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Tag Archive: Ken Watanabe


Review by C.J. Bunce

When you have made as many movies as have been in the Godzilla franchise (31, more than James Bond movies), you run the risk of making a sequel or reboot that ends up like Independence Day: Resurgence, or Jurassic World: Fallen Kingdom, or Man of Steel, or Alien: Covenant.  For some moviegoers, a quick fix with lots of CGI in one of their favorite universes is good enough.  Godzilla: King of the Monsters has many things in common with these movies, without quite being as good as any of them, or Godzillas of the past.  Inasmuch as moviegoers will see the great effort taken to be faithful to its predecessors, by bringing more than just Godzilla to the picture, by bringing in a significant number of character actors that will be familiar to audiences, and by trying to create more spectacular visuals than came before, the latest Godzilla movie, opening today, doesn’t match either the monster mayhem or the humor of its 20th century predecessors.

Stuffed with every over-used creature and action trope, some used repeatedly, Godzilla: King of the Monsters suffers from taking itself too seriously.  Its single attempt at levity is Get Out’s Bradley Whitford as a wise-cracking scientist who seems to be channeling Brent Spiner in the Independence Day movies.  But beyond that, this is a family drama, more talk and human family in-fighting than Godzilla screen-time, between Stranger Things star Millie Bobby Brown as Madison and her separated parents played by Kyle Chandler (Super 8) and Vera Farmiga (The Commuter) (in that way it suffers the flaws of the 2014 Godzilla).  For some credibility we get Oscar-nominated actor Ken Watanabe (Isle of Dogs, The Last Samurai, Batman Begins) to remind us of the creature’s 65 years as a Japanese kaijū icon.  Other than that, the production skipped Japanese actors for this installment.  The best character and performance comes from Charles Dance (Pride and Prejudice and Zombies, Bleak House, Gosford Park), who plays a terrorist.  His character is the lone voice who speaks sense in a film that only makes sense if you also believe ocean drillers are the best choice to pilot a space shuttle to save the world from an oncoming asteroid.  Armageddon, War of the Worlds, Cloverfield, The Day After Tomorrow, Pacific Rim and every other disaster movie is rolled up into a single package here.  Direction and decisions are all over the place.  Even in a crazy, kooky, over-the-top monster movie, audiences deserve a plot with a foundation with a smidge of reality, especially if the talking heads scenes get equal time with the clashing creatures.  So if you decide to see Godzilla: King of the Monsters in the theater, you’ll need to throw all logic and reason aside and try to enjoy the ride.

Although this wasn’t clear in the trailers, Godzilla: King of the Monsters is more than another franchise installment, it’s a direct sequel to Gareth Edwards’ 2014 Godzilla movie.  Five years later the world is learning how to live as 17 titans (monsters like Godzilla) surface across the globe.  Watanabe joins other returning cast members, including Oscar-nominated actress Sally Hawkins (The Shape of Water, Blue Jasmine, Layer Cake), Oscar-nominated actor David Strathairn (Sneakers, The Firm, Eight Men Out, Memphis Belle), as they attempt to cause the titans to join forces in support of Godzilla instead of his three-headed dragon competition Ghidorah.  The best of the encounters finds the flying Rodan taking on a convoy of jet fighters, in a sweeping, well-choreographed scene that you’d expect from a Godzilla movie, although this scene and the rest of the monster scenes are mostly fuzzy and don’t make the most of high-definition camera capabilities or CGI.

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorcese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Warner Brothers released a great new trailer for the next Godzilla movie this week–Godzilla: King of the Monsters–and followed up with posters featuring clear images of Godzilla’s three gigantic foes–the “Titans.”  Directed by Michael Dougherty (X-Men 2, Superman Returns, X-Men: Apocalypse), the film stars Millie Bobby Brown, Kyle Chandler, Vera Farmiga, Sally Hawkins, CCH Pounder, David Strathairn, Ken Watanabe, Bradley Whitford, and Ziyi Zhang.

The new story follows a secret agency called Monarch as humanity faces off against the classic monster foes of Godzilla’s past–myths in the new story, which come to life, meaning certain doom for humanity.  Godzilla will face Titans Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.  These are monsters that first saw the screen in Japanese films more than 50 years ago.

Who will win?

  

All of the original monsters can be seen beginning Saturday, December 22, on the El Rey Network’s Kaiju Christmas Marathon, screening 13 classic films including all four of these Titans.

Take a look at the new posters and these trailers for the film Godzilla: King of the Monsters:

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Review by C.J. Bunce

In that niche area of dystopian dog movies (that’s the adaptation of Harlan Ellison’s A Boy and his Dog and… ?), Wes Anderson’s Isle of Dogs not only soars to the top of the list, it’s a great film in all sorts of categories: it’s new, yet a classic children’s story, it’s a timely political allegory, and it’s a solid movie about dogs.  We knew Anderson had a grasp on animals in his surprisingly good Fantastic Mr. Fox, but audiences will soon learn he also understands dogs and dog behavior.  The trailers don’t really prepare moviegoers for what lies ahead.  Sure, it’s about an island of exiled dogs so of course audiences are in for a bleak ride, complete with at least one dead canine, lots of dogs in peril as well as many mutilated and diseased.  Yet Isle of Dogs is surprisingly grand in scope, thought-provoking, and even heartwarming.  And epic–don’t be surprised if you start thinking about the closest Martin Scorcese or Stanley Kubrick movie while you’re glued to the screen.  Despite some witty dialogue in places from Anderson’s smart script, this is less comedy and more drama than his past efforts.

The dystopian world is better realized, bigger in scope, and yet more personal than typical futurist visions, beyond that dismal hopeless doom of Mad Max, The Postman, Escape From New York, Twelve Monkeys, Snowpiercer, Looper, Logan’s Run, and District 9.  Isle of Dogs is probably closer to WALL-E and Planet of the Apes in feel.  Isle of Dogs is gloomy and dark and bleak, but it offers a ray of hope for the future from a 12-year-old Japanese boy named Atari Kobayashi (Koyu Rankin) and a freckle-faced, high school exchange student named Tracy from Ohio (Greta Gerwig), both out to defy an autocratic government’s ban on dogs.  That’s thanks in major part to the vivid, eye-popping world of future Japan filmed by celebrated Aardman Animations stop-motion cinematographer Tristan Oliver (A Close Shave, The Wrong Trousers, Chicken Run), and the encompassing sounds from this year’s Oscar-winning composer for The Shape of Water, Alexandre Desplat (Harry Potter series, Valerian and the City of a Thousand Planets, The Golden Compass).  As to the stop-motion, audiences can marvel at how far Hollywood has come since the Ray Harryhausen era.  The film follows Anderson’s design choices first seen in his Fantastic Mr. Fox and only continues to add to the unbelievable magical movements carried forward by Aardman’s achievements.  And instead of a typical Romantic, programmatic score, Desplat’s best choices can be found in his use of loud, almost frightening Japanese taiko drums, Fumio Hayasaka’s haunting theme from Seven Samurai, the more celebratory bits from Prokofiev’s Lieutenant Kije, and a simple recurring dog whistle.

Anderson offers up admirable tributes to Japanese culture and film, everywhere from costume design to modern TV reporting stylings, to Hayao Miyazaki themes and Akira Kurosawa landscapes, to traditional imagery like beautiful ukiyo-e on walls and cherry blossoms floating by at the right time.  Isle of Dogs finds a firm footing on the children’s classics shelf of your film library, alongside Roald Dahl’s Mr. Fox but also his Willy Wonka.  It also has much in common in tone with Ian Fleming’s Chitty Chitty Bang Bang, and Jim Henson’s The Dark Crystal.  The political allegory is thick and layered, a mix of the nuanced and the obvious, a mirror reflection of society that you’d have found years ago in a Frank Capra movie.  Science is mocked, scorned, and worse.  Experts are traitorous and immigrants are exiled.  It’s also graphic in parts at a baser level, showing an animated meal from a dumpster with creepy crawlies that may make your stomach turn, plus an open chest surgery, bloody, torn body parts, and dogs with missing eyes and open wounds.

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Godzilla movie poster 2014

The unmistakable voice of David Strathairn.  A pretty intense parachute jump in the middle of a storm into God knows what.  The shrill tones of operatic sopranos.  And a glimpse… of what?

Then the montage of what in another era would have been all the Irwin Allen movies combined into one.  And a pretty cool roar.

If you want to know how to make a good teaser–as opposed to a full-blown trailer–check out this new teaser, the first released for the next Godzilla movie:

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