Tag Archive: Jurassic Park


Back in the 1990s when the dot-com revolution took off, it was difficult to find a telecom, Internet, or other tech start-up business that didn’t have a CEO at the helm who drove us all to accept Hawaiian shirt Fridays as the new norm.  I still have a closet full of Hawaiian shirts (historically, “Aloha” shirts, a fashion that dates back to the 1920s, popularized in the 1930s).  With this crazy 2020, why not resurrect the fad again?  We spotted three online outlets ready to answer the call.  One hails from the family of one of your all-time favorite comedians, another is a throwback to all things good and Hawaiian, and the third is where Magnum shops today.  This will have you pulling out your Israel Kamakawiwoʻole or Don Ho albums and re-start your next Magnum, p.i. or Hawaii Five-O binge.  Make no mistake, despite recent fringe elements trying to usurp this traditional Friday garb and 50th state trademark wear for their own political ends, Hawaiian shirts don’t go with guns or camouflage (see instead #HawaiianshirtsforPeace).

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Review by C.J. Bunce

What do a submarine, a space shuttle, dinosaurs, sea creatures from 20,000 leagues, flying saucers, and a female Tarzan have in common?  They’re all part of Frank Cho’s Jungle Girl.

Frank Cho is one of our favorite artists and he’s also a great guy, always eager to chat at the next comic convention.  He’s a double threat–his artwork is second to none, but many don’t know how humorous his writing can be, as illustrated in his University² series of comic strips and his Liberty Meadows series.  He’s also a great all-around writer, and so it’s no surprise that he combined his trademark jungle women art with his love of dinosaurs and spun them into a series that he plotted and handed over to other writers and artists to execute.  That 15-issue comic book series coming your way this month in the Jungle Girl Complete Omnibus, a giant 392-page trade paperback edition from Dynamite Entertainment.  With stunning visuals and a female Tarzan named Jana born into Earth’s distant past, the only things that would make the book even better would be if Cho wrote and illustrated more than the cover art for it.

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Dark crystal exhibit

Today only, the Center for Puppetry Arts in Atlanta, GA, is offering a free virtual tour of Jim Henson’s The Dark Crystal: World of Myth and Magic, an exhibit scheduled at the Atlanta facility through June 28, 2020, but is now temporarily closed to foot traffic because of the COVID-19 pandemic.  Museum director Jill Nash Malool will be presenting the tour online at the Center for Puppetry Arts page on Facebook here.  It all happens today, Friday, April 10, at 2 p.m. EST/1 p.m. CST.

The exhibit revealed on the virtual tour features more than 50 props and other artifacts from 1982’s classic fantasy film The Dark Crystal, including the actual Jen, Podlings, Skeksis, and Aughra used in the movie.  Original Brian Froud artwork, animatronic prototypes, and other props, artifacts, and ephemera from the film are part of the exhibit.

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The museum invites fans of the film and last year’s groundbreaking television series The Dark Crystal: Age of Resistance, into the imaginative world of Thra.  The exhibition discusses how the movie was a passion project for Jim Henson and how he needed the fantastical work of Brian Froud to make it come to fruition.  It explores the intricate artistry that went into the creation of the world brought to life in the 1982 film that would become a lasting influence on the fantasy genre, including films like the Star Wars franchise, Jurassic Park, and more.

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One of the more unusual offerings previewed this weekend at New York Comic Con 2018 is a collectible taking you back to the original Jurassic Park.  That’s the good movie, the memorable one that faithfully follows the story of Michael Crichton’s bestselling novel.  The one where Dr. Ian Malcolm was supposedly killed in the book, but kept alive in the movie thanks to the spark Steven Spielberg saw in Jeff Goldblum‘s performance.  Dr. Malcolm provided the powerful lesson of the movie with the punchline, “Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.”

And for whatever reason Spielberg included Goldblum in this GQ-worthy shirt-open pose.  It’s the image that would, years later, launch a thousand memes.

Now thanks to Chronicle Collectibles, you can get your own homage to this… infamous (?) scene, the first officially licensed, limited edition 1:4 scale Dr. Ian Malcolm statue.

