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Tag Archive: Joel de la Fuente


Amazon Prime released its first trailer for the final season of The Man in the High Castle, our pick for last year’s best sci-fi TV series here at borg.  Last fall’s season three finale, “Jahr Null” (Year Zero), included a set inspired by 1960s sci-fi films where an experiment led by an alternate history Josef Mengele could forever imprint a Nazi-won World War II on any and all timelines.  The Liberty Bell was melted down, and the Statue of Liberty was destroyed, falling into New York Harbor.  Luke Kleintank’s Joe Blake and Rupert Evans’ Frank Frink are now out of the story, as Jason O’Mara’s Wyatt Price steps in to fill the void in the rogue hero department.

Helen and the girls have left Rufus Sewell’s John Smith, and Himmler is taken down in an assassination attempt.  Did he live or die, and does that mean Smith becomes Fuhrer?  With Germany’s move on the Japanese States thwarted, a revolution has gained traction out West, and Alexa Davalos’s heroic leader Juliana has finally figured out how to travel like Cary-Hiroyuki Tagawa’s Tagomi.

Yes, a lot was resolved, but we’re also set up for much more in this coming season.  Will Laura Mennell’s Thelma Harris take on a greater role now that Bella Heathcote’s Nicole Dörmer was sent back to Germany for flaunting the law?  And what is the mysterious relationship in another timeline between Juliana and John Smith?

Check out this first look at season four of The Man in the High Castle:

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Review by C.J. Bunce

Philip K. Dick‘s  The Man in the High Castle won the Hugo Award for Best Novel in 1963, and is widely considered his best work.  Some of his 44 novels and 121 short stories have been adapted to film, including 10 in the past year in the series Electric Dreams (previously reviewed here at borg), and big screen films Blade Runner, Total Recall, Minority Report, The Adjustment Bureau, Paycheck, Next, A Scanner Darkly, and Screamers.  None of those better reflect the depth of Philip K. Dick’s genius than the Amazon television series The Man in the High Castle Season 3 is available this month on Amazon Prime’s streaming service.  In his novel the series is based on Dick delved into the science fiction trope of the alternate history, a parallel world showing a view of a different 1960s after World War II.  Often mislabeled as merely a story where Nazis won the war, the fact is the novel focuses substantially on the shared Japanese victory and the resulting assimilated culture in the United States some 20 years later.  Series director Daniel Percival and a host of other directors and writers expand upon the novel–and the parallel world–into something much bigger, and something much greater.  To call The Man in the High Castle a loose adaptation of the novel is a disservice–the series conjures the spirit of Dick’s unique vision faithfully and one can imagine Dick endorsing the expanded elements were he still with us.  The novel is always the backbone of the series (even in this third season’s fifth episode “The New Colossus” viewers are brought back to a cornerstone scene from the novel).  As with Dick’s book, the series is an inspired, even noble use of science fiction.

Amazon debuted its film studio potential with the pilot for the series in January 2015, followed that November by the first season, developing not only the lead characters in the book–antique dealer Robert Childan (Brennan Brown) and Japanese Pacific States trade minister Nobusuke Tagomi (Cary-Hiroyuki Tagawa)–important secondary characters are expanded, too, including struggling jewelry maker Frank Frink (Rupert Evans), his wife (girlfriend in the series) Juliana Crane (Alexa Davalos) who would venture off to meet the mysterious title character (Stephen Root), their friend and co-worker Ed McCarthy (D.J. Qualls), Nazi spy Joe Blake aka Joe Cinadella (Luke Kleintank), and the enigmatic Nazi attaché Rudolph Wegener (Carsten Norgaard).  Added to these eight characters by series creator Frank Spotnitz are former U.S. soldier-turned rising Nazi officer John Smith (Rufus Sewell) and his family, Inspector Kido–a cold and ruthless Japanese enforcer (Joel de la Fuente), and Nicole Dörmer (Bella Heathcote), a rising propaganda director.  The characters were fleshed out in 2016 in the show’s second season, with chemistry among the cast, plus high stakes life-and-death risks that raised doubt that viewers’ favorite characters will survive from episode to episode–all reason to keep coming back for more.  With this new season, viewers have now been able to examine the tentacles of a Fascist state as it infiltrates and annihilates both the average worker and the ruling elite–nobody really wins, everyone loses.  Historical parallels to the real world are left for the viewer’s interpretation.

