Tag Archive: Leslie Hendrix


Review by C.J. Bunce

After a twelve-year break, the best, award-winning police procedural and crime drama is back.  For twenty seasons Law & Order delivered the best “ripped from the headlines” twists and turns, featuring the best shifting casts, long-term regulars, and returning characters.  Its split episode format with two detectives and assistant district attorneys blended the best of all the cop shows before or since with the #1 series ever created about lawyering (it helped get me through criminal procedure in law school two decades ago, and I’ve seen each of its 456 original episodes at least four times).  Well, now the best is back, with a mix of familiar faces and some promising new ones, beginning with this week’s first episode of its 21st season, a twist on the infamous Bill Cosby and Harvey Weinstein cases.  It’s the return of the best two assistant district attorneys in the history of the show.  And it hasn’t changed a bit–a good thing–like the series kept going after we last watched it way back in 2010.

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Review by C.J. Bunce

Everyone likes Paul Rudd, right?  Rudd is the center of a new comedy-drama on Netflix that began this weekend, Living with Yourself And his fans won’t be disappointed.  The same struggling character reaching for success–but just missing it–in shows like Ant-Man, Anchorman, and Clueless is back, but this time his character is actually characters, plural, and, like Ant-Man, this show has a sci-fi twist.

In fact you could spend the 3.5 hours of the eight episode, half-hour series spotting all the sci-fi tropes picked up in the script by Timothy Greenberg (The Daily Show).  It all begins with a twist on Orson Scott Card’s short story Fat Farm (found in Isaac Asimov, George R.R. Martin, and Martin Greenberg’s collection, The Science Fiction Weight Loss Book).  In that story, a person goes to a secret clinic to lose weight, not realizing he is actually being cloned, and the “real” him shuffled off to a work farm for the rest of his life, while “new him” returns to his life slim and trim not knowing the difference.  In Living with Yourself, it’s Rudd’s character Miles who is unhappy not with his weight but his underachievement and overall dissatisfaction with himself.  A co-worker puts him onto a pricey spa that can solve his problems, which turns out to be a third-rate, pop-up cloning shop, where, unknown to clients, they get replaced with like-new clones of themselves and their old selves get suffocated and buried in the woods.  The cloning tech isn’t quite so refined so Miles experiences something like Total Recall’s schizoid embolism–instead of killing Miles’ older self, he wakes up in a shallow grave and must confront his new, cloned self.

This all plays out like another Arnold Schwarzenegger film, Twins, with old Miles left to forge ahead with his stale, unrefined DNA and new Miles “cleaned” and ready to conquer the world.  But this is just in the first half hour.  If you stay around for all eight episodes (and Rudd is fun playing two characters, so why not?), expect to catch scenes straight out of Multiplicity, Gattaca, Rachel Rising, The Last Jedi, Harry Potter, even Star Trek VI: The Undiscovered Country, and more.  Rudd’s performance in dual roles is done so much in the actor’s laid back style that the double duty goes unnoticed, seamlessly, until the two halves confront each other in the season finale.  It’s not that kind of complex, award-winning visual effects work we saw from Tatiana Maslany as a dozen-plus characters in Orphan Black, but it doesn’t need to be.  The series hits on the classic internal struggle of man versus self, but this is first and foremost a comedy.

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