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Review by C.J. Bunce

As you’re planning to attend the upcoming return of Steven Spielberg’s Jurassic Park to theaters, a new book released this week is going to take readers of all ages on a tour of the history of real dinosaurs and the history of the study of dinosaurs itself.  A fresh look at the science of paleontology and the resulting knowledge about the life, environment, and structure of the major species of dinosaurs is the subject of Dinosaurs: A Journey to the Lost Kingdom.  Authors Christine Argot and Luc Vivès, researchers at The French National Museum of Natural History in Paris, use the museum’s own paleontology gallery as the starting point to tell how scientists developed the study and reconstruction of dinosaurs since the gallery first opened in 1898.  Everyone has a favorite dinosaur, and whether yours is a stegosaurus, triceratops, diplodocus, allosaurus, iguanodon, brontosaurus, megalosaurus, or tyrannosaurus, you’ll marvel at the spectacular images of their skeletons on display as scientists have updated them consistent with improved knowledge and techniques across the years.

Interlacing the work of paleontologists, geologists, museum curators, and other scientists around the world, and changing views of remarkable fossil discoveries (like placement, stance, and presence of feathers) over nearly 150 years, the authors combine photographs of their collection with images resulting from digs, artists’ interpretations, magazine articles, and museum archives.  From tales of dragons and mythical beasts to speculative works from John Milton’s Paradise Lost to Arthur Conan Doyle’s The Lost World, from Jules Verne’s Journey to the Center of the Earth to Edgar Rice Burroughs’ The Land That Time Forgot, and Ray Bradbury’s A Sound of Thunder to Michael Crichton’s Jurassic Park, ideas of fantasy have informed science and vice versa.  Movements and individuals have changed our outlook into history, via wealthy benefactors, scholars, educators, and artisans.  From lost displays in the Crystal Palace to the artistry of Charles R. Knight, the history of dinosaurs is also the evolution of the thinking of mankind.  The result will fascinate both young and old readers, whether Dinosaurs: A Journey to the Lost Kingdom will be your kid’s first book of dinosaurs or a companion book for a high school or college museum studies course, or simply a resource for you to enjoy.

One story recounts the misidentification of an iguanodon finger bone as a nose bone.  Another story describes the excavation of a pit in Belgium in the 1870s that netted 130 tons of bones.  Preservation and conservation methods are discussed throughout, plus improvements in museum display, like the use of 3D printing to allow an original tyrannosaurus rex from the States to be replicated and put on display at the Paris museum this summer.

Here is a preview of Dinosaurs: A Journey to the Lost Kingdom courtesy of the publisher:

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Some of the very best genre favorites are heading back to the big screen in September and October, with many screenings celebrating some landmark anniversaries.  All of the films are part of the Fathom Events series (see FathomEvents.com for local listings), bringing classic movies to theaters as a retrospective treat for fans and an opportunity to introduce a new generation to some of Hollywood and Japan’s significant achievements in film.  So if you’re looking for your sci-fi/adventure/suspense fix, it’s on its way, along with one of the best fantasy films of all time, an animated movie milestone, and the film that defined cool in the 1960s.

First in theaters is Steven Spielberg’s adaptation of Michael Crichton’s sci-fi novel of archaeology meeting the future in Jurassic Park Throw all the sequels out the window, this is the only entry in the franchise you need to see.  One of film’s greatest moments was Spielberg’s first full-screen of a modern Earth populated with dinosaurs.  John Williams provided one of his most memorable themes.  And Samuel L. Jackson told us all to hold onto our butts as he shut down the park’s security system.  It’s really been 25 years since we first saw a dinosaur in the rearview mirror.  You’ll have too many reasons to see this one on the big screen again or for the first time, and no reason not to.  It’s showing Sunday, September 16, Tuesday, September 18, and Wednesday, September 19 nationwide.

