Tag Archive: Kingdom series


Kingdom J

We’ve seen Netflix take this approach successfully with series like Chilling Adventures of Sabrina: Take a Netflix successful series and splice in a standalone episode to surprise and please the fanbase.  This time it’s for a series we pegged as one of the Top 40 of the past decade, the South Korean brilliant horror mash-up, KingdomTwo seasons of the series (the first reviewed here, the second reviewed here) have everything: a great historical drama, royal family betrayals, medieval action, pandemic politics, and zombie horror, all supported across a giant, beautiful Korean landscape.  Kingdom isn’t what you’d think of as K-drama, at least not your typical romance heavy fantasy.  This month Netflix is surprising its viewers with what it calls a “sidequel,” a feature-length movie about a fringe character that arrived in the second season.  Check out a preview and images from Kingdom: Ashin of the North, below:

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Shang Chi pics

We got our first peek at Shang-Chi and the Legend of the Ten Rings here at borg this past April.  The new, full-length trailer reveals a plot that has the feel of Wu Assassins, and only a few days since the Snake Eyes trailers, with Raya and the Last Dragon in theaters and on video, and a new Kung Fu series airing on TV, audiences are getting new opportunities to watch AAPI actors shine.  While you’re in the vibe, don’t miss the live-action Mulan, the historical horror zombie series Kingdom, the action movie The Night Comes for Us, the fantasy wuxia series Legend of the Condor Heroes, the animated movie Over the Moon, the supernatural graphic novel Ghost Tree and Stan Sakai’s Usagi Yojimbo, the overview of martial arts in the movies in Iron Fists and King Fu Kicks, and the Bruce Lee documentary Be Water Long-time comics readers will know Shang-Chi as the Master of Kung Fu from the pages of 1970s Marvel Comics by Steve Englehart and Jim Starlin.  Originally the son of Fu Manchu, the character was an attempt by Marvel to create a monthly like the Kung Fu TV series after they failed in their bid to get the adaptation rights.

Check out the new trailer below for Shang-Chi and the Legend of the Ten Rings:

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luke cage

Ten years!  That’s ten years reviewing TV series in the decade that streaming services began to dominate TV viewing– and binge-watching was born as Netflix began releasing entire seasons at once in 2013.  How do you pick the best series?  As with yesterday’s list of movie recommendations, our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too.  What makes a great TV series?  Great writing—great storytelling.  Also we looked to difficulty level and technology innovation—TV productions tend to get a fraction of the budget of big-screen features, so what they do with their time and money is critical, and some television series in the past decade were all-out feats.  The third factor we looked to is re-watchability—we’ll be watching the best series for years to come.  The big difference between ranking movies and TV is the change between seasons, that force that inevitably causes most shows to decline with each season.  So consistency is a factor.  Finally, as with movies the most important factor is the fun—why would you devote so many hours of your valuable time if you’re not going to have a great time?

Manda

One more thing: Ten years is a long time so we narrowed the series we’re including to those recommendations that fall primarily within the ten-year window.  We covered several fantastic, re-watchable series that cemented their status in reruns or syndication, many beginning before borg began publishing and finishing in the years after, including Burn Notice, White Collar, Warehouse 13, Leverage, House, MD, In Plain Sight, and three landmarks among the best pop culture-packed series of all time, Chuck, Psych, and Community.  We were disappointed that some of the best series were canceled and left to only a single season, otherwise they may have gone on to fare better against our top recommendations, shows like Jason Isaacs’ psychological police procedural Awake, Sarah Shahi’s all-for-fun Fairly Legal, Lauren Cohan’s action/spy series Whiskey Cavalier, the Doctor Who spin-off Class, the adaptation of Max Allan Collins’ popular noir novel series Quarry, the slick animated series Tron: Uprising, and the cyborg future-world Almost Human starring Karl Urban, to name a few.

