It’s unlikely anyone in 1976 could have foreseen the direction the adaptation of Mary Rodgers’ novel Freaky Friday could take in the 2020s. One of those Walt Disney studio classics before the company issued special re-release limited VHS tapes and merchandised every film to its hilt to become a corporate behemoth, the film starred Jodie Foster and Barbara Harris as mom and daughter swapping bodies and needing to live life literally in the skin of the other. Swap in part-time wacky comedic actor (Wedding Crashers), part-time horror actor (Psycho)Vince Vaughn as a creepy 50-year-old serial killer, and a high schooler named Millie played by young actress Kathryn Newton(Supernatural, Paranormal Activity 4) and you get Freaky, Blumhouse’s latest horror film, now streaming on Vudu, Amazon Prime Video, and other services. Continue reading →
Ten years of movie reviews. How do you pick the best? Our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great movie? #1 for us is great writing—great storytelling. #2 is re-watchability. Lots of movies are good, but if every time you watch it you enjoy it all over again and maybe find something you didn’t see before, then you likely got far more value from the movie than the price of a movie ticket. #3 is innovation—there’s nothing to top off a good story like new technology surprising us. Finally, the experience must be fun—why else would you devote two hours or more of your valuable time?
So in Casey Kasem style, here are the Top 40 movies we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these movies. If you’ve missed any, odds are you have some new movies to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre movies, so don’t expect to see strict dramas or a lot of Best Picture Oscar winners here. Title links are to our original borg review.
Initially marketed as Monster Problems, Love and Monsters is a surprise sleeper hit apocalypse movie, also marketed as an adventure comedy, which puts it into the camp of movies like the Jumanji series and Finding ‘Ohana. It was scheduled for release last April, then delayed to late 2020 because of the pandemic, and you probably missed it. Which is now a good thing, because it’s a nicely timed story about survival–namely surviving a big event and getting to the other side of that event, being able to breathe freely again, at least at some level. Starring Dylan O’Brien, Jessica Henwick, and Michael Rooker, it’s a monster movie so well done it is nominated for a visual effects Oscar in tonight’s Academy Award ceremony. It’s now streaming on Vudu, Amazon, and DVD/Blu-Ray.
Two episodes in, and you’ll probably get drawn into at least three of the characters in the story. Four episodes in, you’re thinking about who is going to to make it to the second season and how quick they can get that filmed and released. Directed by Shinsuke Sato, Haro Aso’s popular manga series comes alive in Alice in Borderland, the live-action dystopian, Japanese noir-meets-steampunk thrill ride streaming now on Netflix. Doomsday, Tokyo-style, is surprisingly violent, surprisingly thought-provoking, as a city finds itself mostly vacated (as in The Quiet Earth and 28 Days Later) and the remaining citizens must fight for their lives The Running Man-style or they’ll get zapped and killed The War of the Worlds-style. Clever casting of characters introduces looks of action heroes from all sorts of Japanese video games, manga, and anime, all living (many briefly) in a world loosely pulled from Lewis Carroll’s classic Alice in Wonderland. A gamer-themed series on the heels of the popular Netflix series The Queen’s Gambit, the result is a very different story allowing the audience to try to solve clues along with the players on the screen–what I was hoping for when I first heard about the book Ready Player One.
In brief, it’s the best adventure, fantasy, and comedy in theaters in 2019 and a great way to begin your new year. Jumanji: The Next Level is still packing-in theaters a little more than two weeks into its run–an alternative to the other holiday releases and guaranteed to leave you smiling at the end. The four stars didn’t miss a beat in their return, swapping roles and adding new laughs, and the new characters inside and outside the game are perfectly matched to tell a new tale. Two films down and Jumanji: The Next Level is now the new major adventure fantasy franchise, up there with Tarzan, The Jungle Book, Conan the Barbarian, John Carter of Mars, Pirates of the Caribbean,The Mummy, and Indiana Jones. Put this sequel at the top of the best of those franchises.
The studio didn’t hold back on new action sequences–inside the movie again Jumanji is the same video game of curious origin. The new levels introduced this time increase the stakes in bigger and better ways. A bridge-crossing scene with swarming apes and a geometric, Mario Brothers/Donkey Kong-like element is now going to be the adventure film standard to try to beat. Sure, there are throwbacks to jungle adventures of the past, but it’s not derivative, all presented in fresh ways. As another tour inside a video game (like Tron and Ready Player One), you’ll have the added fun of spotting video game influences (like Pitfall and Q-Bert), including a new, more difficult gauntlet.
The movie does double duty as an epic quest and rollicking comedy. Comedians turned comedic actors Jack Black as Dr. Shelly Oberon and Kevin Hart as Mouse Finbar again are comedy gold. Even the small bits are a scream–Hart riding and getting off a camel is a lesson in physical comedy. They make the movie loads of fun, but straight man roles performed by Dwayne Johnson and Karen Gillan as in-game characters Dr. Smolder Bravestone and Ruby Roundhouse share the credit for the laughs, too. If you’ve seen Jumanji: Welcome to the Jungle, you’d expect big comedy from the sequel. And that’s where the writing genius comes into play, thanks to a script by writer/director Jake Kasdan and writers Jeff Pinkner, and Scott Rosenberg. How do you bring back the hour movie stars, the four young actors who played the original players (Madison Iseman, Morgan Turner, Alex Wolff, and Ser’Darius Blain), the rescued Alex played by Colin Hanks, and in-game characters played by Nick Jonas, and Rhys Darby without re-hashing the first movie? You’ll have to see it to find out. Just be prepared for some great twists and surprises.
The first big Jumanjimovie (we’re ignoring the 1990s version), Jumanji: Welcome to the Jungle, was such a brilliant, laugh-out-loud, adventure and rollercoaster ride, it made the freezing winter two years ago a bit more tolerable. With a Halloween snowfall across the U.S. and a likely colder winter again, the sequel, Jumanji: The Next Level, may just save us again from the winter blues. Directly competing against the final Star Wars film, The Rise of Skywalker, the real competition isn’t going to be about seeing them once, but it will be about which you go back to again. Now with two trailers out following the first trailer four months ago (if you missed it, watch it here), Jumanji: The Next Levelappears to have everything that made us laugh the first time–and more.
In the previous film teenagers get sucked into a video game and emerge in the roles of Dr. Smolder Bravestone (Dwayne Johnson), Franklin “Mouse-not-Moose” Finbar (Kevin Hart in his funniest performance ever), Ruby Roundhouse (Karen Gillan), and Professor Shelly Oberon (Jack Black). In the second trailer we see that returning director Jake Kasdan and writers Jeff Pinkner and Scott Rosenberg have shuffled the roles, swapping in one of the kid’s grandfather, played by Danny DeVito, and his friend, played by Danny Glover. The next adventure brings back Nigel (Rhys Darby) as gamerunner and somehow Nick Jonas is back, too, as long-time player Alex–or will Alex really be someone entirely new? They could change up all these character roles over and over and we’ll keep coming back for more.
And there’s a new poster:
What’s funnier, Bethany’s new character or a stack of great Kevin Hart jokes? Here’s the next, and final, trailer for Jumanji: The Next Level:
So how do you change the innerworkings of a game-based movie that was such a breakout comedy without gutting the heart of the film that made it all work so well? Jumanji: Welcome to the Jungleas a reboot was such an improvement over the original filmJumanjifrom 1995 that it really took audiences by surprise in those late 2017 cold winter months (check out our review here). In the previous film teenagers get sucked into a video game and emerge into the roles of Dr. Smolder Bravestone (Dwayne Johnson), Franklin “Moose” Finbar (Kevin Hart in his funniest performance ever), Ruby Roundhouse (Karen Gillan), and Professor Shelly Oberon (Jack Black playing his trademark Jack Black routine). So will returning director Jake Kasdan and writers Jeff Pinkner and Scott Rosenberg give us a whole new game or take another approach for the next?