Then, as part of Studio Ghibli Fest 2018, the enchanting and beloved Hayao Miyazaki anime classic My Neighbor Totoro is back.  Join Satsuki, Mei, Granny, everyone’s friend Totoro, and the fantastic Cat Bus for an imaginative fantasy adventure story.  It’s been called delightful, strange, extraordinary, and magical.  It’s all that and more.  Audiences will have two options for watching Totoro, either the original Japanese version with English subtitles on Monday, October 1, or the American dubbed version featuring the young sister voice actors Dakota and Elle Fanning, Sunday, September 30, or Wednesday, October 3.

Before there was a Fast and the Furious series, before Baby Driver, before Clint was Dirty Harry, before Smokey met the Bandit, or before Max ever got mad, there was Steve McQueen in Bullitt.  You may try but you’re unlikely to conjure up a film that defines cool more than McQueen does as a San Francisco cop trying to protect a witness in a major case.  For 50 years the Oscar-winning car chase (from editor Frank B. Keller) has topped best action scene lists from film critics and everyone else.  Robert Vaughn was hardly better than as the demanding Senator Chalmers.  The music of the great Lalo Schifrin (Mission: Impossible, The Man from U.N.C.L.E., Mannix, Starsky and Hutch, Planet of the Apes) perfectly encapsulates the era, complete with a jazz flute interlude.  There’s a reason Hollywood kept returning to Schifrin for action movie scores, like Kelly’s Heroes, Enter the Dragon, Brubaker, Charley Varrick, Cool Hand Luke, THX 1138, and the Dirty Harry and Rush Hour movies–the music is that memorable.  We are lucky to have a dozen great Steve McQueen movies to re-visit, and this is one of the best.  Plus you can only look to James Bond movies for an opening credits montage as compelling as you’ll find in Bullitt.

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Review by C.J. Bunce

The trailers didn’t lie.  With only a month to go, The Meg might be the most fun movie you’ll see this summer.  The Meg has everything: a stellar international cast with plenty of chemistry, big action scenes, great sets, and even some drama.  For Jason Statham fans, look for another must-see Statham movie with his tough-as-nails deep-sea diver Jonas Taylor getting in and out of some big crises.  For fans of underwater adventure movies like The Abyss, Leviathan, and Sphere, a better movie has arrived.  A combined production from China and the U.S., it also pushes past last year’s much bigger budget action film The Great Wall–the combination of the two cultures from these films is setting up the future of action films.  If you liked the Pacific Rim franchise, recent Godzilla movies or Battleship, you’ll probably find The Meg a better all around production.  For an only PG-13 rating, it’s loaded with blood, chum, and other viscera (the newfound terror gobbles up plenty of characters both major and minor), but it balances that out with some good worldbuilding, likeable characters, and plenty of humor along the way.

The trailers also didn’t give anything important away.  Beginning with a John Hammond-esque deep-sea research base, we meet a perfect set-up of international personalities, led by Chinese superstar Bingbing Li (Resident Evil, Transformers series) as a scientist working with her father (1911 and Eat Drink Man Woman’s Winston Chao) on breaking through a new-found barrier to the deep sea.  The movie is really two films–the first a slowly-building drama detailing the background and players in the research facility, and the second a 1980s/1990s Sylvester Stallone, Bruce Willis, or Steven Seagal action-rescue movie (think Cliffhanger, Under Siege, Striking Distance, Executive Decision), sensibly swapping out the much younger Statham (who played Stallone’s #1 guy in The Expendables series), the modern incarnation of this brand of action star.  For the action, we learn Statham’s Taylor quit diving for a rescue operation five years past that didn’t go as planned.  He returns thanks to an old friend working at the facility (played by Fear the Walking Dead’s Cliff Curtis) when Taylor’s ex-wife, played by Australian actor Jessica McNamee, is piloting an exploratory vessel, along with scientists played by Japanese-American actor Masi Oka (Heroes, Hawaii Five-O) and Ólafur Darri Ólafsson (Fantastic Beasts: The Crimes of Grindelwald, BFG), which runs aground with the help of a mysterious creature.  Rounding out the cast is The Office’s Rainn Wilson as the show’s Hammond, an Elon Musk-inspired exec who funded the facility, Rush Hour’s Page Kennedy as another scientist, and the new lead of the CW’s Batwoman, Ruby Rose, whose character designed the facility.  Rose proves in The Meg she’s got the right stuff to dawn that red cape.

