By C.J. Bunce
Of all this year’s books we’ve read and reviewed at borg in 2018, more than 100 all told, we’re hard-pressed to find one that matches the beauty of design in The Archive of Magic – The Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald, a new elaborately designed and detailed look at the film, the story, and the production of the new fantasy film from the mind of J.K. Rowling. Not only is the photograph reproduction quality superb, every page incorporates the style of the film, created by the very designers who made the images for the film. That’s MinaLima–the dynamic art duo of Miraphora Mina and Eduardo Lima–who also designed props for the Harry Potter movies as well as a new series of classic book reprints (reviewed here previously at borg).
Writer/editor Signe Bergstrom provides several textual elements that make The Archive of Magic stand out. She presents the narrative of the story itself in a way that will help moviegoers understand the sequence of events in the densely packed film. She also incorporates in-world elements, like examining new characters and story elements, and she steps out of the fantasy and interviews the film’s creative staff, writers, and actors, to provide an in-depth guide through the production. Readers will find final as-filmed versions of costumes and set production, in contrast with The Art of Fantastic Beasts: The Crimes of Grindelwald, which consists primarily of pre-production concept artwork (see our review here yesterday).
The Archive of Magic takes the paper ephemera book tie-in concept that has exploded in the past three years to another level. Included are several reproductions of paper props that were key to the story, not merely set dressing, but the book also includes tipped-in reproductions of set dressing, too, created by the artists who made the very props seen in the film–for any past Harry Potter universe film replica props like this would sell for at least $10-20 each. It begins with a deluxe hardcover, magnetic wraparound cover with gold embossed Art Nouveau designs. Included are Leta Lestrange’s note she finds in the Ministry Records Room, a 3D-lenticular photo identification card for Newt Scamander, a book mark incorporating Grindelwald’s logo on paper stock like that seen in the film, Credence Barebone’s dual-sided birth certificate, Queenie’s postcard from Tina, the Spellbound magazine that incorrectly reports on a Newt Scamander/Leta Lestrange engagement, Nicolas Flamel’s business card that Dumbledore gives to Newt, Butter Beer logo label stickers, six reproduced newspaper pages, and two folded, full-size circus posters.
Take a look at this book trailer produced by Harper Design, and sixteen interior pages from the book:
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starring Benedict Cumberbatch and Martin Freeman as modernized sleuths, or even the third big screen entry in the 
films starring Robert Downey, Jr. and Jude Law in their more classic form, you could pull off the shelf the original Arthur Conan Doyle stories to hold your attention. Or there is another option: Writer Guy Adams has seamlessly intersected the world of Arthur Conan Doyle’s 
with H.G. Wells’ 
in his new novel 
. And he does this in a way that may be more accessible to modern readers than the original Doyle stories yet evokes the same voice, time and place. 
has his own prequel here, arm-in-arm with the heroes of this tale to the bitter end, as does Professor Lindenbrook from Jules Verne’s 
, and a few other more obscure cameos.
