I think they are just terribly comfortable. I think everyone will be wearing them in the future.
Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks. If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.
The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride. But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created. The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.
Agatha Christie’s The ABC Murders is now available for streaming in the U.S. on Amazon Prime. Christie is renowned for the cozy mystery novel, but the 2017 three-part BBC series upends the cozy qualities of Christie’s trademark storytelling with the seemingly obligatory modernizing of the classics through a dark and grotesque filter. If you’re revisiting Christie through the lens of something like Edgar Allan Poe, then it might make sense to you to swap out your familiar vision of the enduring detective hero Hercule Poirot for someone known for his whispering, creepy, and pretentious characters. Someone like John Malkovich. If you’re lucky, as was director Alex Gabassi (The Frankenstein Chronicles) and screenwriter Sarah Phelps(EastEnders), you might find Malkovich in one of his finer performances.
Malkovich, in a most reserved and dialed back performance, is perfect as Poirot at the end of his career, disgraced, derided, and reviled, shunned instead of adored in a time when the native Belgian was reviled in England in a wave of anti-immigrant hatred. He is dark, moody, uncertain, nearly off his game as he begins to receive in his batch of daily love and hate mail a single set of letters from an unknown sender with violent intentions. Now retired (this is Poirot in 1933) he seeks the aid of Scotland Yard, always helpful in the old days, to find one Inspector Crome, a twenty-something inspector played by 29-year-old Rupert Grint. Poirot is out and Crome is in, until Crome realizes Poirot’s warnings of a killer taunting Poirot with murder victims and towns following laid out alphabetically were all spot on. At last Grint makes his move into a mature role, and he does it believably well, holding his own opposite the incomparable mystique of Malkovich. Joining Grint from the Harry Potter films is Shirley Henderson (Moaning Myrtle) as the vile landlady of a creepy young man whose initials are A.B.C., played by Eamon Farren(Winchester, Twin Peaks), and who the story follows in parallel to Poirot’s pursuit.
Unfortunately the potentially interesting switch-up to the Modern is mired in unnecessary irrelevancies, including attempts at ambience at the expense of furthering the plot. So prepare for overlong frames of lurid, exaggerated, repulsive, and vulgar wallowing in fluids, leering at every fathomable excess, regurgitations too numerous to count, an odd sex torture scene, tasteless dwelling on spilled urine and worse. It becomes difficult to look over and around these additions to try to hone in on the point of the whole thing, the part that works: Christie’s clever mystery story. Not surprisingly none of the excesses were in Christie’s original mystery. The distractions are unfortunate, because Grint shows promise as a classic British character type he could possibly bank on for future roles, and Malkovich gives a good effort at an updated take on the character, complete with an acceptable mix of accents.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
It must be time again to analyze the importance of a good movie trailer. A good movie trailer may not indicate a good movie is behind it, but if you can’t even create a good movie trailer from your movie footage then the movie behind it probably doesn’t stand a chance at being good. Just take a look at all the horrible Batman v Superman movie trailers and this week’s unusually large barrage of over-exuberant advance reviews.
We now have a our first look at what could be a great disaster movie if it wasn’t about a real disaster that has nothing possibly entertaining to share–the failure of BP and the oil industry to properly see that its equipment did what it was supposed to instead of ruin the ocean, nature, and the planet. But this trailer for Deepwater Horizon reveals–in the way only an exciting action genre movie trailer can–this movie is “inspired by the true story of real heroes”. What? Big explosions! Cool! Nail-biting tension! Neato! The cutesy family talking about daddy’s job feels a lot like an advertisement for… BP. What is the story of the BP oil disaster? Wouldn’t a movie about that story star Mark Ruffalo as a lawyer fighting to see that the BP execs get what they deserve? A story of volunteers trying to save the fish and birds drowning in oil? Instead we get a well-stocked action film cast with the likes of Mark Wahlberg, Kurt Russell, Kate Hudson, and John Malkovich–a great cast–for another movie.
Without a doubt it is too early to judge a film by its trailer, but that’s not the point. It’s up to the marketing folks at the studios to grab us and get us hooked. This trailer misses the mark. The solution? Go back and try again. Unless this is as good as it gets.
It’s interesting that the publicity folks for RED 2 have stressed in their latest movie trailer no Robots, Monsters, or Superheroes. Although we’re not so sure RED 2 isn’t chock full of its own breed of superhero, it’s true you’ll find no monsters or robots here. RED 2, previewed at borg.comhere, is definitely not like any other film creating waves this summer. But it is the most fun you’ll have at any movie this year.
You don’t need to ask, for example: Were too many people killed in the movie’s finale (as with Man of Steel)? Or lower your normal standards a bit to allow yourself to just plain have fun watching a giant robot take on a giant monster from the ocean’s depths (as with Pacific Rim). Or struggle with friends over whether or not Benedict Cumberbatch was cast appropriately as a sci-fi villain (as with Star Trek Into Darkness). With RED 2, you don’t have to think about all those things that distract you from just having a good time. Do the heroes kill a lot of people in RED 2? You bet, and we like it that way.
What RED 2 will make you do is think about where it stands in the line-up of the best of Bruce Willis’s movies. When was the last time you saw such a good Bruce Willis film that made you work through that analysis? The reality is that Bruce Willis’s performance as retired spy Frank Moses in RED 2 is up there with his first run as John McClane in the original Die Hard, and we haven’t seen him play a character this cool since Pulp Fiction. Pull up your Netflix queue and take a second look at him in Striking Distance, Twelve Monkeys, and The Fifth Element and you might just add RED 2 to your list of Best of Bruce keepers.
RED 2 is coming to theaters July 19, 2013, and we’ve previewed it earlier here at borg.com. If you missed the original in the theaters you’re not alone. The marketing for RED didn’t do much to help–advertised as retired assassins getting back together, the appeal was hard to grasp. Yet if it had been revealed as a dream cast spy caper in the realm of the Ocean’s Eleven series, it might have drawn a wider audience. Whatever the box office take on the original, it doesn’t matter as a sequel will be soon here, and it’s a good time to go back to the original available everywhere on video and even on basic cable programming. If you do, you’ll find a fun flick that will likely cause you to look forward to RED 2 come July.
Not a lot of sequels featuring action heroes over 50 look as good as the new trailer for RED 2, the sequel to the 2010 action movie RED, about Bruce Willis’s Frank Moses bringing his band of retired assassins back together. Bruce Willis? Again? You’ve got to hand it to Bruce–he is making more movies than anyone half his age and he’s just not letting up. Since the first movie RED in 2010 he has starred or was featured in twelve movies, including The Expendables and The Expendables 2, Looper, Moonrise Kingdom, A Good Day to Die Hard, G.I. Joe: Retribution, and coming soon, the adaptation of Frank Miller’s Sin City 2: A Dame to Kill For.
Just look at the great cast in RED 2 and decide for yourself who to be more excited about. Returning with Willis from the last film is John Malkovich, Helen Mirren, and Mary-Louise Parker. This time around they’ve brought in Anthony Hopkins playing against type as a wacky jailed friend from the past.