Based on Steve Alten’s 1997 science-fiction/horror book Meg: A Novel of Deep Terror, this fish tale is somewhat Michael Crichton-lite.  It’s surprisingly better than all the Jurassic sequels, as well as Crichton’s lesser action film adaptations like Congo and Sphere.  But the marketing may have set expectations off-kilter in one regard:  The shark–the megalodon–of the title may have you thinking Jaws or Sharknado.  It’s neither.  Think Godzilla and King Kong and you’ll be much closer.  The chemistry among the cast is what makes The Meg really stand out.  Statham and Bingbing Li (only six years apart in real life) make a great pair I’d love to see again.  Statham and Curtis seem like they really have been pals for years.  Young actor Sophia Cai may be the next best child actor, holding her own with both Statham, Li, Kennedy, and the rest of the crew.  The camaraderie of everyone involved and top-level production values (thanks to King Kong and The Lord of the Rings’ Oscar-winning production designer Grant Major) beg for a sequel or series.

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Review by C.J. Bunce

Let’s cut to the chase:  Daniel Godfrey’s new novel The Synapse Sequence is not just the leading contender for the best science fiction novel of 2018, it’s the most absorbing, riveting, and thrilling science fiction novel I’ve read since I was first blown away by Michael Crichton’s Jurassic Park in 1990.  Hyperbole?  Maybe just a little, but when you are reading a new book and you’re taken aback by the twists, turns, and surprises as this book provides, it’s a bit like walking out of a big rock concert, wanting everyone else to witness what you just experienced.  Godfrey is relatively new to the genre, with two solid sci-fi books behind him, New Pompeii (reviewed here) and Empire of Time (reviewed here).  But this story is a completely different take on science fiction, and so deftly written, smartly paced, and completely believable in its speculative reach, Godfrey is worth comparison to some of the greats in the genre for it.

Anna Glover is an investigator with an unfortunately troubled and public past for her conclusions in investigating an airplane crash.  She lives in the somewhat distant future–bots serve man, taking on so many functions that personal freedom is limited.  As told from the alternating viewpoint of Glover in the present and looking back on her life, future London is very familiar and steeped in the world that technology is building right now with so much of life absorbed into the digital world.  When we meet our protagonist she is attempting to lie low conducting trials for a company with an emerging technology, a “synapse sequencer,” which allows a person to be tapped into the mind of another, like a witness to a crime, to experience vivid, shared memories as an observer.  She meets with her boss inside this world, where he lives out most of his life, a life better than he would experience in the real world.  The process requires the help of a monitor, and hers sees that she gets in and out of submersion safely.  But we learn there are risks for anyone who participates in this intermingling of brain activity.  If you’ve seen the 1980s sci-fi classic Dreamscape, the modern classic Source Code, the television series Stitchers, or the shared visions of iZombie, you’ll find no suspension of disbelief issue with the wild ride that awaits you.  The method for the journey isn’t as elaborate (or glitch-filled) as Connie Willis’s elaborate time travel tech, but Godfrey provides enough to submerge us into the stress and angst of Glover as she takes journey after journey to learn the who and why of a case involving a boy in a coma and a missing girl.

You can’t predict where Godfrey will take Glover from chapter to chapter in The Synapse Sequence Godfrey has been likened to an emerging Crichton, but Crichton rarely could craft as satisfying an ending as found here.  The story embraces that speculative futurism like many a Philip K. Dick story (Paycheck, Total Recall/We Can Remember It for You Wholesale, and Minority Report for starters), while weaving in a plausible future from the seeds of new tech today.  He combines the audacious duplicity of Vincent and Jerome in Andrew Niccol’s Gattaca with the foreboding and despair of The Man’s story in Chris Marker’s Le Jetée and Cole’s in Terry Gilliam’s 12 Monkeys. 

