week with the long-titled Star Trek:  Harlan Ellison’s The City on the Edge of Forever, The Original Teleplay, a five-issue limited series beginning tomorrow.  For borg.com readers we have a nine-page preview of the issue below after the break, courtesy of IDW Publishing.

The Star Trek: The Original Series episode “City on the Edge of Forever” is regarded by many (including a TV Guide poll of the “100 Best TV Episodes of All Time”) as the greatest Star Trek episode of all time, but what made it to television was a far cry from the original teleplay by noted science fiction writer Harlan Ellison.  Ellison’s original teleplay won both the Hugo Award for Best Dramatic Presentation as well as the Writer’s Guild of America’s Award for Most Outstanding Teleplay.

JK Woodward Enterprise from City on the Edge of Forever

The new IDW Publishing comic book mini-series, produced under the guidance of Ellison, now brings the classic story to fans like they haven’t seen it before.  Issue #1 is a blast.  Woodward’s visuals are eye-popping as usual, and the story presents its own parallel universe for those familiar with the classic TV episode.  Yeoman Rand never looked better!

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City on the Edge of Forever from IDW Publishing JK Woodward

Fans of the original Star Trek series may be excited to see the original script for Harlan Ellison’s award-winning teleplay to the classic episode “The City on the Edge of Forever” will soon be adapted into comic book form.  It will be a director’s cut of sorts, as Ellison has been vocal over the years that his original vision was better than what ended up on the screen, modified by Gene Roddenberry and at least four other writers.  Ellison published the complete script and notes in his 1996 book about the episode’s “evisceration.   Nearly fifty years later Ellison won’t let his anger rest, having filed a lawsuit in 2009 that was later settled.  Ellison is back yet again, and now fans will get to see his original work in visual form, produced by a Star Trek creative dream team.

Scott Tipton and David Tipton will adapt the Ellison teleplay to the comic script, and powerhouse Star Trek/Doctor Who Assimilation² painter/artist J.K. Woodward will provide the artwork for the story.  Juan Ortiz, whose Star Trek work we’ve reviewed here previously at borg.com, will provide the cover art in his own unique retro style.

Juan Ortiz City on the Edge of Forever poster

Trek fans really couldn’t ask for more, although considering fans count the episode among the most revered and well-crafted of the series, it may not be many fans’ first choice for an episode that could stand to be redone, or undone  for that matter (cough cough “And the Children Shall Lead,” (ahem) “The Way to Eden”, (ahem) “Spock’s Brain”).

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