Back in January we previewed the spring theatrical release Godzilla vs. Kong here at borg, asking: Could an aircraft carrier really support that kind of weight? A book coming next month might not answer that question but it will look behind the scenes of the movie. With a foreword by director Adam Wingard, Daniel Wallace’s Godzilla vs. Kong: One Will Fall–The Art of the Ultimate Battle Royale boasts being filled with concept art paintings that influenced the final look of the film. It also includes interviews with key production crew. It’s available for pre-order now here in the U.S. and in the UK at Amazon here.
Tag Archive: King Kong
Could an aircraft carrier support that kind of weight?
Warner Brothers released its new trailer (below) for the next Godzilla movie this weekend–Godzilla vs. Kong–the follow-up to the 2019 sequel Godzilla: King of the Monsters (reviewed here at borg). It’s one of the hundreds of movies delayed by the COVID-19 pandemic, this one originally scheduled for a Thanksgiving week 2019 release. The next effort of U.S. studios to one-up the Japanese kaiju genre doesn’t try to hide what it is: what the director calls a “massive monster brawl,” a straightforward mash-up of MUTOs (massive unidentified terrestrial organisms). It merges the 2017 King Kong reboot Kong: Skull Island, and the Godzilla reboot story centered around the secret agency Monarch, which began with the 2014 Gareth Edwards-directed Godzilla. For this fourth film in Legendary Pictures “MonsterVerse,” young director Adam Wingard brings back Godzilla storyline characters played by Millie Bobby Brown and Kyle Chandler and adds familiar action stars new to the franchise Eiza González (Bloodshot) and Brian Tyree Henry (Spider-Man: Into the Spider-verse). It doesn’t look like any characters are being brought over from the Kong franchise.
Review by C.J. Bunce
For a new generation, the new adventure-thriller Tomb Raider may be an entry point into the adventure genre. If you like the concepts in Tomb Raider, you’re likely to love adventure classics like that other “raider,” Raiders of the Lost Ark, Indiana Jones and the Last Crusade, The Mummy, and Disney’s National Treasure series. Tomb Raider borrows much from these movies, even key sequences that serve as the high points of the film. The film itself? It’s all about that upper-body strength and holding on for dear life. (How many action films feature the hero holding on to the edge of a precipice with one hand anyway?) It’s good, not great, but a fun enough popcorn flick for a late winter release, particularly to see someone the size of Alicia Vikander racing through all the required harrowing action scenes. She leaps, fights, sprints, and dodges pitfalls, and gets kicked, punched, and bruised in a part typically reserved for the likes of Dwayne Johnson.
In the role last explored by Angelina Jolie, Academy Award-winning actress Alicia Vikander (The Man from U.N.C.L.E., Ex Machina, Jason Bourne) becomes video game heroine Lara Croft, only this version of the story is more rooted in the real world, with less heroine posing and no cocky catch phrases–and more sweat. The new Tomb Raider definitely fits alongside past video game adaptations, better than the prior films in the franchise, and nudging out more recent video game adaptations Warcraft and Assassin’s Creed. Unfortunately it comes on the heels of the immensely entertaining Jumanji: Welcome to the Jungle, which opted for humor instead of drama. This isn’t a comedy, but would have benefited from some more levity along the way.
For an adventure about secrets and riddles, it doesn’t present much for the audience to sleuth out, as was done so well in the entertaining National Treasure movies. But to its credit it has some good special effects and exceptional chase sequences that are best viewed on the big screen. And this Lara Croft is always being chased or running from something. A bicycle race early on and a foot chase across boats docked off the coast of Hong Kong are filmed like a riveting James Bond opener. And an escape through raging rapids at the edge of a waterfall is perfectly executed and full-on exciting (in a good theater your acrophobia and claustrophobia may even kick in). The overall plot is a bit thin–Lara receives a key left by her father as she is about to sign an affidavit acknowledging his death and her inheritance, and she pursues clues to his secret work that leave her stranded on a secluded, legendary island housing an ancient tomb. This is about a fantasy video game character, so if you can push aside reality you may have a really good time.
Review by C.J. Bunce
It’s just what fans of DC Comics have been begging for. Finally, a Batman portrayal worthy of Adam West and Michael Keaton. The complete membership of the classic Justice League as fun as we all remember them from the comic books. Homages to famous artists adapted to the big screen from the best of DC Comics, like cover artist Jock, plus throwbacks to the campy series of the 1960s. And more homages to the musical scores from the best of the DC Comics cinematic adaptations of the past, including callbacks to Danny Elfman’s score to the 1989 Batman movie and John Williams’ Superman theme.
What was your favorite DC Comics adaptation before 2017? How far back do you go? Most superhero movie fans seem to agree upon the original Superman starring Christopher Reeve as the modern rebirth of the superhero film, and count Reeve among the best embodiments of a superhero on film. But after Reeve, fans begin to disagree as movies based on DC Comics are concerned, and usually turn to the CW Network television series for the next best DC iterations of comic book adaptations.
So when all of it finally comes together, it finally comes together in 2017, after the likes of misfires including Man of Steel, Batman v. Superman: Dawn of Justice, and Suicide Squad, we finally have an exciting and worthy DC Comics outing that is fun for the entire family, and best of all, it is all heart.
And as a bonus, it features villains worthy of a movie from the DCU. Sure, you might expect a pantheon of villains like The Joker, Riddler, Penguin, Catwoman, Harley Quinn, Two-Face, Mr. Freeze, Egghead, Scarecrow, Bane, Clayface, Killer Croc, Poison Ivy, Man-Bat, Captain Boomerang, Crazy Quilt, Eraser, Polka Dot Man, Mime, Tarantula, King Tut, Orca, Dr. Phosphorus, Killer Moth, Magpie, March Hare, Frank Miller’s Mutant Leader, Dr. Hugo Strange, Zodiac Master, Gentleman Ghost, Clock King, Red Hood, The Kabuki Twins, Calendar Man, Kite Man, Catman, Calculator, Zebra-Man, and Condiment King. But all in one movie? And battling some of fiction’s other greatest supervillains, like Dracula and the other Universal Monsters, The Daleks, Lord Voldemort, Jaws, King Kong, Gremlins, velociraptors, the Wicked Witch of the West, Agent Smith from The Matrix, and Sauron? Wait–was Darth Vader tied up in some other project?
As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections. From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures. But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that. So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice. In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end. In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million. This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).
Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films. According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years. And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002). After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.
Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid. The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million. A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.
Every few years we cycle through a new Tarzan, a new Jungle Book, and a new King Kong. Maybe it’s time for a new Conan? A new Flash Gordon? All of these classic stories will be made and remade forever. They are timeless classics of fantasy for each generation to meet for the first time.
The latest is director Jordan Vogt-Roberts’ Kong: Skull Island. After several lesser sequels to the Jurassic Park franchise, why not show us a similar idea, but let the filmmakers have some fun with it? Samuel L. Jackson is showcased like Arnold Schwarzenegger in Commando or Predator. It’s about time we saw Jackson take on a tough guy action role like this. And John C. Reilly should make for some good comic relief.
The monsters look great, and you’ll get the idea that cinematographer Larry Fong was given the brass ring to lay on extra layers of fun. The man behind the camera for Super 8, Watchmen, 300, and the next Predator movie offers up explosions galore here, an Apocalypse Now riff there. And an entire Land of the Lost full of oversized creatures.
Check out these fun new trailers for Kong: Skull Island: