Tag Archive: Kyle Killen


Review by C.J. Bunce

If you agree with us that the biggest landmark in the visual representation of futurism in science fiction over the last several years was Doug Liman’s Edge of Tomorrow, Luc Besson’s Valerian and the City of a Thousand Planets, and Netflix’s Altered Carbon, then you might also see something similarly new and refreshing–and yet new and different–happening with the new Paramount+ series Halo As I described it last month here at borg, Halo’s first episode was a dense set-up of a series opener, establishing the world building, the opposing factions and key characters in this new universe extracted from the video game franchise.  But the series’ second episode, titled “Unbound,” doesn’t miss a beat in showing viewers an even more layered science fiction story is in play, with plenty of visual surprises.

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Review by C.J. Bunce

At $6.5 billion in sales, Halo, the 77th biggest media franchise, is nothing to sneeze at.  So what took the video game franchise so long to make it to a major live-action production?  It was just stuck in development stages.  But for both those who never played the games and those who have, Halo is now a live-action series joining sci-fi’s Star Trek franchise on Paramount+.  The series opener is full of all the pew-pew action you’d expect of a first-person shooter game.  Neither a continuation, adaptation, or prequel to the games, the show is meant to be a standalone world.  It’s Lost in Space meets Ender’s Game and Star Wars: The Clone Wars, with similar plotting to Dune and Gears of War, a non-human threat like Ender’s Game and Starship Troopers, a 26th century mad scientist’s super squad with Edge of Tomorrow armor and guys in them that talk and stomp around like Jayne in Firefly.

Fortunately the pilot comes together like the short mini-series that touched off the successful Battlestar Galactica reboot.  Yes, this is a military sci-fi genre series to check out, and one you’ll likely return for next week.

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Review by C.J. Bunce

BritBox may not be the #1 streaming service around, but thanks to the pandemic its subscriptions have reportedly doubled this year.  And you’d think that would give a series like Wild Bill the possibility of a second chance.  Wild Bill was a 2019 British series in the great tradition of police procedurals featuring coppers with attitude starring the unlikely lead in a British series, Rob Lowe.  It’s probably Rob Lowe’s best personal performance to date, and certainly his most mature role, yet the series was canceled by production company ITV after the first season.  And that was a scrawny British season of six episodes, not 10 or 13 like we’d find on this side of the pond, which makes it doubly unfortunate to lose a series with so much promise.  Since American viewership has brought a new life to all things British TV, you’d think that might mean something, but apparently British television studios don’t like making money over here.

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