Tag Archive: Marvel tie-in novels


Omnibus 2

If you have a houseful of kids and both spouses at home, all for the first time for longer than a school break, it may start getting… close… soon, especially if you’ve exhausted your collection of games, and finished cleaning out your garage and basement for the second time.  If that’s the case, or you’re just looking for some good reads, Titan Books has just the thing, three new, big books that are sure to keep at least a few of you entertained for the coming weeks.  The theme is Marvel Comics superheroes, but they aren’t comics.  They are part of Titan Books’ ongoing series of paperback novels delving deep into your favorite superhero characters.  Each volume, called an omnibus edition, is a hefty volume featuring three novels by a frequent Marvel writer.

Choose from Diane Duane’s Spider-Man: The Venom Factor Omnibus, including the novels The Venom Factor, The Lizard Sanction, and The Octopus Agenda, Christopher Golden’s X-Men: Mutant Empire Omnibus, featuring novels Siege, Sanctuary, and Salvation, and Greg Cox’s The X-Men and The Avengers: Gamma Quest Omnibus, with novels Lost and Found, Search and Rescue, and Friend or Foe? 

Diane Duane’s 656-page Spider-Man: The Venom Factor Omnibus is the ultimate look at the life of Spider-Man.  For Peter Parker, it’s one counter after another with three major Spidey characters.  Each novel confronts a key adversary, Venom, then the Lizard, then Doctor Octopus.  But these aren’t the only familiar faces readers will encounter.  And it’s not called The Venom Factor for nothing–look for Venom in a key role throughout these three novels.

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Review by C.J. Bunce

Chris Claremont, Dave Cockrum, and John Byrne’s Dark Phoenix saga in the pages of The Uncanny X-Men has attained classic status in the eyes of comics readers, up there with The Dark Knight Returns, Watchmen, and Days of Future Past.  So adapting the story into another medium forty years later is one of those cultural mainstays, a modern analogue to creating a new Sherlock Holmes film, Frankenstein movie, or another generation’s interpretation of a Shakespeare play.  Marvel Comics itself has given this a go a few times now, usually as subplots or tie-in concepts, and at the movies Marvel tried it with X-Men: United, X-Men: The Last Stand, and Dark Phoenix, this year’s wrap-up to the X-Men films.  X-Men: The Dark Phoenix Saga, the new hardcover novel from author Stuart Moore (Captain Ginger, Civil War, Thanos: Death Sentence) comes the closest so far to a faithful adaptation for Dark Phoenix purists.

We probably should blame Marvel’s bankruptcy and resulting character/universe splits and business decisions for the disjointed handling of the Dark Phoenix characters and plot points at the movies.  Dark Phoenix is an interesting story, but not the only X-Men story, so it would have been better revealed over five or six movies culminating in a Jean Grey-centered finale, since the character has been defined as Earth’s most powerful superhero as the Marvel universe is concerned.  She’s worth it.  Now with the successes of theatrical comic book adaptations, and the formula of long-term story development in the genre a proven commodity, maybe fans will see more loyal movie adaptations coming (hopefully only after we get to see some of the hundreds of other stories adapted).  But fans of the comics will be pleased here: Moore doesn’t play games with his novel.  Readers will find the classic game of chess and all the key pieces:  Emma Frost, Sebastian Shaw, Jason Wyngarde, Donald Pierce, Harry Leland, Lilandra, Moira MacTaggert, and X-Men Xavier/Charles, Kitty Pryde, Scott Summers and Logan & Co. (except notably Beast, who for some reason was not included).

Despite marketing to the effect of adapting the tale to the 21st century, if that’s true it’s only subtly handled.  The bones of the story are the same (including the awkward 1970s Harlequin romance subplot from the comics with Jean and a Regency era lover, every cringeworthy bit).  New readers, those unfamiliar with the story at all, will likely find some of those classic Claremont and Cockrum elements a bit jolting and distracting to the overall narrative, and episodic tangent shifts more typical to a monthly comic than longform story.  But Moore brings it all together with the key conflicts and outcomes of the source material falling into place.

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