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Review by C.J. Bunce

King Kong.  Mighty Joe Young.  George of the Jungle.  And all the derivative films made since.  Add to that mega-sized monster movies like Godzilla and you’ll find their latest incarnation in this month’s release of Rampage.  The evolution of the technology of putting a giant ape on film is all about CGI and motion capture now, and you’ll learn all about it in the new book The Art and Making of Rampage, by Ellen Wolff.

In Rampage, a genetic experiment goes wrong, unleashing three giant, mutant predators.  Dwayne Johnson stars as a primatologist whose once-gentle friend George, a highly intelligent silverback gorilla, is exposed to the experiment.  Johnson’s character joins with a geneticist played by the James Bond films’ Naomie Harris to find an antidote to try to save both George and the world from the giant mutants.

From its roots in the 1980s Midway arcade game (Warner Bros. owns the Midway game titles) to the corresponding giant-sized personality of the film’s star, Dwayne “The Rock” Johnson, Rampage is all about bigger and better.  The recurring theme is “go big, or go BIGGER, or go home.”  Readers of The Art and Making of Rampage, a full-color hardcover volume, will get the entire behind-the-scenes tour.  From concept to screen readers will follow the “band getting back together” as Johnson reunites for the third time with director Brad Peyton and producers Beau Flynn and Hiram Garcia, who he worked with on Journey 2: The Mysterious Island and San Andreas.  With bits of Jurassic Park, Project X, Rise of the Planet of the Apes, and Pacific Rim, Rampage is full of action sequences, all detailed in the book.

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It was only back in 2015 that the fourth film in the Jurassic Park franchise, Jurassic World, premiered its first trailer, and a rather bad one at that.  Now as 2018 approaches we have a trailer for the fifth film in the series, Jurassic World: Fallen Kingdom.  And the latest trailer reveals yet another rehash of the original, brilliant, Steven Spielberg adaptation of Michael Crichton’ fantastic novel.  As with Jurassic World, the effort is not entirely futile, Jurassic World was simple entertainment on a big scale–a feast for the eyes.  But for some of us, for all its incredible special effects and fantastic futuristic technology, Jurassic World proved the maxim George Lucas laid out in reference to the success behind the original Star Wars–“Special effects are a tool, a means of telling a story… A special effect without a story is a pretty boring thing.”  And that summed up Jurassic World–the umpmillionth variation on the Frankenstein how-not-to-build-a-monster story, and the latest twist on Crichton’s original look at a theme park gone haywire in his movie Westworld.

Yet if every other blockbuster that takes the leap into Sequel World is able to continue forward with more and more and more and pulls audiences into theaters, why not Jurassic Park?  For those that want to reclaim even a spark of the original in the theater again, maybe it’s enough.  So what does the trailer tell us that Jurassic World: Fallen Kingdom has going for it?

First off, Chris Pratt is back.  Audiences like Pratt movies in part because they simply like Pratt’s charm.  He has the same brand of star power as John Wayne, who always appeared to be playing John Wayne in all his movies.  Like Schwarzenegger, Willis, Van Damme, etc.  It must be an action star thing.  So if you’ve watched Pratt (like we have) in everything from Everwood to Guardians of the Galaxy 2, we’re wagering you’re going to like Pratt returning as dinosaur wrangler Owen Grady.  Bryce Dallas Howard is an equally good if not better actor, with less of a fan following, and here she and Pratt are back again being snarky with each other (snore) in a Jurassic World preview.  If they didn’t have chemistry in the first film, why would we expect it to surface in a sequel?  Maybe what we need is the return of Jeff Goldblum in his best-loved role as Dr. Ian Malcolm?  His performance in 1993 was so well-received that Crichton, who killed off Malcolm in the original novel, resurrected the character for the sequel.  Did Goldblum’s return help The Lost World: Jurassic Park?  Not really.  But it’s been twenty years since we last saw Dr. Nature… Finds… a Way, so maybe enough time has passed so we can love him all over again.

And there are dinosaurs.  We’ll never get tired of more dinosaurs.  I want to see a triceratops racing a stegosaurus on the big screen.  How about you?

Check out this new trailer for Jurassic World: Fallen Kingdom:

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