The first trailer for Jumanji: The Next Levelmight have the most apt of titles. The inside-the-game characters are the same (phew!), but the video game won’t be the same, instead giving the characters and us–the audience–a new level of play. And the real-world players are moved around a bit, with some new twists. All the kids are back, but Spencer’s grandfather, played by Danny DeVito, and his friend, played by Danny Glover, get sucked into the game with Spencer lost somewhere, and Martha stuck with Fridge trying to find him. Martha is still Ruby/Gillan, but everyone else is different: DeVito is Smolder/Johnson, Glover is Moose/Hart, and Fridge is Shelly/Black. So the swap of kids for old men in the bodies of our lead actors is the new conceit.
The next adventure brings back Nigel (Rhys Darby) as gamerunner and somehow Nick Jonas is back, too, as long-time player Alex–or will Alex really be someone entirely new? They could change up all these character roles over and over and we’ll keep coming back for more.
Here’s the great first trailer for Jumanji: The Next Level:
When we created last year’s preview of 2018 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best. All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our picks for our annual Best Movies of 2018.
Genredom. As always, we’re after the best genre content of the year–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch. What do all of this year’s selections have in common? In addition to those elements that define each part of genredom, each has a good story. Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.
Come back later this month for our TV and print media picks, and our annual borgHall of Fame inductees. Wait no further, here are our movie picks for 2018:
Best Film, Best Drama – Bohemian Rhapsody (20th Century Fox). For the epic historical costume drama category, this biopic was something fresh and new, even among dozens of movies about bands that came before it. Gary Busey played a great Buddy Holly and Val Kilmer a perfect Jim Morrison, and we can add Rami Malek and Gwilym Lee’s work as Freddie Mercury and Brian May to the same rare league. But it wasn’t only the actors that made it work. Incredible cinematography, costume and set recreations, and an inspiring story spoke to legions of moviegoers. This wasn’t just another biopic, but an engaging drama about misfits that came out on top. Honorable mention: Black Panther (Disney/Marvel).
Best Sci-fi Movie, Best Retro Fix, Best Easter Eggs – Solo: A Star Wars Story (Disney/Lucasfilm). Put aside the noise surrounding the mid-year release of Solo before fans had recovered yet from The Last Jedi, and the resulting film was the best sequel (or prequel) in the franchise since the original trilogy (we rate it right after The Empire Strikes Back and Star Wars as #3 overall). All the scenes with Han and Chewbacca were faithful to George Lucas’s original vision, and the new characters were as cool and exciting, and played by exceptional talent, as found in the originals, including sets that looked like they were created in the 1970s of the original trilogy. The Easter Eggs scattered all over provided dozens of callbacks to earlier films. This was an easy choice: no other science fiction film came close to the rip-roaring rollercoaster of this film, and special effects and space battles to match. Honorable mention for Best Sci-Fi Movie: Orbiter 9(Netflix).
Best Superhero Movie, Best Crossover, Best Re-Imagining on Film – Avengers: Infinity War (Disney/Marvel). For all its faults, and there were many, the culmination of ten years of careful planning and tens of thousands of creative inputs delivered something no fan of comics has ever seen before: multiple, fleshed out superheroes played by A-list actors with intertwined stories with a plot that wasn’t all that convoluted. Is it the best superhero move ever? To many fans, yes. But even if it isn’t the best, its scope was as great as any envisioned before it, and the movie was filled with more great sequences than can be found in several other superhero movies of the past few years combined. But teaming up Thor with Rocket? And Spider-Man with Doctor Strange and Iron Man? That beat all the prior Avengers team-ups that came before (and anything offered up from the other studios). It’s easy to brush off any given film with so many superhero movies arriving these days, but this one was the biggest, grandest, and greatest made yet and deserves all the recognition. Honorable mention: Spider-Man: Into the Spider-Verse (Sony Pictures Animation), Black Panther (Disney/Marvel).
Best Fantasy Movie, Best Comedy Movie – Jumanji: Welcome to the Jungle (Columbia Pictures). No movie provided more laugh-out-loud moments this year than last winter’s surprise hit, a sequel that didn’t need to be a sequel, and a video game tie-in for a fake video game. A funny script and four super leads made this an easy pick in the humor category, but the Raiders of the Lost Ark-inspired adventure ride made for a great fantasy film, too. Honorable mention for Best Fantasy Movie: Black Panther (Disney/Marvel), Ready Player One (Warner Bros./Amblin).
Best Movie Borg, Best Borg Film – Josh Brolin’s Cable, Deadpool 2 (20th Century Fox). Brolin’s take on Cable ended up as one of those great borgs on par with the Terminator from the standpoint of “coolness” factor. But the trick that he wasn’t really the villain of the movie made him that much more compelling in the film’s final moments. Ryan Reynolds was back and equal to his last Deadpool film, and his Magnificent Seven/Samurai Seven round-up of a team was great fun. If not for all that unwinding of what happened in the movie in the coda, this might have made the top superhero movie spot. But Deadpool 2 was a good reminder there is something other than Disney’s MCU to make good superhero flicks.
You might think that a movie from 22 years ago isn’t prime material for a reboot, especially when that movie is Joe Johnston’s barely memorable Jumanji. It starred Robin Williams, a bunch of kids and a nice pantheon of supporting actresses (including Patricia Clarkson (The Maze Runner series, The Station Agent), Bebe Neuwirth (Cheers, Malice, Star Trek: The Next Generation), and Bonnie Hunt (Zootopia, Monsters, Inc.)). Ten years later Jon Favreau would take the same formula ahead with Zathura. Both movies featured kids getting pulled into a board game where they must fight to survive. Blending these shows with the pulled-in concept first taken on by Tron in 1982, the new fantasy adventure Jumanji: Welcome to the Jungle takes the idea from board game to video game, and does it much better by taking the child actors and having them turn into adult fantasy world avatars, all played by some of Hollywood’s best-loved actors.
The result is great fantasy fun–escapist, easy, laugh-out-loud humor that showcases the talents, charisma, and humor, of the four stars. Leading the way is Dwayne “The Rock” Johnson (who according to Meet the Press is considering a 2020 presidential bid). No current personality is better at poking fun at himself, with charisma, good looks, and the smarts to pull off the persona of a teenager afraid of everything who becomes the chiseled Dr. Smolder Bravestone, and yes, smoldering is one of his video character powers. My screening was preceded by a trailer for Rampage, another big action film game tie-in along the lines of San Andreas. Jumanji: Welcome to the Jungle co-stars Johnson’s Central Intelligence co-star Kevin Hart, who brings his stand-up comic, self-effacing persona to the big screen again as the tough kid turned short-statured sidekick to Bravestone, Franklin Finbar. Finbar’s video game powers are hysterical–one of his powers is carrying Bravestone’s tools, and his weaknesses include cake and strength itself.
Another nice choice is comedic actor Jack Black, who plays self-absorbed teenager Bethany’s avatar, Professor Shelly (as in Sheldon, not Michelle) Oberon. Black plays the role for great laughs, and he pulls off playing a teenage girl like only he could. Karen Gillan stars as studious teen Martha’s avatar Ruby Roundhouse, a seriously badass superheroine of the Tomb Raider Lara Croft school. Gillan, known best for her role as Amelia Pond in Doctor Who and as Nebula in the Guardians of the Galaxy series, proves again she was born to play big action roles. She and Bravestone are exactly what you’d expect from online role player fantasy personas, not in actual Activision game but maneuvering pitfalls just the same. When they’re saving the day the audience is cheering them on every step of the way. In between those scenes audiences will be laughing as the coming-of-age story of the kids breaks through. By the end of the film, a cameo actor performance–a brilliant casting move–will take audiences full circle with the mystique of another coming of age fantasy with life-changing implications from the 30 years ago (hint: the cameo actor previously co-starred with one of this film’s actors in one of our favorite coming of age classics).