Grimm

So here are the Top 40 series we recommend, spanning 2011 to 2021.  These are our favorites.  How should you use lists like this?  If you like what we talk about at borg, you’re probably going to like these shows.  If you’ve missed any, odds are you have some new series to take a look at.  Let’s start at #40 and move our way to #1.  As with everything borg, we’re stressing genre series.  Title links are to one of our previous borg reviews.

Let’s get started!

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Review by C.J. Bunce

Timing of the debut of a horror genre series on Friday the 13th isn’t that much of a clever stretch, unless your series is about a plague and it’s launched on this particular Friday the 13th.  It’s a shame that with most people staying home there won’t be a water cooler to circle around to discuss Netflix’s latest and greatest release.  That’s the second season of Kingdom, the fantastic, epic tale of villagers in medieval 16th century South Korea dealing with a deadly plague.  Check out my review of the first season here at borg.  I am a bit envious of those who get to watch the first and second season together, because there are subtle hints in the first season that will have a greater impact if you remember them as the many twists and surprises are unveiled.  “Ripped from the headlines,” about a zombie series?  Who would have thought that was possible?

And yet it is.  The first strange irony is that the production was South Korea’s first international release via Netflix, with its topic mirroring people from differing statuses coping with a sweeping virus, government incompetence and mismanagement, and the disparate treatment of economic classes.  Unprepared for what lies ahead, a king is infected with a plague that renders him uncapable of leading.  A group of thug-like mobsters takes the opportunity to position their candidate to take the throne–only he is not ready to lead.  In fact, he doesn’t even exist–yet.  The actual person best able to lead–the rightful heir to the throne, a prince played in classic Shakespearean stateliness by Ju Ji-hoon–has been pushed aside and exiled.  He soon learns his people are threatened by a novel virus–a virus that restores the dead, but not as their former selves.  That was in the first season.  In the new season we learn that the truth behind the virus is even stranger than we could have expected.  As a physician (played by the excellent Doona Bae) struggles to find a cure, the heir to the kingdom attempts to save his people and return to seize the throne from the young, ruthless queen (played by Kim Hye-jun), who is at least partly to blame for his plight.

Kingdom pic 1

The result is a second season that matches the success of the first–the best zombie show you’ve ever seen, while also seizing the opportunity to bring a certain gravity along by steeping the story in a historical context.  And now that many have lived a few days with the threat of a deadly virus at bay, you may find the series takes on its own different, unexpected, heavy level of drama.  You might agree the nature of the threat in the series makes for the least “fantasy” version of a zombie story you’ve yet seen on film or television.  Kingdom is as much science fiction as fantasy, but it’s like that science fiction you’ve seen from Stan Lee superhero creations, and all his character origin stories resulting from misapplied science.  You’ll also find plenty of heroes and villains.

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An unusual new mash-up of historical drama and supernatural horror is coming your way this month.  Set in medieval Korea, Netflix’s Kingdom will be the second Korean series for the streaming service.  Netflix released two excellent trailers so far for the series’ first season, with the second trailer just arriving this week.  Actor Ju Ji-hoon (Mask, Confession) plays the Crown Prince, a man set on a mission to discover the cause of a deadly plague spreading across the country.  And an evocative classic Eastern costume drama becomes the next zombie series.  It looks similar to the world of Pride and Prejudice and Zombies, taken from a different part of the world.

The elaborate production quality of the trailers was created at a price tag of nearly $2 million per episode, resulting in some compelling preview footage with an Akira Kurosawa-inspired, creepy and cool “Seven Samurai vs zombies” vibe.  Eight episodes have been filmed for season one, and season two begins filming this month in South Korea.  The series blends the vision of film director Seong-hun Kim (Tunnel) and television writer Eun-hee Kim (Signal).  The series is based on Eun-Lee’s Land of the Gods, a 2014 webtoons/webcomic from Seoul’s YLAB Comics, which was drawn by Kyung-il Yang.

The series also stars Doona Bae (Jupiter Ascending, Cloud Atlas, Sense8), and Seung-Ryong Ryu (Psychokinesis, Masquerade).

Check out the teaser preview and two trailers for the Netflix original series, Kingdom:

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