The last we saw Saturday Night Live sensation Mike Myers was as a music agent in the Oscar-winning Bohemian Rhapsody. Myers can do drama like he can do funny. But beyond his megahit movie series Wayne’s World and Shrek, his reputation over the long haul is similar to Eddie Murphy and Jerry Lewis–a comedic man of many faces, which he honed on SNL and his Austin Powers movie series. His next outing, a Netflix series mocking conspiracy theories, is called The Pentaverate, and it looks more like Austin Powers than the rest, complete with Myers playing multiple roles. It also points back to one of his funnier bits in the comedy classic So I Married an Axe Murderer.
Sometimes things are exactly as you hope for. That’s true for Murderville, a new experimental comedy-mystery series on Netflix. Mixing the irreverent police procedural comedy of Angie Tribeca with the improvizational hijinks and fun of Whose Line is it Anyway?, Improv-a-ganza, and Thank God You’re Here, the six-episode series is all about the laughs. In the spirit of Sam Francisco and Beverly Hills Buntz (Korben Dallas? Yosemite Sam? Carmen Sandiego?), Will Arnett stars as Terry Seattle, a swaggering, bumbling senior detective with the earnestness of Barney Fife and the marital issues of John Luther, but without all the real-world drama. Guiding a new guest celebrity each episode to maneuver the story as his new partner, but without the benefit of a script, Arnett does his best to both help the guest star while also trying to get them to break character and laugh at his own off-the-cuff antics. This is neither Dragnet nor Law & Order, but it’s darned funny.
Some ideas arrive with exactly the right creator, and that seems to be the case with Netflix’s next experimental series. Mixing the irreverent police procedural comedy of Angie Tribeca with the improv fun of Whose Line is it Anyway?, Improv-a-ganza, and Thank God You’re Here, Netflix’s new six-episode series Murderville stars Will Arnett both in front of, and behind, the camera. He’s featuring a guest star for each episode about detectives trying to solve a murder, only this isn’t anything like what you’ve seen before on a TV show.
Over the Moon is Netflix’s latest achievement in animation, a Chinese-American production with Pearl Studio about a young girl named Fei Fei (meaning “to fly”) who decides to build a rocket to the moon. The animation style is a mix of 1990s Disney, elaborate and surreal Fantasia-inspired sequences of color and texture, with doses of Japanese anime and kawaii characters while immersed in Chinese culture–and it’s a musical. In a word the film is ambitious… in a good way. At its best, visually the 3D CGI visual effects may recall the groundbreaking imagery of Spider-Man: Into the Spider-Verse. The sweet and innocent girl’s story is built on the idea that a kid can actually build a ship to go into outer space (just as in the 1980s film Explorers). But as with many animated movies, like Bambi and Dumbo, its focus is on the serious issue of overcoming grief, and in this case it’s moving on after the death of a parent, so the audience for the film may be a bit narrow. To take Netflix viewers on a deeper journey, film critic and historian Leonard Maltin has written a behind the scenes look at the making of the film and its stunning artwork. Below we have a preview of his Over the Moon: Illuminating the Journey for borg readers.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
When my wife bought me the six seasons of Community I secretly wondered if she was trying to kill me–because I’d laughed so hard watching episodes of the show before I frequently thought I was going to pass out. I hadn’t seen an episode when I watched their big panel at Hall H at San Diego Comic-Con in 2012, but since became a fan. “Six seasons and a movie” was their mantra, and they almost made it. We’ve seen no sign of a movie yet, especially with the success of Donald Glover (Solo: A Star Wars Story, Spider-Man: Homecoming), and ongoing rise in the careers and clashing schedules of Alison Brie(GLOW, BoJack Horseman),Ken Jeong(Magnum, PI, Scoob!), Jim Rash (The Descendants, Harley Quinn), Yvette Nicole Brown(Avengers: Endgame, Mom),Joel McHale(The X-Files, Stargirl),Gillian Jacobs(Love, Come Play), and Danny Pudi(Powerless, The Argument). But then the COVID-19 pandemic arrived and now many of our favorite creators and performers are bringing a full-on assault against isolation via podcasts and other online videos. And it’s not a movie, but it is a welcome surprise: A table read of a classic episode of Communitywith the main cast is coming your way–with The Mandalorian himself, Pedro Pascal, as a guest.
It wasn’t enough they got to co-star on Supernatural. We’ve seen them in a few live action movies, but now we get to see Scooby, Shaggy, Velma, Fred, and Daphne on the big screen in animated form in their first full-length animated film. The movie is titled Scoob! and it looks like the animation is cranked up a few notches, more like the style of The Incredibles, The Peanuts Movie, Toy Story, and Ferdinand. And now with theaters closed for the COVID-19 pandemic, this means Scoob!, scheduled to debut in theaters this Friday, instead is coming directly to your home Friday via streaming platforms including Amazon Prime and Vudu. As part of Vudu’s Theater at Home, you can also get a $3 credit via email by pre-ordering Scoob!today–May 14–only.
This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired. Richly detailed sets and costumes. An impossible feat to replicate. No drama came close. No other visual effects spectacle could touch it. And its audience is everyone. A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years. If you love genre like we do, this was as good as it gets. And like icing on the cake, along came The Mandalorian at year end.
But we’re not going to ignore the other good things that happened on the small screen this year.
Our borgBest of 2019 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2019here and the best Kick-Ass Heroines of 2019 here.
Without further ado, this year’s Best in Television:
Best Borg Series – Doom Patrol(DC Universe). With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman. Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein). For 2019, it was the way to get your borg fix on the small screen.
Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV Soundtrack – The Dark Crystal: Age of Resistance (Netflix). It was worth the wait. Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded. The kindest heroes, the darkest evil, a truly epic, legendary story for the ages. Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much? Even that wouldn’t be enough if not for the layered mythology and epic adventure story. Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.
Best TV Sci-fi Series, Best TV Drama – The Man in the High Castle (Amazon). Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel. The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale. Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition. Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”
Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup – The Mandalorian (Disney+). Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond. Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
Hey, Scoob! It wasn’t enough they got to co-star on Supernatural. We’ve seen them in a few live action movies, but now we get to see Scooby, Shaggy, Velma, Fred, and Daphne on the big screen in animated form in their first full-length animated film. The movie is titled Scoob! and it looks like we get an answer to the question about Scooby Snacks (psst… in real life they were for dogs only and colored red, gold, and green, not just gold as seen in the show, but now they are available gold-colored and only in a people version). The animation is cranked up a few notches, looking a bit more like the modern animation style of The Incredibles, The Peanuts Movie, Toy Story, and Ferdinand.
The original voice actor for the entire four-decade history of Fred, Frank Welker, now takes on the voice of Scooby, with Will Forte as Shaggy, Zac Efron as Fred, Amanda Seyfried as Daphne, and Gina Rodriguez as Velma. The slate of actors voicing supporting characters looks great, with Mark Walhberg as Blue Falcon, Jason Isaacs as Dick Dastardly, Ken Jeong as Dynomutt, and Tracy Morgan as Captain Caveman.
And, yes, not everything needs an origin story, but why not one for Shaggy and Scoob? Check out this preview for Scoob!—the new Scooby Doo movie:
