When I was a kid in school, periodically we were given book orders, full of discount versions of books, but also posters and popular magazines like Dynamite, and lots of tie-ins with the latest news on current movies and TV shows. Anything Star Wars was quickly added to our book order form, and that’s what Titan’s latest tie-in reminds me of most. Star Wars Insider: The Galaxy’s Greatest Heroes looks at 16 of the biggest heroes of the franchise from the creators and actors behind them. But after nearly 45 years, the book allows a greater opportunity for even more people behind the scenes to offer their commentary on fan-favorite characters, with something for every Star Wars fan.
No one could have predicted when the original Star Wars won six of ten Academy Awards in 1978 that a newStar Wars film would be nominated 41 years later. At the end of 2019 all will be known–with Episode IX to be released in December the entirety of George Lucas’s nine-part Star Wars saga will be complete. Although the Skywalker family and its legacy is done, Disney and Lucasfilm will be sure that Star Wars is very far from over. But expect this year to be full of nostalgic products looking back over the course of the four decades since we first saw the words, “A long time ago in a galaxy far, far, away…” Two movie souvenir compilation books will take Star Wars fans across the film franchise. Solo: A Star Wars Story Ultimate Guide presents interviews and photographs behind and in front of the camera from Ron Howard’s film. And today Star Wars: The Saga Begins arrives in book stores, taking a rare look back at the Star Wars prequel trilogy. We have previews of both books for you to check out below.
In Star Wars: The Saga Begins readers will find articles collected from Star Wars Insider, the magazine that has provided fans with the latest fandom and news since 1994. In September 1997 with Issue #35, fans got their first glimpses at what would follow the original trilogy, as publisher and fan club president Dan Madsen provided updates in each issue with producer Rick McCallum. Unfolding until 2005 and beyond, Star Wars Insider provided first looks at new prequel ships, characters, and locations. Interviews explained what was happening behind the scenes of The Phantom Menace, Attack of the Clones, and Revenge of the Sith from the likes of director George Lucas, actors Liam Neeson, Ewan McGregor, Ian McDiarmid, Natalie Portman, Hayden Christensen, Temuera Morrison, Daniel Logan, Samuel L. Jackson, Anthony Daniels, and Brian Blessed, plus concept artists Ralph McQuarrie and Doug Chiang, composer John Williams, costume designer Trisha Biggar, sound designer Ben Burtt and many more. Star Wars: The Saga Begins is packed with concept artwork and prototypes of creatures and props, plus storyboards and costume designs. And it has hundreds of photographs.
A similarly designed look at Solo: A Star Wars Story can be found in Solo: A Star Wars Story Ultimate Guide. Readers will find Star Wars Insider interviews and profiles from director Ron Howard, writers Lawrence and Jonathan Kasdan, actors Alden Ehrenreich, Joonas Suotamo, Emilia Clarke, Donald Glover, Woody Harrelson, Phoebe Waller-Bridge, Paul Bettany, Jon Favreau, and Thandie Newton, plus composer John Powell, creature maker Neal Scanlan, and costume designers David Crossman and Glyn Dillon. The Ultimate Guide is full of good detail shots of the Millennium Falcon and sections featuring the newly designed Imperial armor and ships created for the film.
Here are previews from each book, courtesy of Titan:
That Miller and Lord cut of Solo you were hoping for? You already saw it.
I was always sold on his father, Lawrence Kasdan for writing The Empire Strikes Back, Raiders of the Lost Ark, and writing and directing Silverado (and his superb work on non-blockbuster films like Continental Divide and Mumford), but Jonathan Kasdan (who co-wrote the screenplay to Solo: A Star Wars Story with his father) has filled in the remaining gap in what is probably the year’s best home video special features package. That would be the extra features that accompany the home release of Solo: A Star Wars Story, available now. The included features have key deleted scenes, most of which would have served the movie well were they included in the theatrical release (like Han’s fall from the Imperial Navy), and the least of which is plain fun that every Star Wars fan should love (like a snowball fight between Han and Chewbacca)–eight deleted scenes in all. The home release also contains insightful featurettes that demonstrate the love for the saga and the vision, skill, and craftmanship that came together to create the film. But it’s missing an audio commentary. More on that in a minute.
