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Tag Archive: Katherine Kelly


Our borg.com Best of 2017 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2017 here and the Kick-Ass Heroines of 2017 yesterday here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC). From the awakenings in the first episode of season 2, AMC’s Humans kicked in full throttle as the borg show to watch this year.  Continuing to explore what it means to be real and addressing the desire and need to overcome oppression, the show took ideas from Frankenstein and THX-1138 and everything in between to show us realities of life as a borg as it took the world from robotic cyborgs to sentience.  And this year’s best borg goes to all the Synths on the series, as each showed a different side to what a world full of cyborgs might be like.

Best Sci-fi TV Series, Best Soundtrack for TVThe Orville (Fox).   The Orville expanded on elements from across all sci-fi, like space battle sequences and planet flyovers using Star Wars-inspired camera angles (including real model ships, not just CGI), completely new and unique aliens (the only thing close to these can be found in Doctor Who), and a fantastic, triumphant musical score from Bruce Broughton.  A visually gorgeous show that took itself seriously more than trying to mock anything that came before it.  The science fiction series we’ve been waiting for since Star Trek Voyager ended.

Best Fantasy TV SeriesWynonna Earp (Syfy).  Wynonna Earp’s second season proved the first wasn’t a fluke.  The sharp-tongued, swaggering, tough-as-nails gunfighter, her sister, the sheriff, and the ghost of Doc Holliday added some new team members and some great supernatural villains, providing a series we couldn’t wait to get back to each week.  Wynonna’s handling of the Revenants and a transport back in time was even more fun while she managed her pregnancy.

Best Retro TV SeriesStranger Things (Netflix).  The only question after binge-watching the second season of Stranger Things was struggling to decide whether it was better than the first.   It had the same look and feel of its first season, but somehow the characterization was really amped up, the action more exciting, and the tension pretty much perfect.  Stranger Things really had it all–stars of our favorite 1980s movies, throwback references to video games, music, fashions, and the obscure like no other show–and with a second season that eclipsed the first, it proved it is the real deal.

After the cut, come back for more of our Best in Television 2017, including our pick for Best TV Series:

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It’s time for borg.com‘s annual look at the year’s Best Kick-Ass Genre Heroines in film and television.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males.  We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.

These are the Best Kick-Ass Genre Heroines of 2017:

Wynonna Earp (Wynonna Earp).  Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was.  And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long.  Who had the tougher task, Earp or Scrofano?  Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.

Valkyrie (Thor: Ragnarok).  As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie.  Cocky?  Yep.  And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela.  As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.

Luv (Blade Runner 2049).  If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv.  First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators.  Luv is a fierce, brutal borg whose villainy became the high point of the film.

After the cut, the rest of the list…

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The one-two punch of the third season of the 12th Doctor on BBC’s Doctor Who plus the new spin-off Class is the two-hour TV block sci-fi fans won’t want to miss this season.  Last week witnessed the first episode of Peter Capaldi’s final season on Doctor Who, with Pearl Mackie as the new companion, a vibrant and refreshing character named Bill Potts.  It also saw the premiere of Class, full of intrigue, exceptional actors, and great characterization for an introductory episode.  Aliens and time travel fans should take note, as a fun ride is ahead this season.

It’s the 36th season for Doctor Who and tenth season since the 2005 reboot.  Whovians who have fallen in love with Karen Gillan and Jenna Coleman and their predecessors will find how easily Mackie slips into her role.  After the sweetness and syrupy music over the past few seasons that supported Clara Oswald, the series was due for some fun and a break from the weight of emotion that Oswald’s plight brought to the Doctor.  And Mackie’s Bill looks great, with a cool jean jacket full of flair and a wild shirts that fit in with the past styles of Doctor Who garb.  And that hair!  Bill provides a full character study in her first episode, “Pilot,” where an alien race of space oil beings seek out a star pilot in a woman who is the eye of Bill’s affection.  The result is another creepy and brilliant Doctor Who villain that will hopefully surface again.  Matt Lucas–who is hard to forget as Tweedle Dee and Tweedle Dum of Tim Burton’s Alice in Wonderland–returns as Nardole, a part that is also quickly folding nicely into the show.

class-show

In the United States we had been offered up only the briefest teaser preview for the new Doctor Who spinoff TV series Class. With two stars of the Jeremy Piven star vehicle Mr. Selfridge in lead roles–the brilliant actress Katherine Kelly and the up-and-coming actor Greg Austin–the series was primed to be good, and episode one, “For Tonight We Might Die,” did not disappoint.  As we had speculated earlier this year, the series seemed to be revealing what Doctor Who would look like with a woman playing the lead role.  Katherine Kelly went head-to-head with Peter Capaldi’s Doctor and proved she has the right stuff for the part.  She’s perfect as a headstrong leader, and the younger leader played by Austin fills the niche that the companion would serve in the Who-niverse.

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class-kelly

What if your planet was massacred and you were the sole survivor?  What if a legendary figure out of space and time found you a place to hide?

In the United States we have been offered up only the briefest teaser preview for the new Doctor Who spinoff TV series Class.  With two stars of the Jeremy Piven star vehicle Mr. Selfridge in lead roles–the brilliant actress Katherine Kelly and the up-and-coming actor Greg Austin–the series was built for success.  We are hard pressed to come up with an actress who might make a better first female Doctor than Kelly.  Maybe Sherlock’s Lara Pulver?  So getting Kelly into this universe is great for Whovians everywhere.

Class is the second spinoff series of Doctor Who, following the successful Torchwood, which sparked new phases of the careers of John Barrowman, Eve Myles, and Burn Gorman.  Class is steeped in good British and Doctor Who tradition: For 54 years viewers have heard of the school at Coal Hill.  So who are the students attending classes there these days?  Class is going to show us just that, including one student who is an alien.  Class is a teen-centric series, not aimed at the typical young end of the Doctor Who audience.  So this series is for a wider audience and is to explore broader themes.  The several BBC trailers that so far have only aired in the UK are exciting and fun, dotted with fun characters, and even a fan favorite villain from Doctor Who.  

class-show

Class, written by A Monsters Calls’ Patrick Ness and executive producer Steven Moffatt, follows Katherine Kelly’s Miss Quill and four students, played by Austin and newcomers Sophie Hopkins, Vivian Oparah, and Fady Elsayed.  Even Peter Capaldi’s Doctor makes an appearance at the beginning of the first season.  Moffat called the series dark and sexy and has labeled it a British Buffy the Vampire Slayer.  Ness agreed, saying, “Adults watch Buffy because it’s a great show, but the POV and the agency are all teenage, and that’s what we want to do with Class.

Unfortunately, Class may not make it to the States before being cancelled back home.

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Dracula or Selfridge

After its second week in the late Friday time slot following Grimm, NBC’s new Dracula series is off to a very solid start.  It’s incredibly polished for an early first season effort, with lavish sets, beautiful costumes, and an expertly cast group of actors.  Like Fox’s Monday night similarly dark Sleepy Hollow, Dracula is also an interesting update to a classic with an intriguing story and smart dialogue.

Set in NBC series Dracula

The cast of Dracula is mostly fresh faces, yet each actor could be the doppelgänger for well-known actors.  Dracula himself, known to his contemporaries in the series as Alexander Grayson, is played appropriately vampirish by Jonathan Rhys Meyers, who played King Henry VIII in the romance heavy The Tudors.  Meyers seems to be doing a riff on Jeremy Pivens’ Mr. Selfridge from the popular British series, portraying a Gilded Age businessman from America bringing his ingenuity to the Old World.  Meyers also has the determination and charisma–and the same general appearance–of Josh Henderson’s John Ross Ewing from TNT’s Dallas series.  Meyers is good, very good in fact, as his Dracula only recently back from the dead, fawning after a woman who looks exactly like his wife, murdered ages ago by the Order of the Dragon.