It’s time for borg.com′s annual look at the year’s Best Kick-Ass Genre Heroines in film and television. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on. Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males. We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.
These are the Best Kick-Ass Genre Heroines of 2017:
Wynonna Earp(Wynonna Earp). Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was. And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long. Who had the tougher task, Earp or Scrofano? Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.
Valkyrie(Thor: Ragnarok). As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie. Cocky? Yep. And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela. As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.
Luv(Blade Runner 2049). If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv. First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators. Luv is a fierce, brutal borg whose villainy became the high point of the film.
Laureline (Valerian and the City of a Thousand Planets). Cocky yet sympathetic, loyal and determined, the space pilot 50 years in the making made it to the screen this year and Cara Delevingne delivered a surprise performance as the co-lead and equal half of Luc Besson’s science fiction space duo. Her confidence was second to none, she stood up for what she believed and took what she wanted, and still had time to care for a lost rare species while making sure she protected her partner’s back. We’d like to think she dropped the creepy egotistical Valerian in her next adventure, but she did exactly what she wanted to, and seemed to have one of those modern romances that worked for her. Quirky, snarky, funny, and tough, she took out a room full of men with weapons and made it look like she wasn’t even trying. Laureline has it all.
Helena(Orphan Black). Of all the characters played by Tatiana Maslany in the series’ five seasons, who knew the sestra that would write the book on them all would be Helena, the once ruthless, psychopathic killing machine who once befriended a scorpion in prison? This year Maslany wrapped up what must be the best role for a performer in the history of television. No one has ever played so many parts in a series, and played them beautifully. Each character had her moment, but Helena would make our list if she was in any series.
Antiope (Wonder Woman). The opening minutes to this year’s DC film Wonder Woman finally adapted to film what comic book readers have seen all along–that the Amazons were a creation that should have been on the screen long before 2017. The envy of them all was the brave and strong Antiope, played by Robin Wright. It was the character that launched a thousand memes, and what greater way to illustrate the mentoring of Wonder Woman than via Wright’s ultimate warrior.
Commander Lin Mae (The Great Wall). Jing Tian’s Lin, commander of the Crane Corps who takes charge of the Nameless Order and staves off the Tao Tieh, may be the year’s most dynamic and talented superhero–not technically a superhero, she looked superhuman in all her battle scenes. She was decisive and cut through the nonsensical parts of the story. Her aerobatic skill in defending the Great Wall, leading the largest military force ever, and saving her people in the process makes Commander Lin an easy entry on this year’s kick-ass list.
Betty Cooper (Riverdale). It took 77 years but fans of Archie Comics finally got what they always wanted: a television series true to the characters generations have grown up with. CW’s Riverdale gave viewers 1.5 seasons to soak up Archie and his pals with a tremendously well-written story team led by Roberto Aguirre-Sacasa, but best of all was the casting of Lili Reinhart as Betty and Camila Mendes as Veronica. Both were badass frenemies, but Betty’s story really allowed her to save the day time after time while taking the high road, even becoming a member of the Southside gang to help Jughead, and as intrepid school reporter, sleuthing out and taking down the town serial killer known as The Black Hood.
Trubel(Grimm). When the Wesen become too much for Grimm’s Nick Burkhardt, the series’ other Grimm warrior Theresa “Trubel” Rubel came to the rescue. Reserved and measured in her actions, she also never hesitated to take someone’s head off to protect her newly found family. In the series finale this year she even took on Nick directly when she disagreed with his plan, only to help take down the Zerstörer after an ultimate confrontation team-up with the ghosts of Kelly and Marie, and Nick. What we’d give for a Grimm spin-off with Jacqueline Toboni bringing her character into new adventures!