Through Sewell’s Smith we see the inevitable doom awaiting everyone under a Fascist regime–that even the leaders aren’t exempt from application of their code of terror and hatred (Smith as a top official still lost his son for his “inferior” DNA via a genetic anomaly), from Frank Frink we see the struggle to survive for any member of the citizenry who is not of the “preferred” race, through Joe Cinadella (aka Joe Blake) we see how quickly a Nazi can be brainwashed into disregarding life, through Wegener we see the difficulty of defiance and resistance against a giant, stifling regime in power, through Dörmer we see the arrogance and cost of hubris, from Kido we see that torment and terror under an autocratic regime knows no bounds, Childan illustrates the complacency of a detached, disengaged middle class, through Tagomi we see the struggle of a single peacemaker among a field of lunatics, and through Juliana and Ed we see the possibility of hope through commitment and determination–but will they succeed or fail?.

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Review by C.J. Bunce

The Man in the High Castle was Philip K. Dick‘s most critically acclaimed novel, which says a lot for his parallel history World War II tale when stacked up against his other brilliant short stories and novels (that’s 121 stories and 44 novels in all).  It’s also the first of his stories to become a big-budget television series, premiering in 2015 with the well-received pilot for The Man in the High Castle.  Amazon Studios proved it can make a drama on par with any other network or studio in its first two seasons, and at San Diego Comic-Con the studio announced the series renewal for a fourth season.  This past week Amazon released a great preview for the next season (see it below).  So you now have a full month to get caught up on the first 20 episodes before Season 3 arrives on Amazon Prime in October.

The series is well worth your time.  The first season was a bit of a slowly building story, providing all the twisty elements to take viewers in a believable way into a parallel version of Earth’s past where the Nazis and Japan were victorious in WWII and America was divided up between them.  As gritty a dystopian show as anyone could muster, the back half of each season is reward enough to stick with the series, even for viewers not especially in the mood for the bleak subject matter.  The winner of two of eight Emmy Award nominations, the series begins in 1962, long after the end of the war–long enough for a new culture to have been solidified across the regions of North America.  The series leads created the best performances you’ll find on television: Alexa Davalos (Angel, The Chronicles of Riddick, The Mist, Defiance), as Juliana Crane, an American whose actions are pivotal for the future, Rufus Sewell (Knight’s Tale, Zen), a former American soldier who becomes one of the Nazi leaders in the former States, Joel de la Fuente (The Adjustment Bureau, The Happening) is stunning as the most ruthless of characters, the Japanese leader of the Pacific region of America, and an incredibly nuanced performance of Cary-Hiroyuki Tagawa (Lost in Space, Star Wars Rebels, Grimm, Heroes, Alien Nation, Star Trek: The Next Generation, Big Trouble in Little China) as trade minister for Japan based in San Francisco–a brilliantly layered character like nothing you’ve seen.

Building on Dick’s original ideas and expanding on them is what the series does best, blending the best of the old (like keeping Tagawa’s character having a special power to see an alternate version of the world from the novel) and the new (like using film footage vs. books to inspire actions).  The writers nicely integrate updates and new characters into the series.  Who is the Man in the High Castle?  You’ll just have to watch to find out.  Look for a stellar supporting cast, two fantastic season finales, and a great set-up for the show’s third season.  Fan-favorite genre actors in the show include Rupert Evans (Hellboy, Lexx, Fingersmith, Charmed), Luke Kleintank (Bones), DJ Qualls (Supernatural), Rick Worthy (Star Trek, Battlestar Galactica, Supernatural), Michael Hogan (Battlestar Galactica, 12 Monkeys, Supernatural, Haven, Warehouse 13), Callum Keith Rennie (The X-Files, The Dead Zone, Tru Calling, Battlestar Galactica), Daniel Roebuck (Lost, Star Trek: The Next Generation, Grimm, Quantum Leap), Tate Donovan (Memphis Belle, Argo, Shooter), and many more.

Here is the latest trailer for the third season of The Man in the High Castle:

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