Tag Archive: Kevin Jenkins


Review by C.J. Bunce

As the ninth and final film in the Skywalker Saga arrives in a home video release, the fifth volume from Abrams Books chronicling the entirety of the Disney-era Star Wars concept artwork is here.  The Art of Star Wars: The Rise of Skywalker does not disappoint in showing readers the expansive designs for a film that stepped ahead of its predecessor with more ships, more action, more aliens, more weaponry, and more costume designs.  Our only hope is that Abrams obtains the rights to create a similar volume continuing this series of books, documenting the first season of The Mandalorian.  One thing every fan will notice who has watched all eleven movies in the franchise–more than ever readers can now clearly see elements from each prequel, each original trilogy episode, and each Star Wars Story film incorporated into the sets, ships, and characters in this final installment.

As with the first two books in the trilogy, this look at the Star Wars: The Rise of Skywalker shows paths taken and, more interestingly, paths not taken by production designer Rick Carter, franchise veteran Kevin Jenkins, and the rest of the art design team.  This includes alternate costumes for Rey, Finn, Poe, Lando, Zorii, and Jannah, new pilots, stormtroopers, droids, and new worlds of creature concepts.  Probably more than the past volumes in the series, this book has close-up detailed views at props, including lightsaber and other weaponry, all in search of that design element that says “Star Wars” to the movie audience.

Phil Szostak lets the artwork take center stage in this fourth book in the series (he also wrote The Art of Star Wars: The Force Awakens, The Art of Star Wars: The Last Jedi, and The Art of Solo: A Star Wars Story, all reviewed here at borg)–prior books had more textual commentary.  Star Wars: The Rise of Skywalker (reviewed here and available in all digital formats today), the ninth and final episode in the Skywalker family story in the universe George Lucas created, saw the return of director J.J. Abrams and his strategy of evoking the trilogy to maximum benefit, with many images inspired by original Ralph McQuarrie concepts.  So it may come as no surprise that The Art of Star Wars: The Rise of Skywalker feels like a book of original trilogy designs.  The artwork from dozens of contributors mirrors the iconography, the color patterns, the lighting, the costuming, and set pieces from The Return of the Jedi especially.

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Review by C.J. Bunce

With the much anticipated ninth episode Star Wars: The Rise of Skywalker here at last, writer/director J.J. Abrams has succeeded again at managing a major film franchise challenge and making the best of it.  With Star Trek in 2009, he took a waning property and shot new life into it, but came up short four years later when he tried again and delivered Star Trek Into Darkness, heavily milking the nostalgia of the fan base with its retread of Star Trek: The Wrath of Khan.  In 2015 Abrams was handed the keys to the other big space franchise, where he revitalized a left-for-dead movie saga and delivered Star Wars: The Force Awakens, notable for the introduction of Daisy Ridley’s curious and mysterious desert scavenger Rey, arguably one of the most fleshed out characters in the entire franchise with this final installment.  Fortunately Abrams’s return to Star Wars will likely net better results for its fanbase with a movie that rises to become the best in the final trilogy, or at least as good as his The Force Awakens.  Is this still George Lucas’s Star Wars?  No, but that just shows the power and unique status of the original trilogy–even Lucas couldn’t capture the magic again with his prequels.  The Rise of Skywalker is the kind of movie that could be judged on its merits as a J.J. Abrams movie and separately as a Star Wars sequel.  Whether you as a viewer like this installment or not will depend on your own expectations.

Abrams may be at his best, with his unique style, lens flares and all, when he gives fans what they want.  Abram’s success this holiday season is a bit of a salvage effort, bringing Rey back as the focal hero/heroine of the story, incorporating some of the saga’s best “Jedi being Jedi” sequences, and tapping into the nostalgia for the 1977 original in bite-sized bits instead of leaning on it like he did so unapologetically with Star Trek Into Darkness.  If only Abrams had made all three Star Wars films, this third chapter could have been much tighter, and the whole trilogy would likely be better received by most of the fanbase.  As a viewer if you don’t (or can’t) just sit back and enjoy the cameo performances, throwbacks, and Easter eggs, you’ll get the feeling that using two directors instead of one over the three films is the crux of any problems in The Rise of Skywalker.  Upon its release, the previous installment The Last Jedi felt like it belonged to an entirely different story than The Force Awakens.  Plot threads created by Abrams were summarily abandoned.  Key characters were eliminated without explanation.  New plot threads came from out of nowhere.  In short, the director-flipping was the big mistake from a storytelling perspective.  Abrams has the extensive portfolio behind him to demonstrate he would have been the right choice to direct all three films.  So this time Abrams had a greater task than ever before, because he was stuck making major course corrections, all to get this tale back on track, re-focused again on Rey.  The necessary patchwork aside, The Rise of Skywalker will go down as one of Abrams’ best works.

Will Star Wars, or more specifically, the Skywalker saga with this three-part conclusion, endure the test of time?  If audiences continue to believe in its value as entertainment, there is no reason why studios can’t keep going back to this material repeatedly–think Shakespeare’s plays, Doyle’s Sherlock Holmes, Shelley’s Frankenstein, Dickens’s Ebenezer ScroogeRecall how even more recent stories like the Terminator, Predator, and Halloween (and Star Trek) film series have continued to make sequels and wholesale reboots, disregarding a film that doesn’t do as well and continuing like it was never made.  There’s no reason that can’t happen someday with Star Wars.  So those fans who still want to see the Expanded Universe on the big screen–the complexities and triumphs of both Timothy Zahn’s sequel trilogy and Dark Horse Comics’ many stories like Dark Empire that did so much more with heroes Luke and Leia–just wait.  Someday the right new visionary will step in and make it happen, but fans will need to accept new actors as their heroes, just like we saw with the latest Star Trek trilogy.

Want to dig in further?  Spoilers follow.

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