Syd Barrett (Legion). Many viewers saw the twisted look at the X-Men in the new FX series Legion as the best of the superhero fare on television this year. The highlight of the show was Rachel Keller’s Syd Barrett, who became girlfriend to series lead hero David Haller. Revealing a brutal dark side to being a superhero mutant, Syd’s powers won’t allow her to physically make contact with anyone, yet she makes it work anyway. She’s willing to use her powers to switch bodies with anyone she touches to save those she cares about, even at great pain and loss. Syd fights through her own doubts, uncertainty of reality, and those that have lied to her to break through and take what she wants. She’s a fighter and triumphant, with only more battles ahead as season two is just around the corner.
Martha/Ruby Roundhouse (Jumanji: Welcome to the Jungle). She was a shy kid who got detention for objecting to phys ed class. But once she got sucked into the Jumanji video game, she became Ruby Roundhouse, “killer of men,” with the symbol of a karate fighter as her avatar. A badass in every way, she is a commando and deadly dancefighter, with mad skills in all sorts of martial arts. Just keep her away from venom–that is her single weakness.
Andrea/Andra’ath Quill (Class). We only had eight episodes to get to know Miss Quill on the BBC’s Doctor Who spin-off series Class, but what we saw in Katherine Kelly’s alien slave turned teacher was the foundation for an incredible series that could have been. Quill made the ultimate break from oppressor Charlie, the last surviving prince of an alien war. That didn’t stop her from finding a way out, while taking care of the prince and the small class of would-be student heroes. Quill could have taken the show in infinite directions had viewers supported the series more. Regardless, Katherine Kelly’s Quill will always be remembered as a kick-ass heroine in a class by herself.
Lt. Alara Kitan(The Orville). Who knew the next great science fiction series since Battlestar Galactica would be half comedy and produced by Seth MacFarlane? Among the strife and misadventure, one crewmember had the greatest character arc in the series’ first season, and she was also the physically strongest person on the ship: Chief of Security Lt. Alara Kitan. Halston Sage didn’t skip a beat in portraying a futuristic officer on a starship. She didn’t begin the show as a leader, but learned the ropes and took us all along for the ride as she became that leader, revealing a sensitive and uncertain, very “human” side, who could still buddy around with the ship commander and save the day more than once.
Lorraine Broughton(Atomic Blonde). Next year will see a shift where the British treasure Doctor Who sees its first woman Doctor. Who knows if something like that will ever come of the other Brit icon, James Bond, but the closest anyone has ever come to that was Charlize Theron’s hardened and savvy spy Lorraine Broughton in the film adaptation of the graphic novel The Coldest City. Has any woman action star ever given this many punches in a movie ever? She took a pounding as well, but ultimately came out on top with some shrewd tactics. Lorraine Broughton–nobody does it better!
X-23/Laura(Logan/Logan Noir). The biggest surprise of the year was the great piece of filmmaking that was Logan, and more specifically the black and white version that arrived in theaters in limited release, Logan Noir, the swan song for both of the X-Men we got to know over the years as Hugh Jackman’s Logan aka Wolverine and Patrick Stewart’s Charles Xavier aka Professor X. Incredible direction and cinematography created a film on par with any black and white classic. But the young actress that the film could not have been successful without was the young Wolverine in training, Laura aka X-23. What a fantastic actress was Dafne Keen as Laura that you almost forget it’s a little girl ripping all these bad guys’ heads off and digging her sharp claws into their skulls. And in the next scene she’s nonchalantly eating a bowl of cereal, or acting angry because of something Logan said. X-23/Laura was simply the best of the best of the list of kick-ass women characters revealed to movie fans this year. Please, oh, please, Fox or Disney, let’s see Keen reprise the character again soon, huh?
And that’s it. Keep coming back the rest of this month as we reveal the rest of our Best in Film, Best in TV and Best in Print, and our borg.comHall of Fame inductees for 2017.
