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Tag Archive: Julian Day


Review by C.J. Bunce

The music biopic is as much a cinema fixture as Film Noir or the Western.  Just look back at a quick swath of the genre and you’ll find Clifton Webb as John Philip Sousa in Stars and Stripes Forever, James Cagney as George M. Cohan in Yankee Doodle Dandy, Jimmy Stewart as Glenn Miller in The Glenn Miller Story, Gary Busey as Buddy Holly in The Buddy Holly Story, Sissy Spacek as Loretta Lynn in Coal Miner’s Daughter, Jessica Lange as Patsy Cline in Sweet Dreams, Lou Diamond Phillips as Ritchie Valens in La Bamba, Val Kilmer as Jim Morrison in The Doors, Angela Bassett as Tina Turner in What’s Love Got to Do with It, Jamie Foxx as Ray Charles in Ray, and Joaquin Phoenix as Johnny Cash in Walk the Line.  If Milos Forman’s Amadeus was worthy of a Best Picture Oscarif the Academy gets it right–then director Bryan Singer’s new biopic Bohemian Rhapsody should also take home an armful of Oscars.  Actor Rami Malek, in one of the decade’s most immersive, riveting, and powerful performances, conjures the spirit of Queen lead singer Freddie Mercury in a sweeping whirlwind of music and seismic spectacle celebrating individuality.

Few bands have the extensive catalog of music that can support a 2.5 hour film with familiar hit songs that fit the mood of every scene as Queen has.  With the participation behind the scenes of Queen lead guitarist Brian May and drummer Roger Taylor as executive producers, from the first scene Malek’s Freddie Mercury will take Queen fans back in time, and yet it’s the casting of the other three band members that provides a cohesive whole, convincing the audience this was a real band, and a real family.  Where Oliver Stone came close to getting his four actors lined up as mirrors for The Doors, anyone who grew up with the band can see how closely director Bryan Singer came to matching up the acting talent to Queen’s members (and it’s right there for comparison with archival footage in the film’s end credits).  Audiences already knew Malek was a unique talent from his series Mr. Robot and his previous TV and film appearances.  Like Val Kilmer transformed into Jim Morrison, American actor Malek becomes Anglo-Asian rock god Freddie Mercury.  British actor Gwilym Lee (Ashes to Ashes, Midsomer Murders) is the all-out doppelganger of Brian May, and the next acting talent to watch for.  The growth of American actor Joseph Mazzello from the boy in Jurassic Park to bass guitarist John Deacon (with a seamless British accent) is an eye-popping surprise.  And Ben Hardy (The Woman in White, X-Men: Apocalypse, Mary Shelley) holds his own as edgy drummer Roger Taylor.

Anthony McCarten‘s (The Theory of Everything, Darkest Hour) script has several parallels to both Amadeus and The Doors.  Some clever–and some audacious–decisions include scenes incorporating Mike Myers (Wayne’s World, 54) as record producer Ray Foster, Tom Hollander (Gosford Park, Pirates of the Caribbean, Mission Impossible series) as lawyer Jim Beach, and scenes showing the development of Queen hits “Another One Bites the Dust” and “We Will Rock You”–altogether 20 hit songs made the soundtrack, including five of the eight songs from the band’s memorable 1985 Live-Aid concert.

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Like the works of Shakespeare, Mary Shelley’s Frankenstein, Sir Arthur Conan Doyle’s Sherlock Holmes, Rudyard Kipling’s Mowgli & Co., and Edgar Rice Burroughs’ Tarzan, the older, legendary tale of Robin Hood will return (sometimes many times) in a newly realized form for each new generation.  Long, long before Oliver Queen and Clint Barton, there was that wielder of bow and arrow, the original superhero, Robin of Loxley, or Robin Hood.  Lionsgate Films released its first preview trailer for its version of Robin Hood, coming late this year to theaters.  Starring Kingsman’s Taron Egerton as Robin, Jamie Foxx as Little John (with some very Robin Hood: Prince of Thieves-styled Morgan Freeman makeup), Ben Mendelsohn (today’s go-to bad guy) as the Sheriff of Nottingham, Eve Hewson as Marian, Tim Minchin as Friar Tuck, and Jamie Dornan as Will Scarlet, the next Robin Hood feature looks to be the least like its predecessors.

As much as prior incarnations attempted to provide a historically accurate look–for better or worse–for their films, usually targeting the story anywhere from the 14th to the 16th centuries, director Otto Bathurst’s version offers up some modern designs.  Costume designer Julian Day, known for some nicely realized, historically inspired designs in Pride and Prejudice and Zombies and the 1970s racing film Rush, seems to have avoided any historicity in designing costumes for his latest film.  When does it take place?  Apparently not in any real-time or location.

The classic adventure and romance seems to be weighted this toward action and more action, with much CGI and slow motion fight scenes, and if the first trailer is any indication, it’s going to be light on the fairy tale romance of past versions.  Take a look for yourself at the first trailer for this year’s Robin Hood:

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