Tag Archive: Mary McCormack

The good news?  The networks all have released previews of their new Fall TV series.  The bad news?  Most of the trailers play-out pretty flat–look for more of the same bland, dry, typical attempts at the next best Emmy-winning drama and the same brand of network comedy.  We showed you previews for three new series from CBS last week (here) for shows we think might be worth giving a shot: the reboot of Magnum, p.i., the return of Murphy Brown, and the Dick Wolf series FBI with Law & Order’s Jeremy Sisto and the DCU’s Connie Nielsen.

We were looking forward to New Girl’s Hannah Simone starring in a reboot of The Greatest American Hero, but ABC rejected the series after the pilot was filmed.  Forever and Law & Order’s Alana de la Garza‘s series Chiefs, and Timothy Hutton in Main Justice are still expected from CBS.  What We Do in the Shadows is a werewolf-zombie comedy starring Doug Jones coming from FX.  HBO is expected to launch a series called Camping with David Tennant, Ione Skye, and Juliette Lewis.  And Showtime has City on a Hill with Kevin Bacon, Aldis Hodge, and Jill Hennessy, Ball Street with Don Cheadle, and Kidding with Jim Carrey, Catherine Keener, and Frank Langella.  But we’ve seen no trailers for these series yet.

Putting aside the ongoing series being continued between now and year end, several new series with trailers now released may be of interest based on actors who have previously acted in genre series, so we’re going to run down those that may be worth at least a viewing of the first episode.

Here are the other new series, the genre actors you might want to know about, followed by the trailers for Fall 2018:

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Now that the major networks have revealed their new TV series for the Fall line-up, what of the new series is worth adding to your must-watch list?  While we’re curious about the new offerings from the cable networks, we see many reasons to at least try out the pilot for several series, based on the genre, the subject, or the inclusion of some of our favorite actors.  We previewed Marvel’s Agents of Shield last week from ABC, and no other series looks to have as much appeal for genre fans as more Joss Whedon and Marvel characters.  But we’ve found 15 of the two dozen new series that have some reason to take notice, many with trailers that have been released with the announcements.  But be warned, despite some great actors, many of these previews look pretty bad and we’re only posting the trailers for you to judge for yourself.  if you want to save time, go directly to the previews for Almost Human, The Michael J. Fox Show, Dracula, and Sleepy Hollow, which look like the best of the new series the Fall has to offer–at least from the networks.


Moving past Marvel’s Agents of S.H.I.E.L.D., the reason you might give Back in the Game a try is because of the lead, Psych’s Maggie Lawson, as well as James Caan.  It looks like a comedy version of Clint Eastwood’s Trouble with the Curve.  As much as we like Lawson and Caan, we’ll probably skip this one.  Check it out for yourself:

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ABC also has a spinoff of its Once Upon a Time series, Once Upon a Time in Wonderland We gave Once Upon a Time a try in its first season and it held our interest for several episodes because of series lead Jennifer Morrison, but an Alice in Wonderland spinoff?  The trailer makes this look better than Once upon a Time and it looks like more of a sequel than a real tie-in to Once Upon a Time.  And it does have John Lithgow playing the White Rabbit.  Check it out:

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The only reason we’ll mention Welcome to the Family is because of lead Mary McCormack, who we loved on In Plain Sight.  Other than that it looks like just another Parenthood series with an overdone culture-clash theme.  Here’s the trailer:

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Michael J. Fox is returning to TV with The Michael J. Fox Show.  On paper the description of this show looked almost cringe-worthy:  a series about a celebrity named Mike returning to TV who left to deal with his Parkinson’s.   But then you watch the trailer and only Michael J. Fox could make this look hilarious.  This series may be a very big win:

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They are three very different series, one an 11 season megahit, one a five season struggling hit, and the other a one-season series that missed its audience and hardly had a chance at all.  Fox’s House, M.D. finished its eleventh season Monday with a Hugh Laurie retrospective (where actors Hugh Laurie and Robert Sean Leonard end by trashing the production set) and a textbook finale episode.  USA Network’s In Plain Sight pulled itself together in the final two seasons and ended with a satisfying conclusion earlier this month–the best finale of the three series reviewed here.  NBC’s one season series Awake, a series inexplicably cut short when NBC continues other much weaker, tired programming, provided a rare opportunity to wrap a cancelled series, bookending a stunningly well written series with a clean finish in Thursday night’s finale.

If you haven’t seen these finales you’d do yourself a favor to stop, watch them online or elsewhere, and come back, as there be spoilers ahead here.

