Tag Archive: John Boyega


Review by C.J. Bunce

When I was a kid in school, periodically we were given book orders, full of discount versions of books, but also posters and popular magazines like Dynamite, and lots of tie-ins with the latest news on current movies and TV shows.  Anything Star Wars was quickly added to our book order form, and that’s what Titan’s latest tie-in reminds me of most.  Star Wars Insider: The Galaxy’s Greatest Heroes looks at 16 of the biggest heroes of the franchise from the creators and actors behind them.  But after nearly 45 years, the book allows a greater opportunity for even more people behind the scenes to offer their commentary on fan-favorite characters, with something for every Star Wars fan.

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You may have thought Age of Resistance was only the subtitle of The Dark Crystal television series, but no.  It’s a new identifier for the third Star Wars trilogy, and those films are part of a new behind-the-scenes book arriving in two weeks.  Star Wars: Age of Resistance–The Official Collector’s Edition, available in hardcover and trade paperback editions, the book for the first time chronicles all three films in the final Star Wars trilogy: The Force Awakens, The Last Jedi, and The Rise of Skywalker.  Beginning with a 17-page timeline of the entire nine-film Star Wars Skywalker saga, the book showcases photographs and behind the scenes concept artwork, schematics, costume designs, and close-up images of props.  Executive producer and director J.J. Abrams, key production personnel, art and effects department creators, and stars Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, and Joonas Suotamo–and more–dig into their characters, discussing key scenes, and the importance of each film to the entire Skywalker family story.

Here’s a first look inside the book, plus three variant edition covers, courtesy of publisher Titan:

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Review by C.J. Bunce

It’s always a big surprise when the holiday episode of Doctor Who is a critical not-to-be-missed episode.  When we last saw the Doctor, she was trapped millions of light years away in an alien prison.  The New Year’s Day 2021 special Revolution of the Daleks is not a filler, out-of-continuity holiday showpiece, instead continuing after ten months have lapsed for the Doctor’s companions back on Earth, and after the Doctor has been imprisoned for years in that same relative time span.  If you missed this episode you missed: the return of John Barrowman’s universal fan-favorite character Captain Jack Harkness, another Law & Order/Law & Order UK crossover/reunion, the last we’ll see of some major characters, a new Prime Minister, a preview of a new companion, and one of the best Dalek episodes in the 57 years of the series.  As the studio releases word that Jodie Whittaker will be soon leaving the series, Revolution of the Daleks reflects that both her performance as the 13th Doctor and Chris Chibnall’s running of the series has finally arrived.  It’s a timeless story full of important, lovely emotional beats, fantastic new sci-fi special and visual effects, and a return to the classic framework and themes of the show’s past.

Let’s take a look at why this episode was superb and offer up some candidates for the 14th Doctor…

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The end is near.  At Star Wars Celebration in Chicago today, director J.J. Abrams and Lucasfilm president Kathleen Kennedy revealed the title and first teaser for Star Wars Episode IX in a panel hosted by late night TV host Stephen Colbert.  The past returns in Star Wars: The Rise of Skywalker, confirming for many that Abrams is taking a turn from Star Wars: The Last Jedi, including literally mending some of the changes from occurred in that episode of the Star Wars saga.

And this last chapter in the Skywalker family story has plenty of surprises, even in a short teaser.

Check it out, and the seven notable moments we see:

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Review by C.J. Bunce

Director Guillermo del Toro’s ode to Godzilla and the mecha genre in 2013’s Pacific Rim continues with del Toro producing the sequel Pacific Rim: Uprising, directed by Steven S. DeKnight.  As you’d expect, that means bigger and better Jaegers–those enormous fighting, armored machines initially only manned and newly created as flying drones to defend Earth–and some bigger and more terrifying Kaiju–humanity’s nemeses in the form of terrifying, alien, Godzilla-inspired monsters.  Fans of the franchise can see the development of the next generation of both creations, and how their development relied upon getting the right look and sound effects together, in the new book The Art and Making of Pacific Rim: Uprising.

Director DeKnight, showrunner of Marvel’s Daredevil, and producer of genre favorites Smallville, Angel, and Dollhouse, provides a foreword to the book and takes readers through each step of the development of the film from idea to fleshing out the look of the film’s giant-sized spectacles and its several new human characters.  Screenwriters T.S. Nowlin and Travis Beacham provide insight into the direction of the story, and DeKnight and visual effects supervisor Peter Chiang (Star Trek Beyond, Godzilla, Total Recall, John Carter, The Chronicles of Riddick, Labyrinth, Highlander, Krull) explain the look and rationale for each element of the film.  Author Daniel Wallace incorporates interviews with cast members John Boyega, Scott Eastwood, Jing Tian, Cailee Spaeny, Rinko Kikuchi, Burn Gorman, Adria Arjona, Charlie Day, and others, plus costume designer Lizz Wolf describes her concepts behind the signature look of each character.  We also meet the next generation of cadets, with a young slate of international performers: Wesley Wong, Rahart Adams, Karan Brar, Lily Ji, Shyrley Rodriguez, Ivanna Sakhno, and Levi Meaden–a group of up-and-coming actors that will be fun to watch emerge in films in the next few years.

But for most fans it will be the concept art for the Jaegers that are of key importance for a book like this, and they should be happy as most of the content is devoted to these designs, including discarded concepts and rejected variants.  Production designer Stefan Dechant (Kong: Skull Island, Alice in Wonderland, Minority Report) talks about his influences for design elements of each Jaeger (like F-16 Fighters for Guardian Bravo, the Millennium Falcon for Bracer Phoenix) and how the massive weaponry was developed.  Color was a key design factor for the Jaegers and the Kaiju, and the large icons were also defined by their sounds.  More so than most behind-the-scenes looks into films, The Art and Making of Pacific Rim: Uprising may provide the most attention to the incorporation of sound effects.  Supervising sound designer and editor Erik Aadahl (Transformers, Godzilla, Terminator Genisys, G.I. Joe: Retaliation) shares many of his secrets to help create the foreboding presence of the monsters and machines.

Key for fans of the franchise will be the book’s incorporation of tipped-in scrapbook materials, reproductions of original artwork like unused Jaeger concept art, storyboards, a monster/machine size comparison chart, a glossy, full-color pull-out blueprint of Romeo Blue, and several other reproductions of the designers’ concept art.

Check out these images from The Art and Making of Pacific Rim: Uprising:

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Review by C.J. Bunce

As you will no doubt hear as moviegoers walk out of theaters this holiday season, Star Wars: The Last Jedi is a very “different” Star Wars movie.  That said, despite writer/director Rian Johnson’s assertions to the contrary, it is very much an echo of the second film of the original trilogy, The Empire Strikes Back, with several parallel elements you’ll encounter along the way.  Picking up where director J.J. Abrams left off two years ago in Star Wars: The Force Awakens, Johnson seems to take the bits and pieces of questions raised in Abrams’ film, answers a few, dismisses a few, and ignores the rest, perhaps for Abrams to pick them up again as he re-takes the reins in two years for the final film in the Skywalker family saga.  So many questions seem to have been definitively tied up by the end of The Last Jedi, moviegoers are now left to ponder for the next two years, “What could Episode IX possibly be about?”

The Last Jedi is most intriguing when it emulates some of the surprises and emotional impact of last year’s Rogue One: A Star Wars Story–a bold, unique film that falls outside the three trilogies of franchise films, but provided a fantastically gritty, nostalgic, and heart-pounding story that put the “war” back in Star Wars.  An opening scene in The Last Jedi featuring the heroic death of a new character made me sit up thinking another gritty war movie was coming (only swap a guerilla land war for World War II-inspired bombing runs).  Heroism is the theme of The Last Jedi, and every character gets a chance to be a hero, but the damage is not as gut-wrenching as Rogue One.  Yet, depending on who your favorite character was in The Force Awakens, every fan should find something in The Last Jedi to be happy about.  Even if it might not offer up the excitement of the original trilogy, the third of the new annual holiday Star Wars adventures will be a great excuse to get together with family and friends for the event itself–annual Star Wars movies are becoming what the annual Christmas Special has become for Doctor Who fans, an event that for many will be bigger than whatever you think of the film.

The actors are top-notch in The Last Jedi, including Carrie Fisher in her final performance as General Leia Organa, although Hamill’s work stands out and could easily merit an Oscar nomination.  Alec Guinness’s genius as the similar Jedi wizard Obi-Wan Kenobi of the original Star Wars was in his reserved performance and iconic utterances of wisdom.  Here Hamill shows that Hollywood has missed the boat for 40 years by not featuring him regularly in mainstream films, bringing a powerful and emotional performance from beginning to end.  And gone are the days of Star Wars’ clunky dialogue–Johnson’s success is pulling out the stilted exchanges Star Wars had began to become known for.

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Idris Elba’s Stacker Pentecost is gone, but in the sequel to the 2013 surprise hit sci-fi-monster flick Pacific Rim, titled Pacific Rim: Uprising, the latest Star Wars trilogy star John Boyega takes on the role of his son.  Boyega teams up and reunites with Mako Mori (Rinko Kikuchi) from the original film and is joined by The Great Wall star Tian Jing, leading a new generation of Jaeger pilots, including rival Lambert (Scott Eastwood) and 15-year-old hacker Amara (Cailee Spaeny), against a new Kaiju threat.

In what looks like it could also be a sequel to Boyega’s Attack the Block, Boyega faces off against monsters again, just bigger ones, and he keeps his British accent.  And Tian Jing faces monsters again, too–she was the general that bested the ancient monsters at the great Wall of China earlier this year in The Great Wall.  Torchwood star and fan favorite Burn Gorman (Forever, Crimson Peak, The Dark Knight Rises) is back again as Dr. Herman Gottlieb along with Charlie Day (The LEGO Movie, Monsters University) as Dr. Newton Geiszler.

Starship Troopers meets The Transformers and Godzilla yet again in a second giant-scale Rock ’em Sock ‘Em Robots for the next generation.

Here’s the first full trailer for Pacific Rim: Uprising:

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We’re running down several trailers released to start off San Diego Comic-Con this week.  One trailer defines what Comic-Con is all about, as Stan Lee looks at the Netflix series based on his creations.  The best trailer is Guillermo del Toro’s The Shape of Water, the fantasy director’s next monster movie, this time featuring his own take on the Creature from the Black Lagoon.  Another good trailer is what plays out as a commercial for the giant robot “Jaegers” in a first look at the sequel Pacific Rim: Uprising, including star John Boyega (Star Wars: The Force Awakens, Attack the Block).  Below you’ll also find trailers for Kingsman: The Golden Circle, The LEGO Ninjago Movie, Natalie Portman in Planetarium, and the fantasy world version of the AlienNation buddy cop trope, Netflix’s Bright, starring Will Smith and Joel Edgerton.

We’re also including several trailers from the past week to get you caught up.  These include A Wrinkle in Time, Mary Poppins Returns, Blade Runner 2049, a teaser for The Incredibles 2 (sort of), and a Blu-ray preview for Gifted starring Chris Evans.

So let’s get started with The Shape of Water:

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It’s been nearly five years since we first reviewed the award-winning, low-budget sci-fi alien invasion flick Attack the Block.  Now that Jodie Whittaker is in the spotlight for her selection as the next Doctor in the BBC’s Doctor Who, and John Boyega will be returning this December for his second stint as Imperial turned Resistance fighter Finn in Star Wars: The Last Jedi, let’s look back to them working together as co-leads in writer/director Joe Cornish’s modern cult classic.  Attack the Block should be in every sci-fi fan’s arsenal.  When we first reviewed Attack the Block here at borg.com, we compared it to another low-budget British sci-fi/horror mash-up, 1985’s Lifeforce (which co-starred a then less-known Patrick Stewart).  After repeat viewings since then, it’s clear Attack the Block is a much better film, full of action, suspense, humor, and good acting by young actors who all feel very real on-screen.  In 2011 only fans of the actors from the Cornetto films would have noticed it, because of the slightly larger than cameo performance by Nick Frost, one-half of the Simon Pegg/Frost comic duo (Shaun of the Dead, The Fuzz, Spaced, Paul).  Attack the Block was an unknown commodity that didn’t get much reaction at the U.S. box office in 2011 because it was not marketed well and it was not a typical, Hollywood-made sci-fi epic.  It was before its time–it’s Stranger Things, UK style.  It’s Judgment Night and John Carpenter’s original Attack on Precinct 13 meets E.T., if E.T. didn’t have good intentions and Elliot wasn’t a nice little kid.