Director Ron Howard, production designer Neil Lamont, special creature effects designer Neal Scanlan, director of photography Bradford Young, and the Kasdans, along with other members of the crew, provide fantastic insight into the influences and experience of creating the movie. The best features include Team Chewie, with interviews and footage of Joonas Suotamo in and out of costume, and Scoundrels, Droids, Creatures and Cards: Welcome to Fort Ypso, where we see the historical art influence on the Sabacc card game scene, and Solo: The Director and Cast Roundtable, a a refreshing and eye-opening look at how Howard and the key actors came together. Also included are short featurettes Kasdan on Kasdan, Remaking the Millennium Falcon, Escape From Corellia, The Train Heist, Becoming a Droid: L3-37, and Into the Maelstrom: The Kessel Run. Across all these, keep an eye out for Tim Nielsen, supervising sound editor and sound designer for Skywalker Sound, whose creativity is the kind of effort that caused Ben Burtt to get the Oscar for his work on the original Star Wars. Watch these features and see why Nielsen and his team should be in the running for Oscar for his work on Solo: A Star Wars Story this year.
Director Ron Howard on the Millennium Falcon set of Solo: A Star Wars Story.
Director Ron Howard, who replaced Christopher Miller and Phil Lord late in production of the film, bent over backwards to treat the departure of the two prior directors with grace and respect, which means he hasn’t discussed much detail about his work on the film. We never thought we’d learn “who contributed what” to the film, but that is where Kasdan’s notes come into play. Released in advance of the home video release this past week, they shed some light on what went on behind the scenes, what could easily be Kasdan’s personal, unrecorded, audio commentary notes–had Lucasfilm included one in the features. From a certain point of view, the inclusion of so many scenes developed by the initial director duo reflect the theme of the saga: Miller and Lord–seemingly two rebels against Lucasfilm/Disney who had a vision for Star Wars and for whatever reason were sidelined–were able to have much of their vision survive in the final cut of the film. Howard’s role seems to have been both Fixer and Closer, in addition to giving his personal touch to certain scenes, something addressed well in the features. Kasdan’s notes (not included with the home release but reproduced below) are the ultimate backstage pass into all the creative minds behind what must have been a difficult film to make (Star Wars plus Star Wars fandom sometimes reflects the Dark Side of the movies all too well).
Not since Donald Glut’s novelization of The Empire Strikes Back. That is the last novelization in the Star Wars universe that was as fun as Mur Lafferty’s new novelization of Solo: A Star Wars Story–Expanded Edition. That’s saying a lot, because Glut’s exciting prose is what got many of us through the 2.5 year wait period before The Return of the Jedi arrived, in the dark days before VHS. Lafferty writes with quick, succinct sentences that zip the reader through the action-packed, roller coaster ride of a story. This is the space fantasy and space Western nostalgia that fans of the original series were hoping for when the prequels and sequels came along. Electric and classic like Butch Cassidy and the Sundance Kid, the novelization energizes an already great movie. Of course screenplay writers Lawrence and Jonathan Kasdan deserve the appropriate praise for the bones of the story, but the novelization provides everything else that couldn’t make it into their 135-minute movie.
Best of all is a three-page epilogue that directly ties Solo: A Star Wars Story together with not just the obvious connections you already know with Han Solo, Chewbacca, and the original trilogy stories. The novelization introduces an intersection with two other major characters from the Star Wars saga no one could possibly predict. As good as the gambling scene was between Han and Lando at the end of the movie, it’s a shame this scene did not become part of the film. No spoilers here, but the book is worth reading for the epilogue alone. You’ll also find a revealing scene between Qi’ra and L3-37, and a surprising, hilarious exchange onboard the Millennium Falcon between Lando and Chewbacca.
