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Tag Archive: John Ottman


X-Men Days of Future Past Rogue Cut

Review by C.J. Bunce

If you agree last year’s X-Men: Days of Future Past is among the best superhero films of all time, and probably the single best film in the Marvel Universe, then you’ll want to see a new director’s cut released this month: X-Men: Days of Future Past, The Rogue Cut Especially if you haven’t picked up a copy of the 2014 version on Blu-Ray, this new edition brings together the original theatrical release and The Rogue Cut, plus a disc full of new features, making this the definitive edition for most fans.

It’s the lack of a 3D edition that is the only miss with the new release.  For most people that won’t be a problem.  But if you have embraced 3D television technology like us, you’re just going to be buying a new Blu-Ray to add to last year’s superb Ultimate Edition so you can watch each version from time to time–because you just can’t miss this new edit of the film.

If you’re not aware of the quality of this movie by ace director Bryan Singer, check out our review from last year here at borg.com.  On repeat viewings X-Men: Days of Future Past proves its worthiness as a superhero flick future superhero films will be compared to.  This expanded edition certainly does nothing to diminish the original.  It instead provides 17 minutes of additional scenes that explain plot elements skipped over in the original cut and it provides a better character study of nearly every major player: Professor X, Magneto, Wolverine, Mystique, Trask, Beast, Iceman, Kitty Pryde, and of course, Rogue.  More Quicksilver (Evan Peters) would have been fun, but you can’t have everything.  But we do learn more from Singer on his audio commentary about that character’s role, and that of Mystique, Beast, Magneto, and the rest of the mutants in next year’s sequel X-Men: Apocalypse.

Rogue Cut Wolverine Rogue

The features disc includes a nine-part “making of” series and a 30-minute roundtable featuring Singer and most of the show’s stars.  The audio track features Singer and editor/composer John Ottman.  Both provide an excellent look at the storytelling process as adapted to the filmmaker’s role.

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Evan Peters QuickSilver Time in a Bottle X-Men Days of Futue Past

Review by C.J. Bunce

BOULEVARD DRIVE-IN — It’s hard to believe it has only been six years since Jon Favreau surprised the world, taking a typically underwhelming character like Tony Stark, casting Robert Downey, Jr. as Iron Man, and making the best modern superhero movie.  Although fanboy director Favreau made the Christmas classic Elf before Iron Man, who knew he was going to change how we evaluate the modern superhero film?  So it shouldn’t be surprising that a proven genre director like Bryan Singer, with titles under his belt like The Usual Suspects, X-Men, X-Men 2, X-men Origins: Wolverine, Superman Returns, and Valkyrie, has set the new standard in the summer blockbuster sci-fi, fantasy, and superhero sphere with his latest X-title, X-Men: Days of Future Past.  You don’t even need to be an X-Men or Marvel fan to realize what a triumph Singer has achieved.

The movie is gigantic from the opening set-up.  The giant mechanical Sentinels of the comic books take over Earth in the distant future, weeding out once and for all the small bands of survivors, creating a very Terminator-influenced opening.  Now see if you can spot a theme here.  A band of what you might call Tier 3 X-Men, led by Kitty Pryde (played by Oscar nominee Ellen Page), find a way to send something back into the past to save themselves from Sentinel strikes.  Golden Globe and Emmy nominee Patrick Stewart’s Professor X, Oscar nominee Ian McKellen’s Magneto and Oscar nominee Hugh Jackman’s Logan aka Wolverine take Pryde’s method to come up with a time travel plan that results in dual casts trying to save their world, one in 1973, the other in the future.  Storm, played by returning Oscar winner Halle Berry, tries to fend off the Sentinels to allow the time travel trick to work.

Magneto Fassbender

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