It takes a bit to warm up to the main cast of Attack the Block.  We follow a teen gang of British kids in masks led by John Boyega’s character Moses as they unabashedly and violently mug a nurse named Sam, played by Jodie Whittaker.  From the beginning Whittaker’s Sam really is the only person in the film we are completely sympathetic toward, despite efforts of the writer to get viewers to understand this gang of kids.  We almost get to the point of sympathy for the others once Sam decides she may very well be killed by aliens if she does not join up with the gang, and this film takes a swing at answering the question: “Under what situation would a victim, however reluctantly, join up with her attacker?”  Violent alien beast invasion, of course!  Despite playing the thug, Boyega had charisma even early on and it’s understandable why he has his own band of followers.  He gets in over his head dealing with a slightly older drug kingpin who “owns the block” and takes the kid under his wing for a drug sale.  His followers are a motley sort. Along with a pair of much younger kids that add some comic relief, and an additional wandering, stoned teenager, they must come together to fight the gang leader and worse—the onslaught of big hairy aliens.

The scarf of a future Doctor!  Jodie Whittaker in Attack the Block.

Six years later, Attack the Block easily holds its own.  For alien invasion film fans, it offers one of the best aliens of any 21st century production–big or low budget—giant dark, furry beasts built like hybrid gorilla/buffalos, with phosphorescent blue fangs, able to leap and spring and climb buildings.  We don’t ever see clear views of these creatures, and that mystery and an overall lack of gore throughout the movie helps form the mystique of these creatures–think the uncertainty of when the shark appears next in Jaws–and it makes them just plain scary as they chase their targets down hallways and up buildings.  They aren’t hive-minded aliens from Alien or conniving predators as in Predator, but they don’t need to be.

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the-circle-gillan-watson

The Circle is no doubt another in a long line of topical dramas starring the great Tom Hanks.  Everyone loves Tom Hanks, the actor, yet his roles have become predictable.  If you’re making a movie and you want to bring instant sympathy, respectability, or authority–especially if the source material doesn’t have much of its own character development–Hanks is your guy.  He reportedly brings in $10 million to $20 million per film, and double or triple that if he negotiates profit sharing deals, which may explain why he’s not in many special effects-heavy films.  Where his performance is always reliable, it’s the films themselves–the stories and settings–that have often let us down once we crossed into the 21st century.  What will be his next Philadelphia or Forrest Gump?  His next Splash or Big?  These days he’s the go-to guy for biopics (Charlie Wilson’s War, Captain Phillips, Saving Mr. Banks, Sully), historical teleplays and documentaries (Band of Brothers, The Pacific), and novel adaptations, especially the never-ending Robert Langdon series (The DaVinci Code, etc.).  The Circle fits in as a novel adaptation, this time an adaptation of a novel about the horrors of our modern technological age written by Dave Eggers and directed and co-scripted by James Ponsoldt.

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But Hanks isn’t the real draw for this film, it’s the mega-sized co-lead actors who all hail from the biggest genre franchises that really make this a movie we might want to check out in the theater this April and not wait for the home release.  The star is Emma Watson, Hermione of the Harry Potter franchise whose other big 2017 film–Beauty and the Beast–with Watson in the lead role as Belle, will be released only six weeks prior to The Circle.  Star Wars: The Force Awakens and this year’s Star Wars: The Last Jedi star John Boyega (ex-Stormtrooper Finn) has next billing.  Oddly enough someone just as popular in the U.S., the U.K., and Asia should have next billing in the trailers, yet she’s seen but not listed in the title credits.  That’s the popular Doctor Who companion Amy Pond and the Marvel Cinematic Universe’s Nebula from Guardians of the Galaxy, Karen Gillan.  That’s some pretty popular acting names and pop culture street cred for a flick outside the sci-fi and fantasy realm.  But that’s not all.  The Circle also features beloved comedian and nerd crusader Patton Oswalt, fan fave Bill Paxton (Aliens, Apollo 13, Edge of Tomorrow, Training Day), and familiar face Glenne Headly (Dirty Rotten Scoundrels, Monk). 

the-circle

The plot follows a new worker (Watson) at a trendy tech company (think Google), where this fictional company and its outlandish benefits encompass and suffocate the workers’ private lives.  Here’s a new trailer for The Circle, followed by an earlier version of the trailer:

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