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Matt Smith as 11th Doctor

BBC announced yesterday that Matt Smith’s last episode as the 11th Doctor on Doctor Who, the oldest series on television, will be this year’s Christmas episode to air on Christmas Eve.  He’ll also appear in the 50th anniversary of Doctor Who episode this fall.  For those of us who never would have given Doctor Who a try but for Matt Smith, he will be sorely missed.  Without Matt Smith’s energetic and brilliant performances, we wouldn’t have seen how awesome David Tennant was as the 10th Doctor, met Christopher Eccleston’s 9th Doctor and his long-running companion Rose, or checked out the numerous audio books, or even peeked at those earlier “other” Doctors.

But just as we quickly have embraced his new companion with Jenna-Louise Coleman’s Clara (Amy Pond who?) after we thought we’d met the best companion ever, life goes on and so will the Doctor’s next incarnation as he takes the form of another actor… or actress?

So who should be the next Doctor?  Matt Smith has given us some brilliant performances.  If you aren’t a Doctor Who fan and wanted to sample some of the best of Matt Smith’s Doctor, try these:

The Eleventh Hour

The Eleventh Hour.  We meet Matt Smith’s Doctor for the first time as he must save the world in 20 minutes with a wrecked TARDIS and broken sonic screwdriver and with the help of Amy Pond–the girl who waited.

The Beast Below

The Beast Below.  The Doctor and Amy travel to a future where residents live on a spaceship called Starship UK.  We meet a future Queen and learn the terrible truth about what keeps the ship–and all its inhabitants–alive.

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Mr Selfridge promo

PBS’s Masterpiece Classic is now playing a period television drama mini-series about Harry Gordon Selfridge and his London department store Selfridge & Co.  It was produced by ITV Studios for ITV and PBS and is much longer than your typical British mini-series, where you’re often lucky to see three episodes (such as the brilliant but too short series Zen).  You’ll see plenty of comparisons to Downton Abbey from reviewers but they are all wrong.  Where Downton is steeped in the dramatic of a restricted age, Mr. Selfridge is a rollercoaster of movement and progress.  Led by Jeremy Piven here totally in his element as a forward-thinking business man with ideas to spare and never enough money to accomplish everything he wants to do, this BBC mini-series is a chronicle of progress in a place everyone knows well–the department store.  Ever wonder why the perfume counter is at the front of Macy’s and JC Penney’s?  Why make-up is sold with perfume but gloves with hats and belts?  Things that now seem trivial once had real meaning because of social mores of a bygone era.

Mr Selfridge Jeremy Piven

Jeremy Piven gets to play a character we love to see him play.  He’s flourishing in a world that seems like the Macy’s of Miracle on 34th Street to modern audiences but his department store goes back decades farther into the past.  Lucky for viewers and Piven, Selfridge was an American, so no need to trip over feigned British accents. Piven gets to be a showman with arms wide open to every customer and every prospective vendor, partner, investor, and even an ambitious show girl.

Piven never disappoints, and shines in the varied roles he takes.  Early in his career that meant a variety of smarmy types, but he’s grown on us, and his trying-too-hard characters often end up endearing instead of loathed.  Piven snuck up on us bit by bit in small roles in Lucas and a pile of John Cusack films: Bob Roberts, Elvis Stories, Floundering, One Crazy Summer, Say Anything…, The Grifters, Grosse Pointe Blank, Serendipity, and Runaway Jury.  But it wasn’t until Judgment Night, where Piven’s smarmy and cocky Ray Cochran tries to use his negotiation skill to save (unsuccessfully) a group of friends who take a wrong turn, that viewers really took note of this actor.  Then the Drake University-trained actor starred in PCU, and got to do his own Animal House film with a twist on Tim Matheson’s Eric Stratton–a classic cult favorite today.

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