House, M.D. had some powerhouse seasons and a superb cast that was ever-changing.  That change took the series to a new level.  With Doctors Chase (Jesse Spencer), Cameron (Jennifer Morrison), and Foreman (Omar Epps) one-upping each other over the first seasons, and an ongoing “will they or won’t they” storyline between Hugh Laurie’s Dr. Greg House and Cuddy (Lisa Edelstein), it took the break-up of the team and a room full of candidates for House’s team to really show the series’ potential.  Enter Doctors Taub (Peter Jacobson), Kutner (Kal Penn), and the Doctors we knew as Cutthroat Bitch (Anne Dudek) and Thirteen (Olivia Wilde) in competition for House’s praise and a place on staff.  Only when the writers finally gave in and put House and Cuddy together did the show fall apart, but then a minor character named Martha Masters played by Amber Tamblyn turned the show around and it sailed in for a strong finish this season as we got to see House with his ideal wife, Dominika, played by Karolina Wydra.

But the writers always returned to what really gave the series heart–House’s friend Wilson (Robert Sean Leonard)–and creator David Shore all but admitted the inspiration for House in the finale’s retrospective.  As we’d always expected the House/Holmes (pronounce it “Homes” if you need to) and Wilson/Watson was intentional, including the House/Holmes brilliant analytical mind and antisocial nature, and to highlight it further the season finale mirrored the famous Sherlock Holmes case, “The Reichenbach Fall.”   Ultimately House, M.D. was a weekly buddy series, and the creators gave us the last scene we all needed.  A big plus for the finale was the return of past cast members, except the glaringly missing Cuddy, with even Kal Penn’s Kutner returning from the dead for an appearance.  And we knew that Doctor Chase would ultimately come out on top in the battle to replace House.  Taking the chair of House’s desk leaves us with the thought that the “show will go on” if not on TV then, by analogy, in real life.

In Plain Sight started almost unsure of what it wanted to be with star Mary McCormack playing an ever-irritable witness relocation program U.S. Marshal who was the bad end of a relationship with cool and (almost) decent boyfriend Raph (Cristian de la Fuente).  Then we began to understand her more as we met her disaster of a family, mom Jinx (Leslie Ann Warren) and sister Brandi (Nichole Hiltz).  Jinx and Brandi got so bad at points you felt bad for the actresses having to play these roles.  But Mary had the best support team you could wish on a person: partner Marshal Marshall Mann (played by Frederick Weller) (a strange character name that worked anyway) who was smart and full of brainy curiosities, and boss Stan McQueen (Paul Ben-Victor), a gruff but perfect-for-Mary leader of the Albuquerque federal office.  Creative differences almost lost the audience at the end of season two, but a re-focus on Mary prompted the series to pick itself up in time for actress Mary McCormack’s real-life pregnancy that the producers smartly just adapted for her character in season four, one of the best seasons of writing an acting for any actress on any television series.

As for the finale, the “will they or won’t they” angst we saw botched by allowing House and Cuddy get together, kept us guessing until almost the last scene for Mary Shannon and Marshall Mann.  When Marshall finally professes his love for Mary in the finale you could hear a collective sigh of relief across the viewing audience.  But it wasn’t what the passing viewer might think–it was true to both characters and simply a perfect climax to the relationship between these two partners, resulting in Marshall taking over the Albuquerque office where he could finally take care of Mary and still marry his fiancée Detective Chaffee (Rachel Boston), while Mary ends up with a new beau and boss Stan gets promoted to the Washington, DC office with new girlfriend Lia (Tia Carrere in the final season’s most refreshing new role).   As satisfying endings go, In Plain Sight simply was a winner.

As standalone episodes, the Awake finale packed a rollercoaster of action, twists, and emotion, with all the important plot threads nicely tied up.  The only problem with Awake likely was that it aired in a primetime slot on a major network.  On any other network–Fox, CW, USA, AMC–Awake would have found its audience and been a smash hit.  But NBC’s typical viewer does not like the clever supernatural drama as NBC has proven with prior cancellations year after year.  Awake was exciting, and included a cast of brilliant actors headlined by British actor Jason Isaacs, who, like fellow Brit Hugh Laurie, offered up a pitch perfect American accent.  Preparing for the worst, the creators readied a season finale that could stand strong as a series finale should the show get cancelled, and low viewership resulted in just that end.  Isaacs’ character Detective Britten never got any rest in season one–every time he awakened he was in a different reality–and it seemed as if Isaacs himself had a heavy burden playing this challenging character in an Emmy-worthy performance.  In fact, if Emmys nominees were being considered right now, you could bet Laurie, McCormack, and Isaacs would be strong contenders.

Awake’s finale allowed the supporting cast to shine–Detective Freeman (Steve Harris), Detective Vega (Wilmer Valderrama), and Dr. Evans (Cherry Jones) and Dr. Lee (BD Wong) only scratched the surface of what future seasons could have revealed.  Missed opportunities, such as what was to happen between Detective Britten and Tara (Michaela McManus), will never be known. Although we will never learn the “why” of the series, the unravelling of the car crash that got Britten into the entire mess gave viewers what we wanted in the end–a way for Britten to undo the past, or at least move forward as if the crash never ruined his life.

Sadly, we likely will never see the one-season Awake characters again other than on DVD, but House, M.D. and In Plain Sight will likely visit us again and again forever in syndication.  The good news is that these great actors are now freed up to give us something else.  What will Hugh Laurie, Robert Sean Leonard, Mary McCormack, Peter Jacobson, Jesse Spencer and Jason Isaacs do next?

C.J. Bunce



Wow.  It’s not every actress that puts her pregnancy in plain sight.  Mary McCormack did just that this season on the USA series In Plain Sight, the show about two federal witness protection program marshalls officed in Albuquerque.  From the first episode of the summer season to the last we figured out Mary McCormack’s character Marshall Mary Shannon was pregnant even before she did and got to watch her reaction and choices as her character begrudgingly grew.  And over the course of the season both Marys got bigger, with no hiding behind office desks, no oversized concealing clothing, no disappearing from episodes with action sequences.  Mary McCormack was openly and unabashedly pregnant and her character was, too.

To be sure, there is absolutely nothing wrong with the traditional approach.  Even in the past few TV seasons we saw both the female leads of White Collar and Leverage carry on with their characters unaffected by the actresses’ real life pregancies.  But this was so much more fun.

Mary Shannon is about as cynical as they come.  In the opening episodes of season one it was difficult to fathom how this series could move forward with such a harshly snarky, pretty-much-always-unlikeable character.  Yet she grew on us and we went back for more each week, despite her failed relationship with her sister’s ex-boyfriend Raph, her poor decison-making sister, her cringeworthy mother, and Mary’s non-stop cranky hatred of everyone and everything.  As characters go, she’s pretty awesome.

So some proof that she is a great actress?  This is actress Mary’s third child.  With all the ranting by character Mary about stinky kids and her genuine dislike for humanity, how could the actress be so convincing?  At Emmy time someone should stand up and take notice.

And who would have thought weekly conversations about the increasing size of Mary Shannon’s breasts would be so funny, so real?  And this year, more than past seasons, the writers have created a universal aura that constantly hovers over us–partner Marshal Marshall Mann played by Fred Weller is somehow cosmicly linked to Mary Shannon.  More than partners, more than BFFs, they are soulmates of sorts–Marshall knew it early on, especially when Mary was dying at the end of the first season, but since then he moved on to a live-in girlfriend who seems to be cut from the same cloth as Marshall.  But their bond never goes away, as highlighted at the end of the season finale this week.  Finally, the bitter, grumbly Mary opens up for two sentences in the midst of all the chaos of her life, an Assault on Precinct 13-influenced shoot-out, the denial of how she feels about how she looks, and darned near missing her sister’s wedding when she is the maid of honor.  All for something unsaid to finally be said–to fall apart as a season cliffhanger.  The alliteration is not lost on us, two sides of the same coin, Mary and Marshall, would be horrible as a couple.  But their bond, however unexplainable, is believable, and makes us care about people we might not normally care about.

What can we expect for next season?  The father of the baby sticking around?  The fallout of her sister’s actions on her wedding day, after a full year of upward momentum, growth and positivity?  Mary hauling a baby around town like her failed attention to the dog she eventually pawned off on Marshall?  It is hard to imagine the writers concocting a better season of stories but for Mary McCormack’s real-life pregnancy.  And going with it, instead of denying it, now sets up even more opportunities for both Marys next season.  When other characters’ failed relationships served as Mary Shannon’s foil for past seasons, unimaginably Shannon’s baby played the foil all season long.  For pure drama fans this meant dealing with all the traditional questions every mother must face with an impending due date.  But with a no-holds-barred character on modern cable, this seems like the first time we got to live alongside a lead character of a television series sharing all the unstated negatives of carrying a kid around for the bulk of a year.  The truth of the cravings, body out of control, unwanted reactions of her peers, uninvited advice, suffocating family pressures, and the sweat could hardly have been dramatized in a funnier way, by a better actress.  Up against the likes of actresses like Kyra Sedgwick of The Closer playing equally off the wall characters, it says a lot that McCormack stormed ahead of the pack (actually slightly waddled ahead of the pack) this year.  Poking fun at real life pressures, common angst-inducing circumstances and life’s surprises proved to make a great season of a good series.

Watch for an iconic scene toward the end of this season’s finale: like Sigourney Weaver marching away from a pile of dead creatures in Aliens, or Linda Hamilton walking away from a squashed Terminator, our heroine in flak jacket forges ahead, emerging victorious, on to her next battle.

As a postscript, 100 years ago this week Lucille Ball was born.  Those who watched I Love Lucy when it first aired or in re-runs on Nick at Nite as I did, may recall that Lucy was the first actress to be openly pregnant in an ongoing series.  Although censors wouldn’t let the show say the word “pregnant”–Lucy was “expecting”–it was a first for the growing medium of television.  Since then networks have shied away from a pregnant woman playing a pregnant woman, or even a non-pregnant woman playing a leading role as a pregnant woman in an ongoing series or feature film.  Only Frances McDormand’s performance as a pregnant police officer in Fargo comes to mind.   McCormack did something ordinary this season, but in a venue and way both unusual and interesting.  We can hope for even more fun next season.  Who says there is nothing good on TV to watch?

C.J. Bunce



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