Tag Archive: Mariko Tamaki


Review by C.J. Bunce

How many sci-fi and outer space tropes can you pack into one hour of TV?  You’ll find out in the first episode of Syfy’s new space fantasy series Vagrant Queen It’s like Firefly and The Fifth Element as if they were directed by Sam Raimi.  Star Wars elements meet Doctor Who aliens with effects that feel a lot like The Last Starfighter.  And humor that’s a cross of Guardians of the Galaxy and The Hitchhiker’s Guide to the Galaxy.  Or maybe it’s just sci-fi created by Canadians.  Whatever it is you’ll be all-in with the crew of the spaceship Winnipeg as it takes off into adventures in some galaxy out there that is… not ours.

Adriyan Rae (Atlanta) plays the scavenger Elida, a mix of Marvel’s Valkyrie and Rey from Star Wars, who stealthily has masked her former persona as Queen Eldaya, being pursued by the dreaded Republic, led by Commander Lazaro, played by Paul du Toit (remember Gary Oldman’s Zorg in The Fifth Element? He’s like that guy).  Tom Rozon (Lost Girl, Wynonna Earp) is Isaac, a frenemy from Elida’s past (part Han Solo or Jack Harkness or Lone Starr from Spaceballs or Bruce Campbell in… anything).  They come together with a Kaylee-inspired ship mechanic named Amae, played by Alex McGregor, to save a space station’s bartender, get a ship back, and rescue the queen.  And that’s just the first episode.

It’s light-hearted, campy fun a la Xena: Warrior Princess featuring a group of actors who seem to be competing to see who has the most fun.  It’s a little bit… everything… that you enjoy about space travel, with a cool lead like Killjoys and alien makeups reminiscent of Farscape.  Goofy banter and situations, you’ll find yourself calling out the inspiration from nearly every scene, beginning with an opening rif on The Mandalorian.  This is the escapism you’re looking for right now.

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A new sci-fi television series is coming your way next week with a similar vibe as Killjoys and Farscape.  It’s an adaptation of a comic book series, but don’t be surprised if you haven’t heard of it.  Like many TV series adapting comic book stories of late, the production was practically overlapping with its release.  The series is called Vagrant Queen and it hails from one of the smaller publishers, Vault Comics.  The comic was written by Magdelene Visaggio and illustrated by Jason Smith, and the TV series is written by showrunner Jem Garrard (Killer High), Mariko Tamaki (X-23, Tomb Raider, Lumberjanes) and Mika Collins (Travelers).

Adriyan Rae (Atlanta) plays the series lead Elida, with Alex McGregor (Blood Drive) as Amae, and Paul du Toit (Maze Runner, Tremors) as Commander Lazaro.  Fans of Wynonna Earp, Lost Girl, and Being Human fans will be happy to hear Tim Rozon is the series co-star, playing Elida’s old frenemy, Isaac.

The series promises cannibalistic aliens, dangerous planets, shootouts, karaoke, and parking tickets.  Order Vagrant Queen–the graphic novel–now from Elite Comics (it’s also available at Amazon here).  And check out this preview of Syfy’s Vagrant Queen:

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The first major variant comic book cover event of 2020 launches tomorrow as the landmark 750th issue of Wonder Woman arrives at comic stores everywhere.  As with last year’s Detective Comics Issue #1000, DC Comics will feature a set of decade-inspired cover art variants plus a sketch cover version, joining an incredibly rendered Joëlle Jones standard cover with Wonder Woman holding the Earth on her shoulders (which might be the best of all), all available in most comic book stores.  Nearly 40 other variants will also be available if you’re willing to track them down, from retailer incentives to artist and store-exclusive issues.

Look for homage covers by Joshua Middleton (1940s), Jenny Frison (1950s), J. Scott Campbell (1960s), Olivier Coipel (1970s), George Perez (1980s), Brian Bolland (1990s), Adam Hughes (2000s), and Jim Lee and Scott Williams (2010s).

