Tag Archive: Law and Order


It’s not every day you get to be part of a project that is exciting and fun.  My wife, borg contributor, and author Elizabeth C. Bunce has been writing her Myrtle Hardcastle Mystery Series for a few years now.  Prompted by a quick utterance of “premeditated murder” and a cat that showed up one night in the rain, a character and an idea took hold and before we knew it she had created and sold the first four books in a new series of mystery novels.  But as Tom Petty said, “the waiting is the hardest part.”  Tomorrow, after the obligatory pandemic delay, not only does the first book, Premeditated Myrtle, arrive in bookstores, but the second installment, How to Get Away with Myrtle, too (available in hardcover, eBook, and audiobook).  How often do you begin a new series and can hardly wait that next year for the second installment?  Solved! 

It’s been exciting to watch Elizabeth build the story from the ground up, featuring 12-year-old Myrtle Hardcastle, an irrepressible and tenacious heroine living in England in 1893 as the sciences of criminology and forensics are taking off.  Her father is a local prosecutor, and with her governess Miss Judson she forms a sort of dynamic duo, solving crimes as she faces the pressures of Victorian society and growing up with other kids whose interests are less… morbid.  And the team is only complete with Peony, a truly opinionated neighbor cat, who joins her on her sleuthing.

“Bunce crafts a truly captivating murder mystery, throwing in a delicious mix of twists, red herrings, and relatives excluded from the family fortune…the book will make readers yearn for more of Myrtle’s (mis)adventures.”  —Bulletin of the Center for Children’s Books 

Premeditated Myrtle is currently an Amazon Best of the Month Editor’s Pick and #1 Amazon New Release, and last month How to Get Away with Myrtle was a #1 Amazon New Release (and is currently a #3 New Release).  Last week Netflix Life and Fansided included the Myrtle Hardcastle Mystery Series on its list of “7 Books to Read if You Like Enola Holmes on Netflix.”  

“In the tradition of heroines like Flavia de Luce and Harriet the Spy, Myrtle is a fine example of the Victorian scientific female—smart, inquisitive and fearless,” says Rhys Bowen, the New York Times bestselling author of the Her Royal Spyness series. “Written with a terrific mixture of humor and suspense, Premeditated Myrtle is a perfect read for any budding detective.”

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Review by Elizabeth C. Bunce

After months of vigorous publicity, USA Network’s latest buddy cop dramedy Common Law debuted Friday night, with mixed results.  USA has long been teasing viewers with hints at the show’s premise: two quibbling homicide detectives attend couple’s counseling to work out their differences.  Starring Michael Ealy (Barbershop, Underworld: Awakening) and Warren Cole (24) and featuring veteran character actor Jack McGee as their lieutenant and Sonya Walger (Lost, The Sarah Connor Chronicles) as the therapist, Common Law is an uneven mix of action, comedy, and police drama.  With the USA pedigree behind it, it has a long way to go to catch up to network winners like White Collar and Burn Notice.

Let’s start with the premise.  It’s good!  It’s funny, it’s got a great hook, and the framework of the rocky relationship is something that can easily span multiple seasons of a series (unlike, say, Prison Break).  We first meet our heroes in the middle of their first group therapy session, filling out personality questionnaires to prove how well the “partners” know each other.  The jokes initially hinge on the double entendres, but do manage to rise above the obvious, delivering a few funny moments and revealing some depth to both leads.  Therapist Walger is competent, although the pilot didn’t give her much opportunity to shine in the role; we’ll be watching to see if she becomes a memorable character in her own right like the late Stanley Kamel of Monk.

As a cop drama, the pilot was lackluster.  Again, remember twenty years of Law & Order, seven seasons of The Closer, and the short but brilliant Life.  This is a genre with savvy viewers who expect standout scripts and performances.  The murder was forgettable (literally; it’s been less than twenty-four hours, and I’m having trouble remembering it), the writing just average, and the guest performances all lacked spark.  They’ll need to raise the mystery and casting to the level of the premise for the show to keep my interest.

Strong performances by leads Travis (Ealy) and Wes (Kole) helped the pilot rise above its draggy plot and uninspired dialogue.  Both were nicely developed, with complex backstories.  Travis was raised in foster care, and Wes is a disillusioned former lawyer (although I would have liked to see those somewhat stereotypical histories reversed).  Travis is a freewheeling ladies’ man, Wes an uptight perfectionist, and the two have landed themselves in hot water when Wes drew his gun on Travis over an argument.  Enter Captain Sutton (McGee), who believes the same couple’s therapy that saved his marriage will do wonders for his best detectives.  Ealy and Kole have great chemistry (or, at the moment, an entertaining lack thereof) and set the tone for the show.  But McGee somehow feels out of step with the rest, adding an element of farce to an otherwise fairly dark humor.  There was something off there that didn’t quite work for me.

However, some standout moments give this viewer hope for the series.  A couple of really great action sequences featured clever twists on familiar police drama scenes (a convenience store holdup, the foot pursuit of a suspect).  The foot pursuit, in particular, combined great filming/editing and some truly awe-inspiring synchronized stunt work by Wes and Travis.  If Common Law features more of that in coming episodes, I will have a good reason to keep tuning in.