Solo: A Star Wars Story Expanded Edition has an apt subheading, because it is precisely what sets it apart: expanding on every major character’s backstory. Han and his encounters with Lady Proxima on Corellia and life in the Imperial Navy (including an appearance by comic book characters Tag & Bink) are told in flashback memories. Chewbacca‘s thoughts are fleshed out, too: how he got to where we meet him in this story, and his passion to help Sagwa and the other Wookiees escape from the muddy spice mine on Kessel. We learn what happened to Qi’ra right after Han left her behind, as she is sold to another slaveholder and finally falls into the clutches of Dryden Vos and Crimson Dawn. Lafferty expands on the relationship between Val and Beckett, including their first encounter, too. And most enlightening is the heavily emotional inner-workings of Lando‘s droid L3-37 and how her mechanics–plus a little coaxium–made the fastest ship in the galaxy all that it would later become.
The hero of the Rebellion and the Resistance and rescuer of the galaxy more than once, one of fandom’s favorites is featured in his own book in November. Insight Editions announced Star Wars Icons: Han Solo will be a comprehensive look at the creation and legacy of one of Star Wars’ most beloved characters. Covering the Han Solo’s journey from his genesis in George Lucas’s first Star Wars drafts to his portrayal by Harrison Ford in the original trilogy and The Force Awakens to his rebirth in Solo: A Star Wars Story, and beyond the films to his role in the Star Wars expanded universe: novels, comics, video games, and more–Insight promises this will be the definitive book for every Han Solo fan.
Illustrated with rare and previously unpublished images, including on-set photography and concept art, the deluxe 224-page volume will feature new interviews by author Gina McIntyre with Harrison Ford, Alden Ehrenreich, Mark Hamill, Billy Dee Williams, Peter Mayhew, Ron Howard, J.J. Abrams, Lawrence Kasdan, Jonathan Kasdan, and more. This is especially noteworthy since Solo: A Star Wars Story director Ron Howard has not given many interviews about Solo: A Star Wars Story.
You can pre-order what we expect to be the first of several Star Wars Icons books, Star Wars Icons: Han Solo now here at Amazon (at a discount off the cover price). And don’t forget to lock-in the pre-order price for Solo: A Star Wars Story on DVD, Digital HD, and Blu-ray here.
Maybe you don’t need the Old West to have a great Western after all. Bringing back the feel of the first third of the original Star Wars: A New Hope with a Butch Cassidy and the Sundance Kid level of fun and humor, Solo: A Star Wars Story is finally in theaters with something for every Star Wars fan. The saloons may be different and so are the sidearms, but this is the story of a young gunfighter, complete with the related outlaws and mercenaries, partners and betrayals, card playing, and gunfights. With the sweeping adventure of The Empire Strikes Back, the perfectly rebuilt and repackaged nostalgia of Rogue One: A Star Wars Story, and a jumping off point for a galaxy of possibilities for beloved characters we only thought we knew, director Ron Howard delivers. Not weighted down by the gloom and doom of the Dark Side in Rogue One or the rest of the Star Wars films, this Star Wars story creates new and original locations and situations for a few familiar characters plus many new ones and still ties into the overall episodic stories, taking place after Revenge of the Sith, but before Star Wars Rebels and Rogue One. Yet we meet many new characters and questions are raised in the film that beg for one or more sequels to this branch off the main Star Wars saga–we can now have many new tie-in novels, comics, TV series, and maybe even movies to keep it all going. If you didn’t think The Last Jedi captured the nostalgia or fun of earlier Star Wars films, then Solo is for you–not since The Empire Strikes Back has an entry in the saga been such a rollercoaster ride.
Surprises? In a film that could have just filled in the blanks, the surprises were dished out from beginning to end, including some big ones we won’t mention here. The overall tone is something out of Amazing High Adventure, and it makes perfect sense: It’s Silverado in space. Screenplay writer Lawrence Kasdan (who wrote the screenplay with son Jonathan Kasdan), known for writing Westerns Silverado and Wyatt Earp, prior Star Wars entries The Empire Strikes Back, Return of the Jedi, and The Force Awakens, and that greatest of adventure movies Raiders of the Lost Ark, was the perfect match to veteran director and movie icon Ron Howard. The Western inspiration is supported visually in the Frederic Remington-inspired colors and landscapes. You can spot the World War II movie references along the way, too, that Kasdan and Howard no doubt enjoyed as moviegoers over the years, like Von Ryan’s Express. The relationships between characters evoke gangster movies and even pirate tales like Treasure Island. Science fiction fans will see parallels to Han’s band of mercenaries in both the crew of the Ghost in Star Wars Rebels and Joss Whedon’s Serenity crew in the Firefly television series.