 

The first story features writer Steve Orlando and artist Jesus Merino wrapping the Year of the Villain arc.  DC announced previously that a story by writer Scott Snyder and artist Bryan Hitch will basically reboot the DC universe timeline, establishing Wonder Woman as the first DC superhero.  Other stories were created by Greg Rucka and Nicola Scott, Gail Simone and Colleen Doran, Marguerite Bennett and Laura Braga, Mariko Tamaki and Elena Casagrande, Kami Garcia, Phil Hester, and Ande Parks, Shannon Hale, Dean Hale, and Riley Rossmo, and Vita Ayala and Amancay Nahuelpan.  Readers will also find pin-up art by Emanuela Lupacchino, Ramona Fradon, Bilquis Evely, Travis Moore, Liam Sharp, and Jose Luis Garcia-Lopez.

So which is your favorite cover?  Check out the final covers and original cover artwork below:

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Our borg Best of 2018 list continues today with the Best in Print.  If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018 here, and the Best in Television 2018 here.

So let’s get going.  Here are our selections for this year’s Best in Print:

Best Read, Best Sci-fi Read – The Synapse Sequence by Daniel Godfrey (Titan Books).  The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place.  The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park.  Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).

Best Retro Read – Killing Town by Mickey Spillane and Max Allan Collins (Hard Case Crime).  The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans.  This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read.  This was the event of the year for the genre, and a fun ride for his famous character.  Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.

Best Tie-In Book – Solo: A Star Wars Story–Expanded Edition novelization by Mur Lafferty (Del Rey).  Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one.  Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen.  Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut.  Better yet, the writing itself was exciting.  We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all.  Honorable Mention: Big Damn Hero by James Lovegrove (Titan).

Best Genre Non-fiction – Hitchcock’s Heroines by Caroline Young (Insight Editions).  A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before.  Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.

There’s much more of our selections for 2018’s Best in Print to go…

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The perfect killing machine is forging her way ahead to lead the next series in the vein of Matt Fraction and David Aja’s Hawkeye and Nathan Edmondson and Phil Noto’s Black Widow for Marvel Comics.  It’s Laura Kinney aka X-23, the clone of Logan’s Wolverine, who takes center stage in a stylish and smartly written series, wrapping the final part of a five-part story arc last month and featuring a single-story issue this Wednesday.  In the monthly series X-23 (the sixth X-23 solo title series), writer Mariko Tamaki creates a worthy follow-on to future X-Men stories like those found in the Old Man Logan.  The series takes familiar mutant powers and mythology into surprising and exciting directions in a personal character study of young X-Women dealing with life as cloned mutants.

The story begins with a partnership forged in past series.  X-23 is joined by her lab-created “sister” Gabby, aka Honey Badger, who was previously created as a clone of Laura.  Gabby is the chatty younger sister of the duo, full of pep, a little less precise in her fighting skills than the more battle hardened X-23 (think Buffy Summers’ sister Dawn or Green Arrow’s former sidekick Mia).  Gabby is also more inclined to try to find commonality between the Wolverine clone club and the series’ other clone family, the Stepford Cuckoos.  The “Cuckoos” are the five clones of Emma Frost, who only recently have lost two of their sisters, who died in stories previous to this series.  If you can put aside the cringeworthy alter ego name of the Frost clones (the Cuckoos have been around since 2001 and are a Grant Morrison creation), as realized here the characters are new and fresh, and the story is an intriguing future-world update to the Xavier School situational stories found in the pages of Wolverine and The X-Men.

Tamaki (Hunt for Wolverine, Hulk) partnered with artist Juann Cabal and colorist Nolan Woodard on the first story arc.  As X-23 pursues a missing scientist at the behest of Hank “Beast” McCoy, the remaining Emma Frost clones, referred to as the Three-in-One, are plotting to return to their family of five sisters.  But one of the sisters has other ideas, determined to kidnap and transform Gabby in the process.  The result is a solid X-Men series mutant fans should take note of.  Take a look at some pages from the series and several variant covers:

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