The Kasdans smartly injected those scenes every fan has thought about, pulled from passing references throughout the original trilogy to become fully realized plot threads, and then they folded in so much more. Without the religion and mysticism of the Force, Solo: A Star Wars Story breaks the precedents of the saga as space fantasy to become arguably the first end-to-end science fiction movie of the franchise. And it’s not just a fun movie. Viewers will get plenty to think about. Characters here are sometimes swapped into positions taken by other characters (and beasts) in prior movies in a way that will make moviegoers want to take another look at the prior films again.
Kasdan recollections round out excellent bonus features on Solo: A Star Wars Story home release
That Miller and Lord cut of Solo you were hoping for? You already saw it.
I was always sold on his father, Lawrence Kasdan for writing The Empire Strikes Back, Raiders of the Lost Ark, and writing and directing Silverado (and his superb work on non-blockbuster films like Continental Divide and Mumford), but Jonathan Kasdan (who co-wrote the screenplay to Solo: A Star Wars Story with his father) has filled in the remaining gap in what is probably the year’s best home video special features package. That would be the extra features that accompany the home release of Solo: A Star Wars Story, available now. The included features have key deleted scenes, most of which would have served the movie well were they included in the theatrical release (like Han’s fall from the Imperial Navy), and the least of which is plain fun that every Star Wars fan should love (like a snowball fight between Han and Chewbacca)–eight deleted scenes in all. The home release also contains insightful featurettes that demonstrate the love for the saga and the vision, skill, and craftmanship that came together to create the film. But it’s missing an audio commentary. More on that in a minute.
Director Ron Howard, production designer Neil Lamont, special creature effects designer Neal Scanlan, director of photography Bradford Young, and the Kasdans, along with other members of the crew, provide fantastic insight into the influences and experience of creating the movie. The best features include Team Chewie, with interviews and footage of Joonas Suotamo in and out of costume, and Scoundrels, Droids, Creatures and Cards: Welcome to Fort Ypso, where we see the historical art influence on the Sabacc card game scene, and Solo: The Director and Cast Roundtable, a a refreshing and eye-opening look at how Howard and the key actors came together. Also included are short featurettes Kasdan on Kasdan, Remaking the Millennium Falcon, Escape From Corellia, The Train Heist, Becoming a Droid: L3-37, and Into the Maelstrom: The Kessel Run. Across all these, keep an eye out for Tim Nielsen, supervising sound editor and sound designer for Skywalker Sound, whose creativity is the kind of effort that caused Ben Burtt to get the Oscar for his work on the original Star Wars. Watch these features and see why Nielsen and his team should be in the running for Oscar for his work on Solo: A Star Wars Story this year.
Director Ron Howard on the Millennium Falcon set of Solo: A Star Wars Story.
Director Ron Howard, who replaced Christopher Miller and Phil Lord late in production of the film, bent over backwards to treat the departure of the two prior directors with grace and respect, which means he hasn’t discussed much detail about his work on the film. We never thought we’d learn “who contributed what” to the film, but that is where Kasdan’s notes come into play. Released in advance of the home video release this past week, they shed some light on what went on behind the scenes, what could easily be Kasdan’s personal, unrecorded, audio commentary notes–had Lucasfilm included one in the features. From a certain point of view, the inclusion of so many scenes developed by the initial director duo reflect the theme of the saga: Miller and Lord–seemingly two rebels against Lucasfilm/Disney who had a vision for Star Wars and for whatever reason were sidelined–were able to have much of their vision survive in the final cut of the film. Howard’s role seems to have been both Fixer and Closer, in addition to giving his personal touch to certain scenes, something addressed well in the features. Kasdan’s notes (not included with the home release but reproduced below) are the ultimate backstage pass into all the creative minds behind what must have been a difficult film to make (Star Wars plus Star Wars fandom sometimes reflects the Dark Side of the movies all too well).
Continue reading →
Share this:
Like this: